Hi Paul, the HD is more Basis than traditional Thorens in design.
With the right arm & cartridge it sounds more like a P9 on steroidsimage-td160hd-2.jpg
I have fitted a VPI JMW-9 Tonearm to the HD & with Benz Micro Ace, with excellent results.
Hi Paul, the HD is more Basis than traditional Thorens in design.
With the right arm & cartridge it sounds more like a P9 on steroidsimage-td160hd-2.jpg
I have fitted a VPI JMW-9 Tonearm to the HD & with Benz Micro Ace, with excellent results.
Most people are other people. Their thoughts are someone else's opinions, their lives a mimicry, their passions a quotation. Oscar Wilde, De Profundis, 1905 ...
Install Grado wood-body cart (e.g. Sonata)
Or...(cheap-trick)...
Install metal platter from original TD-160 series.
Sure... I know this is an old thread, and the OP may have moved on. But this could help others in a similar situation (or not).
To the best of my knowledge, the TD160HD is a 're-arranged' version of the original TD160 (not a completely different model, as someone implied) so the platters are interchangable - mating with the same bearings on several similar models. (I know of someone using one of these acrylic platters on a 125, BTW).
Having owned a 145 (the auto-stop version of the original 160) I can attest to the fact that they sound 'full' and warm in the mids with their 2-piece cast-alloy platters. Definitely NOT like a CD-P. It is a well-known fact that TTs with acrylic platters (as with the later 160HD) tend to be a bit lean - on the cooler side of neutral, with a CD-like tonality. [Nothing wrong there - some like it, some don't.]
So, for anyone with a similar issue, just simply swap the platter and bring back that 'full-toned' traditional Thorens tone (which errs slightly on the warmer side of mastertape-neutral). No prob there!
Cheers.
Main system: Lenco L75, Thorens TD-125, Technics SL1700, ReVox A77 two-track 15 ips, Sony PS-1, Dell laptop, mxr, eq, Audio-Research LS-3, UREI 6150, DIY two-way speakers with Altec 802/811 & Goodmans 18” midwoofers.
Author of; “HIGH-END AUDIO on a BUDGET”