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Thread: Tube Heaven: The great Telefunken 803S and Tesla E83CC

  1. #1
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

    Arrow Tube Heaven: The great Telefunken 803S and Tesla E83CC

    For some time now I've used a Tesla E83CC in my Croft preamp as my NOS ECC83-type tube of choice (along with the main output NOS 6SL7 tubes I've mentioned before on another thread, RCA5691s and Tung Sol 6SU7GTYs), as they are to my ears, along with the Telefunken 803S, unquestionably the finest sounding ECC83/12AX7s ever produced.

    The filigree detailing, sheer midrange 'presence' and huge soundstage these tubes give has to be heard to be believed!!

    To that end, I bought a matched quad of NOS ones from 1982 from Tubemonger in the US before they were discontinued to do me for years (these are exactly the ones I bought). Btw, this is the 'proper' Tesla from Czechoslovakia, not the inferior 'JJ' of today:





    Telefunken 803S:





    However, there are TONS of fakes around, and people claiming that grossly inferior tubes are 803s or E83CC, which makes it a bit of a minefield for people trying to distinguish between them.....

    So, I found a couple of interesting articles which describes exactly what to observe when looking for GENUINE 803s or E83CC frame-grid tubes:


    http://www.jacmusic.com/nos/ECC83-part-numbering1.html


    http://www.jacmusic.com/nos/images/Fakes/index.htm


    Therefore, if you're in the market for buying these very special tubes which have such unique and desirable sonic characteristics, you'll no longer be fooled by inferior sounding imitations!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


  2. #2
    Join Date: Nov 2009

    Location: Finland

    Posts: 365
    I'm Juha.

    Default

    Hello Marco.

    Many thanks for your very informative links again.

    I have been looking for low noise ECC83 type valves to the phono stage Nick is currently building for me. Have you tried new Russian valves with your Croft? I ordered some Tung Sol ECC803 to start with, but knowing myself there will be many more valve types I will try . Only problem will be that I need 4 of them and trial and test will be expensive

    I am most interested in valves which produce noise as little as possible, which will be important with my phono stage.
    My Gear

    Source components:
    Garrard 401 in a solid birch plywood plinth / Trans-Fi Terminator T3Pro / ESCo modified Denon DL-103
    Pioneer TX-9800 tuner
    Amplification:
    Art Audio Diavolo and Conductor, Pair of XTZ Sub Amp 1's, Nick G 'Dual Phono' phono stage
    Loudspeakers:
    Bastanis Mandala Atlas with 15" sealed woofers
    Cables:
    Analysis Plus: Big Silver Oval speaker cables and Silver Oval-in interconnects, Mark Grant DSP 2.5 Dual Screened power cables
    Record cleaning
    Nitty Gritty 1.5Fi MK II

  3. #3
    Join Date: Mar 2008

    Location: Halifax, UK

    Posts: 1,399
    I'm Nick.

    Default

    But given your new phono stage has two separate RIAA stages in it, you can just buy two and use in one chan for a back to back comparison to other types.
    Nick.

  4. #4
    Join Date: Nov 2009

    Location: Finland

    Posts: 365
    I'm Juha.

    Default

    You are right

    The simplest solutions are usually in the front of me, I just have to see them . One could not imagine better option to compare valves than that

    Quote Originally Posted by lurcher View Post
    But given your new phono stage has two separate RIAA stages in it, you can just buy two and use in one chan for a back to back comparison to other types.
    My Gear

    Source components:
    Garrard 401 in a solid birch plywood plinth / Trans-Fi Terminator T3Pro / ESCo modified Denon DL-103
    Pioneer TX-9800 tuner
    Amplification:
    Art Audio Diavolo and Conductor, Pair of XTZ Sub Amp 1's, Nick G 'Dual Phono' phono stage
    Loudspeakers:
    Bastanis Mandala Atlas with 15" sealed woofers
    Cables:
    Analysis Plus: Big Silver Oval speaker cables and Silver Oval-in interconnects, Mark Grant DSP 2.5 Dual Screened power cables
    Record cleaning
    Nitty Gritty 1.5Fi MK II

  5. #5
    Join Date: Jan 2013

    Location: Birmingham

    Posts: 6,811
    I'm James.

    Default

    Quote Originally Posted by Marco View Post
    For some time now I've used a Tesla E83CC in my Croft preamp as my NOS ECC83-type tube of choice (along with the main output NOS 6SL7 tubes I've mentioned before on another thread, RCA5691s and Tung Sol 6SU7GTYs), as they are to my ears, along with the Telefunken 803S, unquestionably the finest sounding ECC83/12AX7s ever produced.

