Bat shit and boring are words which spring to mind at the mention of ESL63, at least the 57's had a bit of mid-band magic.
Location: Near Saffron Walden, Essex
Posts: 7,357
I'm Dave.
Bat shit and boring are words which spring to mind at the mention of ESL63, at least the 57's had a bit of mid-band magic.
IF you angle the 63's back, they do it too. Set them too low, the treble fires into the floor and they sound muffled.
I remember a wonderful 57 era Quad dem at a show with the 57's on trestle tables. Wonderful sound and peace... A couple of years later and the 63's were sat on the floor, the TD160-M75ED was heavily filtered by the 44 pre and the sound was truly dire. The rep denied there was anything wrong and it was years before I heard what the 63's could really do....
I can't go on and I can't go back, I don't feel so matter of fact,
I tried and tried to make good sense, What's the good to try it all again?
Location: Near Saffron Walden, Essex
Posts: 7,357
I'm Dave.
I made frames which held the 63's and which we could tilt forward and back, we removed the covers and other mods but just couldn't get on with them. The 57's, especially, with bass bins (as they were known) and super-tweets worked a treat. On their own they have an interesting mid prescence, just a narrow band, which is quite appealing.
Location: Yorks
Posts: 16,643
I'm Nobody.
... I ain't interested in the Andre ... Just trying to be of service to the thread![]()
CS Port TAT2 - Benz LPS - Funkfirm Houdini - DS Audio Vinyl Ionizer - CS Port C3EQ - Kondo G70 - Kondo Gakuoh II - Maxonic TW1100 MKII - Isol-8 SubStation Integra
Location: Yorks
Posts: 16,643
I'm Nobody.
57s were defo best - and stacked even more so!
I wouldn't say no to a pair of 2905s either... I nearly bought a pair before going down the vintage Tannoy route
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Location: Yorks
Posts: 16,643
I'm Nobody.
If it's statics you want and you dont mind a bit of DIY,check out the ER Audio site.I have two pairs of Rob's speakers and they are superb.Every bit as good if not better than the new Quads and for a fraction of the price.
Location: Near Saffron Walden, Essex
Posts: 7,357
I'm Dave.