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Thread: Car (or bike) Chat!

  1. #1871
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,460
    I'm AudioAl'sArbiterForPISHANTO.

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    Quote Originally Posted by GrahamS View Post
    Took the little Honda Civic in for an oil and filter change last month. I was charged £55.00 for the air filter. I found this exact same one on line at Halfords for £7.95.
    http://bit.ly/2rfgxUZ . Admittedly there was no labour charge but still, they have lost a regular customer.
    Indeed, Graham - what a rip off! Did you go to a main dealer to get the job done? If so, that was your biggest mistake

    For comparison, my guy (and he's *top notch*) charged me £80 labour (ex. VAT), for a FULL SERVICE on my car. Parts were extra, and I bought the oil. IME, finding a good independent garage to carry out work on your car, which you can trust, is worth its weight in gold. That's usually where you'll be looked after best. Most dealerships these days are a rip off.

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  2. #1872
    Join Date: Jun 2014

    Location: Chorley Lancs

    Posts: 19,265
    I'm Steve.

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    Quote Originally Posted by Marco View Post
    Interesting, I didn't know that they had such a lengthy history. Never heard of the other two. I only discovered K&N a few years ago, when I became interested in souping up fast cars

    They do notably increase performance (improving airflow), and I've found also change the engine note to a deeper 'growl', which I rather like. I also like the fact that they last a very long time, and so from that point of view are more environmentally friendly than the standard items.

    Marco.
    A quick search revealed that K&N invented that type of filter in 1969. My memory of them goes back to the late seventies where they were a common sight on big Kawasaki and Suzuki 4 strokes. My mate had some on his '81 GSX1100EX, and they did look pretty cool (obviously on bikes they were visible, and comprised one small filter directly fitted to each carb).

    Piranha made pointless ignitions to be fitted to bikes that were using points (probably pretty much all bikes before about 1980, though I may be a bit out with this).

    Micron made expansion chambers (among other things) which were a direct replacement for standard exhaust silencers on 2-stroke bikes. I think the shape increased back pressure and so performance, but as with changing air filters, it was necessary to increase jet size in the carburetors otherwise bike would usually run lean, and all sorts of engine damage could ensue.

    If any of this is incorrect, I suspect Geoff or Grant would be more knowledgeable
    I just dropped in, to see what condition my condition was in

    T/T: Inspire Monarch, X200 tonearm, Ortofon Quintet Blue. Phono: Project Tube Box CD: Marantz CD6006 (UK Edition); Amp: Musical Fidelity A5 Integrated.
    Speakers: KEF Reference 3, REL T9i subwoofer. Cables: Atlas Equator interconnects, Atlas Hyper 3.0 speaker cables

    T'other system:
    Echo Dot, Arcam A75 integrated, Monitor Audio R852 MD speakers
    A/V:
    LG OLED65 G56LS, Panasonic Blu Ray, Sony a/v amp, MA Radius speakers, REL T9i sub.


    KICKSTARTER: ENABLING SCAMMERS SINCE 2009

  3. #1873
    Join Date: Oct 2018

    Location: Forest of Dean

    Posts: 643
    I'm Gary.

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    Going back to the petrol discussion, my Dad used to work in the Shell terminal at Avonmouth, it was interesting watching the Shell, Murco, Jet, Sainsburys, Tesco, Asda tankers coming in to fill up from exactly the same tanks.
    Even more interesting hearing how people's cars run better on Shell than supermarket fuel lol
    You get what you pay for lol
    Marantz CD63 KI Signature
    Project Debut II
    Pioneer A656 Reference
    Epos M5s
    Atacama Stands
    Maplin speaker cable cos I can't hear a difference
    Various interconnects as above

  4. #1874
    Join Date: Feb 2013

    Location: W Lothian

    Posts: 98,920
    I'm Grant.

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    only differences are the additives they put in to them. the fuel is the same
    Regards,
    Grant .... ؠ ......Don't be such a big girl's blouse

    I've said it before and I'll say it again: democracy simply-doesn't-work
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  5. #1875
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,460
    I'm AudioAl'sArbiterForPISHANTO.

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    Quote Originally Posted by Pigmy Pony View Post
    A quick search revealed that K&N invented that type of filter in 1969. My memory of them goes back to the late seventies where they were a common sight on big Kawasaki and Suzuki 4 strokes. My mate had some on his '81 GSX1100EX, and they did look pretty cool (obviously on bikes they were visible, and comprised one small filter directly fitted to each carb).

    Piranha made pointless ignitions to be fitted to bikes that were using points (probably pretty much all bikes before about 1980, though I may be a bit out with this).

