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Thread: The Pain of Neutral Sound

  1. #11
    Join Date: Apr 2008

    Location: Cheshire, UK

    Posts: 2,832
    I'm Clive.

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    Matching rooms to those speaker measurements is vital. Forgetting the huge issue of tuning bass for now....It's easy to believe that speakers which are forward in the 2k to 8k range will over-excite a live room but in room with deep carpet, thick curtains and lots of soft furnishings. We've got to look at the suitability of speakers for specific rooms.
    TT 1 Trans-Fi Salvation with magnetic bearing + Trans-Fi Terminator T3Pro + London Reference
    TT 2 Garrard 301 with NWA main bearing + Audiomods Series Six 10.5" + Ortofon 2M Mono SE
    Digital Lindemann Bridge + Gustard R26 with LB external clock
    Pre and Power Amp EWA M40P + M40A
    Bass Amp & DSP Behringer iNuke NU3000DSP x 2
    Speakers 1 Bastanis Sagarmatha Duo with twin baffleless 15" bass drivers per side
    Speakers 2 MarkaudioSota Viotti Tower

  2. #12
    Join Date: Nov 2011

    Location: fuck off

    Posts: 2,030
    I'm fuckoff.

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    Quote Originally Posted by John View Post
    Nice write up
    Worth going to Windows 8 to get a even better sound from JRiver special deal till end of Jan
    Sorry I know this is a bit ot, but you think windows 8 sounds better? I've no experience but am interested to hear more... Maybe by pm?

  3. #13
    Join Date: Jun 2011

    Location: Tallinn, Estonia

    Posts: 155
    I'm Juha.

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    Thanks for comments and suggestions.

    Windows 7 or 8
    As far as I understand the J.River Media Center uses low level Microsoft operating system libraries to play standard audio files.
    These services date back to Windows Vista. How could Windows 8 sound better??
    I have compared Windows audio to ASIO. Cant hear any difference.

    Velleman K8020 preamp
    How good is it?
    This preamp is sold as a kit. Maybe this is why it is not well known.
    I bought mine second hand and it was assembled.

    The K8020 has a simple valve preamp with very small amount of quality components.
    The pictures of Croft preamps look similar. In addition the Velleman has a good relay based input selector and audio mute when valves are heating up.

    Tone controls
    Computer based audio players bring back all kinds of tone controls. This is good.
    I wish I could find emulators of famous audio equipment. How about a Foobar 2000 plugin to emulate good CD players.
    This has been done years ago on microphones, guitar amps, tape recorders etc.

    Listening room
    My listening room is not very live. I have soft furniture, curtains and stone walls with bare limestone pieces.

    ESS Amt quality
    These were hand made in California about 30 years ago. ESS used its own components. The woofers even have BBC Bextrene cones.
    Here is a scan of ESS documentation.

    Last edited by Juha; 24-01-2013 at 22:08.

  4. #14
    Join Date: Apr 2008

    Location: Cheshire, UK

    Posts: 2,832
    I'm Clive.

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    Preamp - a lot depends on the circuit design, I don't know any details.

    Room - your description suggests it's more live than neutral - what sort of carpets do you have and how much of the room has bare floorboards?

    Speakers - they have a rising response.

    Room and speakers may not be a great match...without some room treatment.
    TT 1 Trans-Fi Salvation with magnetic bearing + Trans-Fi Terminator T3Pro + London Reference
    TT 2 Garrard 301 with NWA main bearing + Audiomods Series Six 10.5" + Ortofon 2M Mono SE
    Digital Lindemann Bridge + Gustard R26 with LB external clock
    Pre and Power Amp EWA M40P + M40A
    Bass Amp & DSP Behringer iNuke NU3000DSP x 2
    Speakers 1 Bastanis Sagarmatha Duo with twin baffleless 15" bass drivers per side
    Speakers 2 MarkaudioSota Viotti Tower

  5. #15
    Join Date: Jun 2011

    Location: Skien, Norway

    Posts: 931
    I'm Jostein.

