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Thread: Scalford show 6th March 2011

  1. #231
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,678
    I'm AudioAl'sArbiterForPISHANTO.

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    Hi Jerry,

    No worries - I totally agree with you. It's defo a case of 'different strokes for different folks', but I also like to learn where others are coming from, as in many cases the way other people listen can identify things that previously you weren't aware of, and which can sometimes be useful.

    I just can't get me 'ead round that one, I'm afraid.
    In that respect, next time we must listen to Tannoys together, so you can point out where the "whispy whistly graininess" is, which I don't seem able to hear.

    Of course, ALL speakers are coloured to some degree, so with Tannoys, I supect it's simply a case of you identifying an annoying (to you) coloration which my ears ignore and factor in as part of their 'addictive musicality'.

    However, at the end of the day, it's all subjective. Anyway, congrats on making some nice sounds!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  2. #232
    Join Date: Feb 2010

    Posts: 19
    I'm Jack.

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    Speak as I find, it was nice to have a quick chat with the AOS lads again this year on the Sat night, I missed checking your room out this year as mainly I was paranoid about leaving my kit with the grubby handed public. I did hear back some positive reviews though so well done, sorry one of your members didn't enjoy my horns, ''all boom and tizz'' apparently, well goes to show how different our tastes are and makes the hobby better for it IMO.
    Nick, always a pleasure to chat with you, maybe next year you lot can come have a beer and curry with us? You never know you might enjoy it.

  3. #233
    Join Date: Nov 2010

    Location: Huddersfield

    Posts: 3,358
    I'm David.

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    A few members off other forums have mentioned without being prompted how good the AOS room was. The only thing that spoilt it I was told was that damn make up brush under the techie...

  4. #234
    Join Date: Dec 2008

    Location: Yorks

    Posts: 16,643
    I'm Nobody.

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    Na it was this, looks like someone got too excited
    Last edited by Rare Bird; 21-03-2011 at 00:53.

  5. #235
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,678
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Lol - indeed. A wee spillage during a moment of aural excitement (yes, that was "aural" not oral.... )

    Hi Jack,

    Speak as I find, it was nice to have a quick chat with the AOS lads again this year on the Sat night, I missed checking your room out this year as mainly I was paranoid about leaving my kit with the grubby handed public. I did hear back some positive reviews though so well done, sorry one of your members didn't enjoy my horns, ''all boom and tizz'' apparently, well goes to show how different our tastes are and makes the hobby better for it IMO.
    Nick, always a pleasure to chat with you, maybe next year you lot can come have a beer and curry with us? You never know you might enjoy it.
    Always nice to chat to you - and this time yer arse was behaving itself, too!

    Would love to go for a curry with you guys, but the problem is, finding the time to fit it in! By the time I've packed the car and driven down there, unpacked it all and set-up the system, it's usually after midnight!

    You guys are either better organised, have less gear to set up, and/or live closer to the venue....

    Loved your system playing (Duke Ellington?) - the dynamic range of those horns was incredible, and so any acoustic instruments, particularly trumpets and sax sounded amazingly life-like. 'Conventional' speakers simply can't do this.

    However, the price you pay for such dynamic impact and immediacy, is that horns don't always reproduce other types of music so well, which is what I think some people picked up on. I'd totally disagree with the "all boom and tizz" remark, as that simply wasn't the case with the right music.

    The other thing is, cabinets aside, you designed them yourself, so mucho respecto!!

    I also loved the Lenco/12" Jelco (Shelter 501?) combo, which showed exactly why I rate all three items - the Lenco, in particular, being an amazing bargain, when mounted in a suitable plinth. It was very musical sounding and enjoyable indeed, so well done!

    More comments later.

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  6. #236
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,678
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Meanwhile some more pics of the AoS room, courtesy of Pete (i should coco):














    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  7. #237
    MartinT Guest

    Default

    Sure that drip in the bass driver is not as a result of excessive driving / melting of the coil former?

  8. #238
    Join Date: Dec 2008

    Location: Yorks

    Posts: 16,643
    I'm Nobody.

    Default

    Someones varnished em by the looks of it

  9. #239
    Join Date: Jul 2010

    Location: North Cambs UK, Earth, Sol, Orion - Cygnus arm of galaxy

    Posts: 11,165
    I'm MadeOfDeadGiantStarsThatExplodedEonsAgo.

    Default

    It's simply the damping material applied to the cone which has gradually flowed over the millenia

    Ok then 40 years or so... Even glass flows over the years
    Bests, Mark



    "We must believe in free will. We have no choice" Isaac Bashevis Singer

  10. #240
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,678
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Hi Mark,

    Nice to have met you, dude! So what were your thoughts on the system and the show as a whole?

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

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