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Thread: Audiocom Superclock 4

  1. #41
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,501
    I'm AudioAl'sArbiterForPISHANTO.

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    Hi Mark,

    That sounds really good! So would you be willing to put us up at your place for discounted B&B rates whilst the work is carried out?

    We'll bring the wine and beer!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  2. #42
    Join Date: Mar 2008

    Location: Wales, UK

    Posts: 321
    I'm Mark.

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    Quote Originally Posted by Marco View Post
    Hi Mark,

    That sounds really good! So would you be willing to put us up at your place for discounted B&B rates whilst the work is carried out?

    We'll bring the wine and beer!

    Marco.
    Hi Marco

    My turn to apologise now for the late reply

    I see you have sent a PM so I will have a read and reply to that.

    Best,
    Mark
    Mark @ Audiocom, Wales UK - 01646 650008

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  3. #43
    leo's Avatar
    leo is offline Circuit Junkie & DIY Room Forum Leader
    Join Date: Jan 2008

    Location: Notts UK

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    Should be a fun couple of days for you Marco

    BTW the Superclock continues to improve, I even tried a few different PSU's to supply it, the differences are quite noticeable
    The Ultraclock & its psu should prove very interesting if its even better
    Cheers,
    Leo

  4. #44
    Join Date: May 2008

    Location: Cricklewood

    Posts: 9,074
    I'm ILOB.

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    my experience was it took a good 250 hours to sound at its best
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  5. #45
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,501
    I'm AudioAl'sArbiterForPISHANTO.

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    Hi Leo,

    Should be a fun couple of days for you Marco

    BTW the Superclock continues to improve, I even tried a few different PSU's to supply it, the differences are quite noticeable
    The Ultraclock & its psu should prove very interesting if its even better
    It should be - I'm looking forward to it. People such as Anthony TD and Stan often get praise for their particular abilities, and deservedly so, but Mark is a master of all things digital and capable of transforming merely good equipment into something truly exceptional!

    We just need to agree a mutually suitable date

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & regulator mods]. Funk Firm APM Achromat with Nagaoka GL-601 Crystal Record Weight. Isonoe feet & boots. Ortofon RS-212D tonearm with Denon DL-103GL, in a Denon PCL-300 headshell, fitted with Funk Firm Houdini and Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp and Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. Power Amps: Tube Distinctions Copper Amp, fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.

  6. #46
    Join Date: Mar 2008

    Location: Wales, UK

    Posts: 321
    I'm Mark.

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    Quote Originally Posted by Marco View Post
    Hi Leo,



    It should be - I'm looking forward to it. People such as Anthony TD and Stan often get praise for their particular abilities, and deservedly so, but Mark is a master of all things digital and capable of transforming merely good equipment into something truly exceptional!

    We just need to agree a mutually suitable date

    Marco.
    Thanks Marco.

    I have sent you a PM
    Mark @ Audiocom, Wales UK - 01646 650008

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  7. #47
    Join Date: Mar 2008

    Location: Wales, UK

    Posts: 321
    I'm Mark.

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    Quote Originally Posted by leo View Post
    Should be a fun couple of days for you Marco

    BTW the Superclock continues to improve, I even tried a few different PSU's to supply it, the differences are quite noticeable
    The Ultraclock & its psu should prove very interesting if its even better
    Hi Leo

    Glad to learn the sound continues to improve.

    I cannot stress enough the importance of clock power supply.

    Which type of power supplies have you tried?

    BTW, the Ultraclock power supply combined with Superclock 4 is a killer sound

    Best,
    Mark
    Mark @ Audiocom, Wales UK - 01646 650008

    Website

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  8. #48
    leo's Avatar
    leo is offline Circuit Junkie & DIY Room Forum Leader
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    Quote Originally Posted by Audiocom View Post
    Hi Leo

    Glad to learn the sound continues to improve.

    I cannot stress enough the importance of clock power supply.

    Which type of power supplies have you tried?

    BTW, the Ultraclock power supply combined with Superclock 4 is a killer sound

    Best,
    Mark
    Hi Mark,

    I first tried the stock SMPS just to see how much it affected performance, definitely a drop in sound quality
    I then tried basic LM317 which was better than the SMPS , I then added a cap multiplier which improved things further, I then tried ALW super reg and standard Teddy reg which was also pretty good but for me so far I got best results running from the 9v PH PR3 used to run the Duet, I just added an inductor onto the lead feeding the input of Superclock4, I was even going to try a battery

    I'm going to build a Superteddy reg supply and see how this compares, I want to try it with the Caiman dac , Duet etc anyway , I've got most of the components so just need the bare pcb .
    Its fun trying all this stuff out comparing results

    Cheers,
    Leo
    Cheers,
    Leo

  9. #49
    Join Date: Mar 2008

    Location: Wales, UK

    Posts: 321
    I'm Mark.

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    Quote Originally Posted by leo View Post
    Hi Mark,

    I first tried the stock SMPS just to see how much it affected performance, definitely a drop in sound quality
    I then tried basic LM317 which was better than the SMPS , I then added a cap multiplier which improved things further, I then tried ALW super reg and standard Teddy reg which was also pretty good but for me so far I got best results running from the 9v PH PR3 used to run the Duet, I just added an inductor onto the lead feeding the input of Superclock4, I was even going to try a battery

    I'm going to build a Superteddy reg supply and see how this compares, I want to try it with the Caiman dac , Duet etc anyway , I've got most of the components so just need the bare pcb .
    Its fun trying all this stuff out comparing results

    Cheers,
    Leo
    Hi Leo

    Did you go back to square one to try the SMPS with the Duet, or do you mean you used the SMPS to power the clock directly?

    The Paul Hynes supplies are high performance and worth every penny.

    Best,
    Mark
    Mark @ Audiocom, Wales UK - 01646 650008

    Website

    Facebook

    Twitter

  10. #50
    leo's Avatar
    leo is offline Circuit Junkie & DIY Room Forum Leader
    Join Date: Jan 2008

    Location: Notts UK

    Posts: 1,804

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    Hi Mark,

    Sorry I wasn't very clear I tried going back to square one mainly because I'd like to see which mods bring the biggest gains, I also have a stock Duet receiver which is mainly used for reference.

    Comparing the Superclocked Duet + Bybee on spdif against the stock Duet (both using SMPS ) is quite interesting, the modded one is noticeably better all around than the stock one to my ears.
    Removing the SMPS and using a PR3 improves both units but now I find the gap between PR3 powered stock Duet and PR3 powered Superclocked Duet much greater .

    So far, modding stock Duet with Superclock + Bybee on spdif or just PR3 with stock Duet prove to bring worthwhile gains but used together gives a real performance boost!
    Whats even more interesting is comparing stock Duet + SMPS against Superclocked/Bybee Duet + PR3, IMHO the stock Duet with SMPS sounds rather poor.
    The other regs I tried was mainly to try and add more isolation from the Superclocks input and Duets input DC from the external psu , theres still a few things to try yet after the Superclocks fully run in.
    Cheers,
    Leo

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