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Thread: Tannoy Monitor Gold LSU/HF/III.L.Z/8 question

  1. #11
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,867
    I'm AudioAl'sArbiterForPISHANTO.

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    Lol! It's not a circular argument, Dave. I merely wanted t'other Dave's views on your remarks - not to worry

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  2. #12
    Join Date: Apr 2009

    Location: Near Saffron Walden, Essex

    Posts: 7,361
    I'm Dave.

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    As I remember, we used Croft pre/power and Harbeth M40.1 and Tannoy Kensingtons. Step up was an ancient x-mer, hand wound by Be Yamamura and which I know very well. TT was the Dais, not a Spacedeck.

    As I said, there was nothing wrong with the SPU, it's just that I prefer other cartridges and (especially) London Decca.

    It's a taste thing...

  3. #13
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,867
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Indeed - no worries

    However when you describe a cartridge as "plump and with a generous dose of golden syrup elsewhere", that doesn't quite go with your assertion of:

    there was nothing wrong with the SPU
    Does it?

    Such a disparaging description suggests that there is in fact something very seriously wrong......!

    However, let's leave it there. The important fact for people reading to note is that Dave's description in no way reflects how the SPU sounds in a different system to the one you guys used.

    Let's get back on topic now, dude

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  4. #14
    Join Date: Apr 2009

    Location: Near Saffron Walden, Essex

    Posts: 7,361
    I'm Dave.

    Default

    Quote Originally Posted by Marco View Post
    Indeed - no worries

    However when you describe a cartridge as "plump and with a generous dose of golden syrup elsewhere", that doesn't quite go with your assertion of:



    Does it?

    Such a disparaging description suggests that there is in fact something very seriously wrong......!

    However, let's leave it there. The important fact for people reading to note is that Dave's description in no way reflects how the SPU sounds in a properly matched system.

    Let's get back on topic now

    Marco.
    I wrote 'there is nothing wrong with the SPU'. Where did I say 'plump and generous etc, etc' ???

  5. #15
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,867
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Lol - I was referring to your, mate, Dave R. I thought that was obvious, as I'd already quoted the same text from him earlier......

    Best to leave it now, I think, as the point has been well and truly made!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  6. #16
    Join Date: May 2008

    Location: A Strangely Isolated Place in Suffolk with Far Away Trains Passing By...

    Posts: 14,540
    I'm David.

    Default

    It has indeedzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzz zzzzzzz

    DECCA'S ROOL - So there!
    I can't go on and I can't go back, I don't feel so matter of fact,
    I tried and tried to make good sense, What's the good to try it all again?

  7. #17
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,867
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Lol - aye, whatever keeps you happy!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  8. #18
    Join Date: May 2008

    Location: Cricklewood

    Posts: 9,074
    I'm ILOB.

    Default

    Marco you mentioned awhile back that Barry was lending you a Decca be interesting yo hear your thoughts For me I just love what the Decca does to vinyl The Decca Jubilee is an amazind Cart when I was Vic he played me a few Decca's and each step up in class was easy to hear
    Loves anything from Pain of Salvation to Jeff Buckley to Django to Sarasate to Surinder Sandhu to Shawn Lane to Nick Drake to Rush to Beth Hart to Kate Bush to Rodrigo Y Gabriela to The Hellecasters to Dark Sanctury to Ben Harper to Karicus to Dream Theater to Zero Hour to Al DiMeola to Larry Carlton to Derek Trucks to Govt Mule to?

    Humour: One of the few things worth taking seriously

  9. #19
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,867
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Hi John,

    I should have it soon. Yes it'll be nice to be able to compare the SPU and Decca back-to-back in the same system. I'll certainly let people know what I think

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  10. #20
    Join Date: Jun 2009

    Location: Hungary

    Posts: 233
    I'm Attila.

    Default

    thanks, guys, who have contributed to this thread, your responses are highly appreciated also, and back a bit to my original question in reference to the Tannoy Monitor Gold LSU/HF/III.L.Z./8 drivers, now thanking Marco and hi-fi Dave (especially) for their words, i decided not to go for the 8" ones - rather, will wait until a 10"er pair at least turns up
    Attila

    save the trees - eat beavers

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