Location: Huddersfield
Posts: 3,358
I'm David.
System; Michell Gyrodec SE/ Orbe Clamp/ Gert Pedersen armboard mod/ HR PSU/ SME V / J7 Tonearm cable/Ortofon Cadenza Black// Jez Arkless Turbo nutter B------ /Trichord Dino+
Amplification and loudspeaker set up is at the moment being split into two groups, comprising the following;
1. Same sources as above; SONY TAF-770ES/SONY CDP761E/Cable Talk 3.1 loudspeakercable/ Harbeth Compact7ES2/ Stands
2. Virtue Audio Sensation M451battery PSU, ClarityCaps upgrade/ Sensation M901/Russian PIO caps with Teflon bypass caps upgrade/ JT Dynamic PSU with various tweaks/ Connex Audio 5N Litz loudspeaker cable, Impulse H6 Loudspeakers.
Me so horny- Impulse H6 Horny
Location: Eastern, US
Posts: 2,027
I'm afesteringvinylphile.
Lyrics are the ramblings of man, sometimes inspired by The Creator, most often, not.
But music (melodies, harmonies, rhythms), that's God stuff.
Always was. Always will be.
One of the biggest lies ever told was that only certain kinds of people should listen to certain kinds of music.
(silent) VINYL LP SLIDESHOWS
Folks,
With all the frantic talk about Richards new Platter, you all seem to have forgotten that It was I who fiist "innovated" and produced the "Copper Bonded Alluminium Platter" of which about 20 were sold to appreciating users.
Then eventually, some 6 months later when Richard/Funk eventually worked out how to make one; He came out with his Acrylic version with
[no metal centre boss/hub and no screwed holes for easy removal of the platter]
All of a sudden both Martin and Marco dropped my platter in favour of the Richard/Funk version.
The reason as explained by Martin was that the Copper Bonded Platter was too good at reproducing Bass!!!
So perhaps for all thos people who enjoy the Bass notes in their music perhaps we should also include my Copper Bonded Platter.
Or perhaps Martin and Marco can remember how very good it was!!
I then developed the ETP platter as a slightly brighter platter with less weight.
Mike, I think you're greatly overreacting now. That is NOT the reason I switched to the Funk platter from yours. And remember, I didn't ever have the bonded platter.
What was the reason then martin???
Because I have an email from you saying that with your setup you did not need the extra Bass that my platter is able to offer.
Location: Eastern, US
Posts: 2,027
I'm afesteringvinylphile.
PM Sent.
I think it comes down to taste. As an example, the very excellent Trans-Fi Salvation turntable comes with a choice of aluminum or acrylic platter. I think Vic has caught on that there is a certain amount of personal preference that comes into play; so, why not offer both (which you kind of do now, in the ETP).
I'm also guessing there are those who continue to happily use the bonded platter, which is my leaning at present; so, no worries. Can't be all things to all people. Choice is good. I don't think there was any intent by Marco or Martin to downplay what the MN bonded platter brings to the table (pun intended). After all, Martin and Marco are only 2 sets of ears; everyone has their own pair.
Everyone jumps on a good idea. If Richard jumped on one, so be it. Just keep doing what you do, Mike. We appreciate it!I'm still lovin' the bearing. We'll see what's next.
Lyrics are the ramblings of man, sometimes inspired by The Creator, most often, not.
But music (melodies, harmonies, rhythms), that's God stuff.
Always was. Always will be.
One of the biggest lies ever told was that only certain kinds of people should listen to certain kinds of music.
(silent) VINYL LP SLIDESHOWS
The primary reason was a clarity and transparency in the midrange from the Funk platter, lifting detail from the mix. Your platter (not a later bonded example) had a very slight haziness in this area. Yes, the absolute output of the Funk's bass was lower (there was not a lot in it) but the texture and detail in the bass went up, and for that reason I said it was not an issue in my system. It was never a compelling reason one way or another.
I don't think this is helpful, Mike. There is no need to analyse to the nth degree our reasons for our choices. There are plenty of Technics upgrades out there and we nearly all have a different selection when you include the arm and other parts. You still make the best bearing I've yet heard for the deck and, if you work with Arthur, you will have access to even more modders out there.
Yeah, Mike, you're getting a bit 'heavy', mate - and it's not cool. Just chillax and worry not about what folk choose to use. At the end of the day, everyone gets their slice of the cake
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Location: Granes - Haut Vallee de l'aude - EU
Posts: 2,830
I'm Richard.
I really must get my finger out and start making technics platters. I'm missing all the fun![]()