I used stands of 12 inch tall and that is really a bit too much. 6 to 8 inches would be best, you don't want to move the bass driver too far from the floor boundary or you lose too much bass. A couple of thick, hardback books will do in a pinch.
I used stands of 12 inch tall and that is really a bit too much. 6 to 8 inches would be best, you don't want to move the bass driver too far from the floor boundary or you lose too much bass. A couple of thick, hardback books will do in a pinch.
Current Lash Up:
TEAC VRDS 701T > Sony TAE1000ESD > Krell KSA50S > Troels Gravesen Faital 3WC-15.
I have now put mine on 6 inch target stands.
Pioneer A 616 MK2
JPW Boxer Kit Loudspeakers
Thorens TD 125 MK1 with SME 3009 S2 Non Improved with Shure V15 II & SME 2000 Plinth
Technics RS D550W Cassette Deck
Location: Yorks
Posts: 16,643
I'm Nobody.
Target didnt exist in 1972You lot tryin' yer modern wayz voodoo on proper speekas
Get some tilt back jobbies for the real aurfentic look loike..
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Last edited by Rare Bird; 14-02-2013 at 23:46.
Actually, the vintage ones will probably also perform better, as experience has shown me that in some instances castors can sound better than spikes! Think why a company today like Shahinian use them on their speakers....
Also, I like the way that the speakers are coupled firmly to the stands, on the vintage 'tilt back' jobbies - defo way better than using Blu Tak on a daft little metal top plate!
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
The targets will do for now. I always see the above stands at the car boots so not diffecult to source. also more better for moving and placement etc.
Pioneer A 616 MK2
JPW Boxer Kit Loudspeakers
Thorens TD 125 MK1 with SME 3009 S2 Non Improved with Shure V15 II & SME 2000 Plinth
Technics RS D550W Cassette Deck
The best way to get the bass units away from the floor is to turn the speakers upside down, as per Dynaudio Consequence (see thumbail).
Thanks for the ideas/tips guys, will see if i could find something near hand to raise them up 6' inches or so.
Dan, dome covers sent 1st class, should be with you tomorrow weather permitting.
Frank...made me do it.
Just been to Lidl and came across these self build stools, 8 inches tall x 15 inches wide, £3.99 each and works a treat.
https://www.dropbox.com/s/hthbdd9hb8...2000.01.27.jpg
Glad to hear domes arrived at Dan's.
Frank...made me do it.
Hi Chap
Quick question as andy said the dome covers arrived this morning.
Just wondering whats the best way to attach them to the tweeters.
Pioneer A 616 MK2
JPW Boxer Kit Loudspeakers
Thorens TD 125 MK1 with SME 3009 S2 Non Improved with Shure V15 II & SME 2000 Plinth
Technics RS D550W Cassette Deck
I doubt you'd lose too much bass as floor mounted, there's too much mid bass to start with and the tiny tweeter would fire into one's tummy with them plonked on the floor.
Remember, all these bigger Wharfedale, Goodmans and Celestions from the early 70's were designed for well heeled music lovers trading up from big heavy radiograms, with their lovely rich "tone." A thin toned screecher as all too often made today wouldn't have been sellable back then.
I can't go on and I can't go back, I don't feel so matter of fact,
I tried and tried to make good sense, What's the good to try it all again?