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Thread: Expensive CD players - worth it?

  1. #61
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 111,024
    I'm AudioAl'sArbiterForPISHANTO.

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    Quote Originally Posted by Pigmy Pony View Post
    Like CD players with well-built but obsolete transports, or for instance Sony's unobtainable v-fet transistors and so-called "death diodes".
    Where did you get that information from? It's new to me.

    Thing is, as you found from a search the other day, there are plenty of vintage Sony CDPs on the used market, which can be bought for spare parts, so if you know a good EE, repairing them really isn't an issue.

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  2. #62
    Join Date: Jan 2009

    Location: Essex

    Posts: 38,089
    I'm openingabottleofwine.

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    Quote Originally Posted by Macca View Post
    It's always possible that at some point Accuphase would sell out to some big corporation but there's no sign of that happening. They deliberately limit production and how much they export, it's all in the old Japanese family craftsman tradition.

    By contrast, Levinson IMO was a bit of a chancer. I think he was just a marketing man, I don't think he actually designed any of the equipment himself, he got people in to do it. And when he had the chance to sell the brand and even the rights to his name, he did so. Then IIRC he was bringing in cheap China-made equipment and selling it as 'Madrigal' for top dollar. Had a demo of it in New York years ago now (2000) wasn't impressed. It was not bad, but IMO not remotely worth the money.

    Have to say I thought QUAD still had a UK based service department that supported all their kit, maybe that has gone now, I don't know.
    It is a bit academic now, but you are right in as much to say Levinson was an 'interesting' character. Originally Levinson intended to travel to India to learn to play the sarod (?), an Indian stringed instrument. On the way he stopped off in Switzerland to buy a portable tape recorder. Whilst visiting the Stellavox company, he was so impressed with the quality of their products, he did a complete volte face and returned to the US with the intention of starting his own audio electronics company.

    The first items he made was a mixing desk used at the Woodstock festival. These were designed by him and used propriatory Burwen audio modules. The next designs were started by him, but finished by John Curl, who went on to design subsequent items for ML (which is why their designations are JC .. ). After the JC-2 preamp, Curl left the company to be replaced by Tom Colangelo, and the designations returned to the ML .. notation.

    After selling Mark Levinson Audio Systems to Madrigal, Levinson started a new audio company Cello, retaining Colangelo as designer. In turn Cello 'morphed' into Red Rose which, I believe, used a Chinese company to build the valve-based electronics. By this time Colangelo had left to start up his own company: Viola.
    So yes, an interesting career and an interesting character.
    Last edited by Barry; 21-10-2026 at 18:41. Reason: Corrections
    Barry

  3. #63
    Join Date: Jun 2015

    Location: London/Durham

    Posts: 7,509
    I'm Lawrence.

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    Didn't people also complain that some Red Rose speakers were OEM Chinese with a big markup for the name? I initially refused to believe that because of his name but I now know better.

  4. #64
    Join Date: Jun 2014

    Location: Chorley Lancs

    Posts: 19,678
    I'm Steve.

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    Quote Originally Posted by Marco View Post
    Where did you get that information from? It's new to me.

    Thing is, as you found from a search the other day, there are plenty of vintage Sony CDPs on the used market, which can be bought for spare parts, so if you know a good EE, repairing them really isn't an issue.

    Marco.
    Plenty of places where they get mentioned, here's just one of them:

    https://pinkfishmedia.net/forum/thre...ervice.304594/

    Post #19 by Arkless probably sums up the (potential) problems perfectly.

    You're right about the vintage Sony CDPs, though I wouldn't describe them as 'plentiful'... you could buy one to provide spares for your own, but really there's no way of knowing whether that would last much longer either.
    I just dropped in, to see what condition my condition was in

    T/T: Inspire Monarch, X200 tonearm, Ortofon Quintet Blue. Phono: Project Tube Box CD: Marantz CD6006 (UK Edition); Amp: Musical Fidelity A5 Integrated.
    Speakers: KEF Reference 3, REL T9i subwoofer. Cables: Atlas Equator interconnects, Atlas Hyper 3.0 speaker cables

    T'other system:
    Echo Dot, Arcam A75 integrated, Monitor Audio R852 MD speakers
    A/V:
    LG OLED65 G56LS, Panasonic Blu Ray, Sony a/v amp, MA Radius speakers, REL T9i sub.


