If they didn't use fancy capacitors in the studio equipment that made the recording, how can you possibly get back what is already lost by inserting fancy capacitors into the playback equipment?
If they didn't use fancy capacitors in the studio equipment that made the recording, how can you possibly get back what is already lost by inserting fancy capacitors into the playback equipment?
Current Lash Up:
TEAC VRDS 701T > Sony TAE1000ESD > Krell KSA50S > JM Labs Focal Electra 926.