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    What power amp do you use?
    My hifi system:

    Turntable: Technics SL-1200 MKII, Ortofon 2M Bronze cartridge, Mike New bearing, MCRU PSU (c), Oyaide HS-CF headshell, Oyaide MJ-12 TT mat, Vantage Audio Copper mat, Isonoe Isolation Feet, Isodek IF-2 isolation platform, Furutech Monza LP stabilizer, Herbie's Hal-O JR damper Phono Stage: Hagerman Cornet 3 (prototype) Amplifiers: EAR 868L Preamp, Transcription Audio 211 Heaven Power amp, Bob Carver Cherry 180 power amp CD Player: Ear Yoshino Acute Tuner: Magnum Dynalab 90T Speakers: Vandersteen 2CE SigII, Townshend Audio Super Tweeters, Transcription Audio Speakers Cables and stuff: LFD Audio interconnects and speaker cables, Mark Grant G2000HD, BlackCat Electronics, Van Den Hul Clearwater, Black Rhodium mains cables, Black Rhodium mains block, Finite Elements Resonator, Townhsend Stella Speaker stands, Pro Audio Bono hifi rack, Herbie's spike gliders, Herbie's Ultravox and Hal-O tube dampers, Super Black Hole CD mat Record Cleaning Machine: Loricraft PRC4

  6. #16
    Join Date: Jun 2011

    Location: Tallinn, Estonia

    Posts: 155
    I'm Juha.

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    My amp is a Quad 522. This is a rack-size Quad amp for pro use.
    The 522 version has Sowter balanced input transformers.
    Many references on the 522 point to the BBC.

    I have been testing the LS5/8 500 Hz to 2500 Hz 3-4 db suckout from DSJR's post on page 1.
    Installed a 31 band equalizer on foobar2000 and copied the suckout.

    Did a frequency response chart on my ESS AMt today with HolmImpulse software.
    This was 1 meter from speaker. Uncalibrated microphone AKG C1000S


  7. #17
    Join Date: Dec 2011

    Location: Far Away

    Posts: 1,373
    I'm Gone.

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    Quote Originally Posted by DSJR View Post

    Lastly, the one big pro model of quality I really want to hear is the SP Acoustics active monitor. The designer did the original AE1 and relatives from the mid 80's and is using the Illuminator drivers, regarded as amongst the best out there these days, the mid unit covering most of it, with the bass and tweeter augmenting the mid, rather than crossing over where the ear is most sensitive..
    Hate to contradict, but the AE1 and early Acoustic Energy stuff was designed by Phil Jones previously of Vitavox later of Wharfdale, Boston Acoustics and now Pure Sound. Just before he started AE he ran a live PA called dB Hire I was the sound engineer there at the time. One of the things about AE was the metal diaphragms and the ferro fluid, which is a concept I introduced Phill to at the time. Shortly after, he came out with the first prototype of the AE1. The SP site shows Steve Phillips as the designer.

  8. #18
    Join Date: May 2008

    Location: A Strangely Isolated Place in Suffolk with Far Away Trains Passing By...

    Posts: 14,540
    I'm David.

    Default

    Thanks for putting me straight. My original post is too old for me to edit now I'm afraid. Have you heard the SP monitors, as I'm told they're rather good?
    I can't go on and I can't go back, I don't feel so matter of fact,
    I tried and tried to make good sense, What's the good to try it all again?

  9. #19
    Join Date: Dec 2011

    Location: Far Away

    Posts: 1,373
    I'm Gone.

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    Quote Originally Posted by DSJR View Post
    Thanks for putting me straight. My original post is too old for me to edit now I'm afraid. Have you heard the SP monitors, as I'm told they're rather good?
    've not heard them but my Tascam VX-5s are getting long in the tooth I would like to hear a pair of the SP1MA active monitors as a possible replacement, they look tasty

    Paul S

  10. #20
    Join Date: Mar 2017

    Location: Seaford UK

    Posts: 1,860
    I'm Dennis.

    Default My introductory post

    My joining this forum was prompted by my coming across this thread, it having a great resonance with my own path.
    Please, any posters here, compare and discuss.

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