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Thread: Bushmaster DAC burn-in

  1. #71
    Join Date: May 2010

    Location: Vancouver, Canada

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    I'm Alex.

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    Quote Originally Posted by chrism View Post
    Is it possible that this young man may be slightly exaggerating do you think?
    I know it sounds like I'm exaggerating, but in reality, here is what I'm hearing: I play Amy Winehouse "Me and Mr. Jones" through the Caiman, and I get this glassy, blaring sound. I play the same tune through the Bushmaster, and the glassiness is gone and there are no blaring sounds. Furthermore, with the Caiman, I hear all the instruments occupying the same plane as Amy's voice, only spread out from left to right, while with the Bushmaster the instruments are placed way back behind Amy, and are positioned in their proper places, so that it gets very easy to 'see' them.

    Big, big difference, if you ask me. Plus, not to mention the silky highs which I'm fully enjoying now that the Bushmaster had finally settled in and is performing in a very consistent fashion. Amazing DAC, amazing sound!
    Don't you just hate it when you cannot detect where the post ends and a signature line begins?

    Alex.

  2. #72
    Join Date: Apr 2008

    Location: Warrington

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    I'm Neil.

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    Quote Originally Posted by magiccarpetride View Post
    I play the same tune through the Bushmaster, and the glassiness is gone and there are no blaring sounds. Furthermore, with the Caiman, I hear all the instruments occupying the same plane as Amy's voice, only spread out from left to right, while with the Bushmaster the instruments are placed way back behind Amy, and are positioned in their proper places, so that it gets very easy to 'see' them.
    Hey what you've said about the Caiman is very similar to my experiences of the TC-7510. Interesting that you're hearing such a big upgrade.

  3. #73
    Join Date: May 2008

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    It's a bit disconcerting when you first hear this sense of layering in music mixes for the first time using "digital" isn't it?
    I can't go on and I can't go back, I don't feel so matter of fact,
    I tried and tried to make good sense, What's the good to try it all again?

  4. #74
    Join Date: May 2010

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    Quote Originally Posted by Yomanze View Post
    Hey what you've said about the Caiman is very similar to my experiences of the TC-7510. Interesting that you're hearing such a big upgrade.
    Yeah, I've always thought that my less than optimal speaker positioning is the reason I'm not getting the much coveted 'deep, deep, deep' soundstage (my speakers are only two and a half feet away from the wall behind them). Turns out it was more due to the source and the accompanying digital noise (or lack of it). Obviously, once you upgrade to the more resolving source (such as the Bushmaster), voila! -- your soundstage opens up and deepens! What some people call 'blackness between the instruments' (which, quite frankly, always sounded like bullshit to me) suddenly becomes perceivable, and that lack of digital noise helps create the illusion that you are indeed looking at certain instruments playing way in the back, deep into the soundstage.

    It's an amazing revelation.
    Don't you just hate it when you cannot detect where the post ends and a signature line begins?

    Alex.

  5. #75
    Join Date: Jan 2012

    Location: Hampshire, England

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    I'm Martin.

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    Quote Originally Posted by magiccarpetride View Post
    Yeah, I've always thought that my less than optimal speaker positioning is the reason I'm not getting the much coveted 'deep, deep, deep' soundstage (my speakers are only two and a half feet away from the wall behind them). Turns out it was more due to the source and the accompanying digital noise (or lack of it). Obviously, once you upgrade to the more resolving source (such as the Bushmaster), voila! -- your soundstage opens up and deepens! What some people call 'blackness between the instruments' (which, quite frankly, always sounded like bullshit to me) suddenly becomes perceivable, and that lack of digital noise helps create the illusion that you are indeed looking at certain instruments playing way in the back, deep into the soundstage.

    It's an amazing revelation.
    +1

    That's exactly my experience with the BM too
    Martin

    Source: Sonos CONNECT DAC: Rega DAC Amp: Rega Brio-R Speakers: Neat Motive 2.

    My system photos

  6. #76
    Join Date: Apr 2009

    Location: Melbourne

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    I'm Alex.

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    +1 this layering and inky blackness of space between instruments is something more akin to analog presentations. I posted my first impressions in the BM review thread and the vocals is what got me hooked to the BM. The way voices are rendered with depth and defined punctuations in the way the singer delivers them is captivating

  7. #77
    Join Date: Apr 2009

    Location: Melbourne

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    I'm Alex.

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    Just a thought if Caiman is a crocodile, then the Bushmaster is either the Australian designed military vehicle or a chain-fed auto-cannon. So which is it Stan?

  8. #78
    Join Date: Mar 2008

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    I'm inthescottishmafia.

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    It's a snake.

  9. #79
    Join Date: May 2010

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    Quote Originally Posted by maxrob200 View Post
    +1 this layering and inky blackness of space between instruments is something more akin to analog presentations. I posted my first impressions in the BM review thread and the vocals is what got me hooked to the BM. The way voices are rendered with depth and defined punctuations in the way the singer delivers them is captivating
    ++1. Voices are simply amazing. I never knew James Brown had so much vulnerability in his voice, until I've heard him through a properly burned-in Bushmaster. Switch back to the Caiman, and James is merely screeching and shouting.
    Don't you just hate it when you cannot detect where the post ends and a signature line begins?

    Alex.

  10. #80
    Join Date: Jul 2009

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    Switch back to the Caiman, and James is merely screeching and shouting.
    12 months ago you were saying the Caiman was the best thing since sliced bread
    Andy.

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