    KICKSTARTER: ENABLING SCAMMERS SINCE 2009

  5. #65
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 111,024
    I'm AudioAl'sArbiterForPISHANTO.

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    I've been using my Sony for the last 20+ years without a single fault - and it gets used plenty - as it's built to last, so if I had to buy another one for spare parts I'd have no reason to believe it wouldn't be just as reliable. No guarantees of course, but the history is there.

    I'm not expecting you to go down this route yourself, as I know it's not your thing, but it works for me

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  6. #66
    Join Date: Jun 2014

    Location: Chorley Lancs

    Posts: 19,678
    I'm Steve.

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    Quote Originally Posted by Marco View Post
    I've been using my Sony for the last 20+ years without a single fault - and it gets used plenty - as it's built to last, so if I had to buy another one for spare parts I'd have no reason to believe it wouldn't be just as reliable. No guarantees of course, but the history is there.

    I'm not expecting you to go down this route yourself, as I know it's not your thing, but it works for me

    Marco.
    That we do agree on, we're both happy with our lot, and long may that continue
    I just dropped in, to see what condition my condition was in

    T/T: Inspire Monarch, X200 tonearm, Ortofon Quintet Blue. Phono: Project Tube Box CD: Marantz CD6006 (UK Edition); Amp: Musical Fidelity A5 Integrated.
    Speakers: KEF Reference 3, REL T9i subwoofer. Cables: Atlas Equator interconnects, Atlas Hyper 3.0 speaker cables

    T'other system:
    Echo Dot, Arcam A75 integrated, Monitor Audio R852 MD speakers
    A/V:
    LG OLED65 G56LS, Panasonic Blu Ray, Sony a/v amp, MA Radius speakers, REL T9i sub.


    KICKSTARTER: ENABLING SCAMMERS SINCE 2009

  7. #67
    Join Date: Jun 2015

    Location: London/Durham

    Posts: 7,509
    I'm Lawrence.

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    Quote Originally Posted by Marco View Post
    I've been using my Sony for the last 20+ years without a single fault - and it gets used plenty - as it's built to last, so if I had to buy another one for spare parts I'd have no reason to believe it wouldn't be just as reliable. No guarantees of course, but the history is there.

    I'm not expecting you to go down this route yourself, as I know it's not your thing, but it works for me

    Marco.
    The problem is they may be reliable but if they last say 25 years with typical usage and yours goes, a similar generation one will be due to go around the same time. A newer one will last longer but probably not have the same components. If you can buy NOS of course that's different but they'll be rare as hens' teeth.

  8. #68
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 111,024
    I'm AudioAl'sArbiterForPISHANTO.

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    Quote Originally Posted by Lawrence001 View Post
    The problem is they may be reliable but if they last say 25 years with typical usage and yours goes, a similar generation one will be due to go around the same time.
    That depends on how much usage it's had. You cannot predict these things. Anyway, I think I'll worry about this when something actually happens!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  9. #69
    Join Date: May 2012

    Location: Toulouse, France

    Posts: 7,220
    I'm Kevin.

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    My Pioneer PD-S703 is between 30 to 32 years old and still operates flawlessly.
    I did upgrade the op amps to Burson V6 Vivids that improved the sound, but these are now redundant, as I use the coax out into my DAC.
    It was never a highend player, but works remarkably well as a transport.

    If it breaks, I will see if my Alpha 7se still works.
    I always wanted an Alpha 8se, and I saw one for sale locally recently.
    Kevin

    Too busy enjoying the music....

    European loan coordinator for Graham Slee HiFi system components..

  10. #70
    Join Date: Jun 2015

    Location: London/Durham

    Posts: 7,509
    I'm Lawrence.

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    Quote Originally Posted by Marco View Post
    That depends on how much usage it's had. You cannot predict these things. Anyway, I think I'll worry about this when something actually happens!

    Marco.
    So you're not one of those audiophiles that keeps 5 of everything in case they break down? [emoji23]

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