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Thread: Just won these on Ebay......

  1. #61
    Join Date: Dec 2008

    Location: Yorks

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    Quote Originally Posted by Marco View Post
    These don't though:

    http://cgi.ebay.co.uk/ws/eBayISAPI.d...B:1123&afsrc=1

    It looks as if you could almost get a 12" bass unit in there!

    Marco.
    You want the 'a' version dude.. Notice the HF switch on the rear & veneered baffle. The sausage shape port looks miles better aswell.. Notice the spec ticket that says DM2/II that is not a pair of Mk.'II'

    http://www.audiocostruzioni.com/r_s/...m2/b&w-dm2.htm

    The base units lost it' foam sock, it crumbles away as does with late 'DM4'

  2. #62
    Join Date: May 2008

    Location: Lancaster(-ish), UK

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    Quote Originally Posted by Marco View Post
    Apart from disliking (with a passion) how many modern speakers are voiced, especially budget varieties (horrible shouty, 'toppy' sounding things, designed to sound 'impressive' during a 5 minute listen at Richer Sounds),
    I'm right with you there!

    The beautifully pristine cabinets of the Celestions are made from solid wood (not the MDF shite used nowadays in budget designs),
    .......are they not plywood then?

    ......have a solid teak veneer, and are so obviously not intensively mass-produced like your average Taiwan-derived bargain specials sold now in high street shops!
    .....veneers tended to be thicker then too & help to stiffen the box

    An unusual one for me too is that I usually prefer classic Jap 1970s transistor tuners to earlier valve-based ones. I like the Troughline, for example, but give me a lovely big 1970s Sansui, Sony or Yamaha any day!
    I'm with you there too, as it happens!

  3. #63
    Join Date: Apr 2010

    Location: South Lincolnshire

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    I'm Garry.

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    Quote Originally Posted by Marco View Post
    An unusual one for me too is that I usually prefer classic Jap 1970s transistor tuners to earlier valve-based ones. I like the Troughline, for example, but give me a lovely big 1970s Sansui, Sony or Yamaha any day! Marco.
    I know it sounds like hieracy but I am with you all the way on that one
    "I'm of an age where my back goes out more than I do" - Phyllis Diller

    Garry.

  4. #64
    Join Date: May 2008

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    I'm David.

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    The DM2A was a good sounding box, but the BC1 annihilated it in terms of midrange quality. The KEF 104ab was far better in the bass as well, but all this was towards the end of the DM2's life and IMO B&W went right off the rails until the 801 came along some years later.

    The foam surround/grille 700's were my favourite and were better than the HB1 IMO. The HB1 took over when Mission started to change their range and beggared them up I thought. A few years later, KEF sorted the Coda (III) and the HB1 sounded a bit artificial, especially with the flawed crossover they used, making the treble detach and "spit" along with the music.
    I can't go on and I can't go back, I don't feel so matter of fact,
    I tried and tried to make good sense, What's the good to try it all again?

  5. #65
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    Quote Originally Posted by The Grand Wazoo View Post
    I'm right with you there!


    .......are they not plywood then?
    There chipboard

  6. #66
    Join Date: May 2008

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    I'm ChrisB.

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    Quote Originally Posted by Andre View Post
    There chipboard
    Solid Weetabix then!

  7. #67
    Join Date: Dec 2008

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    Quote Originally Posted by The Grand Wazoo View Post
    Solid Weetabix then!


    Nice chipboard tho. Id rather have chippy than some bull poo MDF(Dave R tought me this wurd)

  8. #68
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

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    Oh right..... Well, they're still undoubtedly much better built than modern budget speakers. Like you say, chippy's better than MDF! And let's not forget the solid teak veneer. Noted on the B&Ws dude

    Chris and Garry,

    I'm glad you guys are also fans of 1970s tranny tuners.... It's about the only area where I prefer SS to valves!

    Garry, regarding bass 'boominess' with the 15XRs - the fact that they'll be used on tiles on a solid concrete floor (or outside in the open) should help

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  9. #69
    Join Date: Dec 2008

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    On the contrary i thought the 15XR slightly bass light!

  10. #70
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

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    Lol - I was going on what Garry said and what was written in the review Dave posted.....

    I'll make my own mind up in that respect when I hear them

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

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