Location: Cardiff, South Wales, UK
Posts: 315
I'm paul.
Paul
Thorens TD 124, Thorens 12" Arm refurbished by Alfred, Shure M55, Denon 103r ,whest PS30R , Auditorium A23 Sony XA20 ES, Benchmark DAC 1 HDR, Elite Townsens 600c Pre,
DPA Enlightenment DAC, , , Radford STA 25 Series 3, Aurex ST S80 , Tannoy Monitor Golds 15" Tannoy York Enclosures, TEAC DS H01, Isotek Substation, Abbey Road Reference Speaker Cables
and some other stuff
Hehehe.... Indeed! The point I'm making though is that it's all about achieving the best balance of compromises.Careful there, the Hyperbole Police have spies everywhere...
No audio equipment is perfect.
Therefore, regardless if crossovers make things worse (an undisputable fact), I'd lose far more than I'd gain by using intrinsically worse sounding speakers than the Tannoys, just to lose the crossovers in a totally different design!
Regarding, making further modifications... Thanks for the tips, guys, but I can't really be arsed. Why attempt to 'fix' what ain't broken?
The crossovers in my Tannoys are very simple, though, and of the highest quality, so I reckon that I have achieved the best balance of compromises, and they stun me every time I listen to how wonderfully they reproduce music - job done!
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Location: Epping
Posts: 716
I'm Richard.
I don't know but I presume they don't. Companies like Harbeth and Spendor now a days only pay lip service to BBC design principles for marketing purposes IMO.
It is more a problem now with bigger companies and to do with cost savings, as a complex crossover is a lot cheaper than a good drive unit or solid cabinet.
Last edited by Dr Bunsen Honeydew; 06-07-2011 at 13:52.
Location: Epping
Posts: 716
I'm Richard.
Location: Epping
Posts: 716
I'm Richard.
Location: Halifax, UK
Posts: 1,394
I'm Nick.
Assuming that the absense of that component does not cause more damage than the best component that could be used.There is only one thing better than the best component you can buy, and that is no component at all.
Deciding to improve your sound by not using any speaker cables will not lead to a better sound if the output of the amplifier has to be distant from the loudspeaker.
Nick.
Location: London
Posts: 2,410
I'm Nat-andthat'swhyIdrink.
Location: London
Posts: 2,410
I'm Nat-andthat'swhyIdrink.
Can I express a small niggle of mine that often pops up on forums? Not aimed at you really Richard, a general point.
What if you're not listening to music and you want the speakers to portray a sound recording as realistically as possible, a sound recording of non-musical sounds?
I want speakers that do that and I assume that any musical event will also be portrayed in an equally realistic way without a human emotional brain interfering to make it more musical. and therefore imposing a 'human (western) cultural filter'.
Am I then forced to go for studio style speakers where no claims are made about musicality or is it all hifi talk and they're the same?
(out of interest, does any maufacturer claim to do this at all? Harbeth claim to use speech as a listening test but surely that's bandwidth limited realism?)
Last edited by nat8808; 06-07-2011 at 14:56.