    Micron made expansion chambers (among other things) which were a direct replacement for standard exhaust silencers on 2-stroke bikes. I think the shape increased back pressure and so performance, but as with changing air filters, it was necessary to increase jet size in the carburetors otherwise bike would usually run lean, and all sorts of engine damage could ensue.

    If any of this is incorrect, I suspect Geoff or Grant would be more knowledgeable
    Thanks for that, Steve. As I'm into tuning/modifying cars now, that sort of stuff interests me. I was too young, during the 70s, to be into motorbikes, so knew nothing about that stuff. Pedal bikes, yes, but motor bikes, no.

    I got my first motorbike in 1981, but didn't start getting into them more seriously until later, when I obtained a gorgeous red and white Yamaha RD-350LC - now *that* was a fun 2-stroke!!

    I race-tuned that bike to the max and it was a total RIOT - breathtakingly quick, especially in acceleration, due to a rather favourable power-to-weight ratio (a total wheely machine), sounded as sweet as a nut (famous high-pitched whine), with the sports pipes I had on it, and something the girlies loved a ride on!

    Plus, there's nothing to beat the smell of burned 2-stroke oil... Big, smooth 4-stokes, back then, were for 'poofs'

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  6. #1876
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,460
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Quote Originally Posted by struth View Post
    only differences are the additives they put in to them. the fuel is the same
    Exactly - and *that* is what makes the difference!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  7. #1877
    Join Date: Jun 2014

    Location: Chorley Lancs

    Posts: 19,265
    I'm Steve.

    Default

    Quote Originally Posted by Marco View Post
    Thanks for that, Steve. As I'm into tuning/modifying cars now, that sort of stuff interests me. I was too young, during the 70s, to be into motorbikes, so knew nothing about that stuff. Pedal bikes, yes, but motor bikes, no.

    I got my first motorbike in 1981, but didn't start getting into them more seriously until later, when I obtained a gorgeous red and white Yamaha RD-350LC - now *that* was a fun 2-stroke!!

    I race-tuned that bike to the max and it was a total hoot - breathtakingly quick, especially in acceleration, due to a rather favourable power-to-weight ratio (a total wheely machine), sounded as sweet as a nut (famous high-pitched whine), with the sports pipes I had on it, and something the girlies loved a ride on!

    Plus, there's nothing to beat the smell of burned 2-stroke oil... Big, smooth 4-stokes, back then, were for 'poofs'

    Marco.
    You are so right Marco, the smell of burned 2-stroke takes me back to my yoof, even more than cut grass!

    And as for the 4-strokes, I recall going flat-out (about 90) with my chin on the tanks of my Suzuki X7, tailing a huge cloud of blue smoke, when a Honda CX500 wafted past at about a ton, making no smoke, and me thinking "smug bastard, I'll get you back one day".

    Those Yam lc's were wicked fast in their day, and if I remember correctly, the stock exhaust was pretty much expansion pipes. The first 250 lc's were said to be responsible for the government saying "enough is enough" to the 250 learner laws.

    If I had the funds though, my 'nostalgia bike' would be an earlier RD 250 or 400 with coffin tank, or if I was really minted I'd go for an early Honda CBX1000. All of these bikes (and especially the lc's) cost fortunes these days.
    I just dropped in, to see what condition my condition was in

    T/T: Inspire Monarch, X200 tonearm, Ortofon Quintet Blue. Phono: Project Tube Box CD: Marantz CD6006 (UK Edition); Amp: Musical Fidelity A5 Integrated.
    Speakers: KEF Reference 3, REL T9i subwoofer. Cables: Atlas Equator interconnects, Atlas Hyper 3.0 speaker cables

    T'other system:
    Echo Dot, Arcam A75 integrated, Monitor Audio R852 MD speakers
    A/V:
    LG OLED65 G56LS, Panasonic Blu Ray, Sony a/v amp, MA Radius speakers, REL T9i sub.


    KICKSTARTER: ENABLING SCAMMERS SINCE 2009

  8. #1878
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,460
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Still gives me a chubby (and brings back so many fond memories), just listening to this now:



    Used to burn off and totally embarrass many a boy-racer in their XR3is

    Marco.

    P.S Have you been Christmas shopping yet in Shrewsbury?
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  9. #1879
    Join Date: Oct 2018

    Location: Forest of Dean

    Posts: 643
    I'm Gary.

    Default

    Quote Originally Posted by Marco View Post
    Exactly - and *that* is what makes the difference!

    Marco.
    Again I'm going back a few years to when my Dad work for Shell but it was very hit or miss as to whether the additives where actually added or not.
    Marantz CD63 KI Signature
    Project Debut II
    Pioneer A656 Reference
    Epos M5s
    Atacama Stands
    Maplin speaker cable cos I can't hear a difference
    Various interconnects as above

  10. #1880
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,460
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Good job then I don't use Shell

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

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