Yes, but they don't sound as good, certainly to my ears... Part of the reason why the Lockwoods work so well is their baffle width (which is coincidentally one of the reasons why Glenairs fail so miserably). 15" drivers, in order to reproduce gut-wrenching scale and depth, need to have big, WIDE, cabinets!! That's why I absolutely hate the fashion today for pencil-thin floorstanders with pityful arrays of teensy-weensy 6 or 8-inch drives, trying to reproduce genuine deep bass and realistic SCALE - it just ain't gonna happen!!

The other reason why the Lockwoods work is due to their overall construction (tried and tested, as previously used in many top recording studios around the world) and the rather 'interesting' way that they are ported...

Basically, the Lockwoods are a true studio monitor design, but that's only a good thing if you can handle hearing the truth from your music collection, due to their ruthlessly revealing nature (when suitably fettled). Personally, I love that, as they do it so beautifully, and musically, without ever sounding forensic or clinical.

When suitably fettled, they sound musically accurate, but not in a cold sounding and tiring way, like for example, some ATC studio monitors can. Think about it: do you know of any recording studios who use or have used Turnberrys? They're good fun, but ultimately a little too coloured sounding for my tastes.

Marco.