    The filigree detailing, sheer midrange 'presence' and huge soundstage these tubes give has to be heard to be believed!!


    i
    To that end, I bought a matched quad of NOS ones from 1982 from Tubemonger in the US before they were discontinued to do me for years (these are exactly the ones I bought). Btw, this is the 'proper' Tesla from Czechoslovakia, not the inferior 'JJ' of today:





    Telefunken 803S:





    However, there are TONS of fakes around, and people claiming that grossly inferior tubes are 803s or E83CC, which makes it a bit of a minefield for people trying to distinguish between them.....

    So, I found a couple of interesting articles which describes exactly what to observe when looking for GENUINE 803s or E83CC frame-grid tubes:


    http://www.jacmusic.com/nos/ECC83-part-numbering1.html


    http://www.jacmusic.com/nos/images/Fakes/index.htm


    Therefore, if you're in the market for buying these very special tubes which have such unique and desirable sonic characteristics, you'll no longer be fooled by inferior sounding imitations!

    Marco.
    Funny, I have just been down this route myself and did research Tesla etc regarding authenticity and did see that very informative site jacmusic. Subsequently I did get hold of some Authentic NOS Tesla ECc83 and stuffed the Croft 25R with said items.

    I can concour that the result was unbelievable and a massive improvement over the JJ Teslas. It was difficult however obtaining these tubes as I dont think there are many genuine ones available on the open market.

    I spent months researching NOS tubes as I believe you must have but the results are very much worthwhile.

    Wish I had found this post on AOS way back as it would have saved me a lot of time, however the research was very educational. I would say for those intending to go down this route be very careful with purchasing any of these NOS valves as the genuine ones are nuggets of gold and as such are rare and often faked.
    Main system : VPI Scout 1.1 / JMW 9T / 2M Black / Croft 25R+ / Croft 7 / Heco Celan GT 702

    Second System : Goldring Lenco GL75 / AT95EX / Pioneer SX590 / Spendor SP2

  6. #6
    Join Date: Jan 2013

    Location: Birmingham

    Posts: 6,811
    I'm James.

    Default

    A year on from my last post I have now put some NOS Tesla ECC83,s in the valve reg stage. I was not expecting much difference but the improvement was dramatic. I have had enough NOS Tesla,s to do this for ages but only did this last night as an experiment.

    The soundstage was far bigger and the sheer presence of vocals was astonishing. Everything became more focused and detailed and the whole sound lost some of its coarseness in comparison with the JJ Teslas I had previously in the regulation stage. Wish I had done this sooner.

    My 12BH7A arrived today - a1960,s NOS GE 12BH7A with gold Frame Grid This will be popped in the linestage next weekend so could improve things even further

    I will update when it has burnt in.
    Main system : VPI Scout 1.1 / JMW 9T / 2M Black / Croft 25R+ / Croft 7 / Heco Celan GT 702

    Second System : Goldring Lenco GL75 / AT95EX / Pioneer SX590 / Spendor SP2

  7. #7
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Nice one, Jim. There's a MASSIVE difference between the sound of the best NOS valves, compared with current production pap. Enjoy!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


  8. #8
    Join Date: Jan 2013

    Location: Birmingham

    Posts: 6,811
    I'm James.

    Default

    Quote Originally Posted by Marco View Post
    Nice one, Jim. There's a MASSIVE difference between the sound of the best NOS valves, compared with current production pap. Enjoy!

    Marco.
    You are certainly right there Marco. Might have to invest in some more so have enough NOS valves to see me out.

    Can,t go back to some of those new production valves as the difference is simply too great.

    One small thing that troubles me is getting hold of NOS valves that have never been used. There are too many circulating that have had many hours on them.

    Might have to invest in a tube tester such as the one below

    http://www.gak.co.uk/en/orange-vt100...FUTnwgodcYsAdQ
    Main system : VPI Scout 1.1 / JMW 9T / 2M Black / Croft 25R+ / Croft 7 / Heco Celan GT 702

    Second System : Goldring Lenco GL75 / AT95EX / Pioneer SX590 / Spendor SP2

  9. #9
    Join Date: Apr 2012

    Location: London

    Posts: 685
    I'm James.

    Default

    Quote Originally Posted by Jimbo View Post
    You are certainly right there Marco. Might have to invest in some more so have enough NOS valves to see me out.

    Can,t go back to some of those new production valves as the difference is simply too great.

    One small thing that troubles me is getting hold of NOS valves that have never been used. There are too many circulating that have had many hours on them.

    Might have to invest in a tube tester such as the one below

    http://www.gak.co.uk/en/orange-vt100...FUTnwgodcYsAdQ
    That tester will not do much to sort the sheep from the goats, NOS is a condition rather than a measurable state. Theres an argument that you are better off with lightly used tubes anyway as they will not suffer the plate degradation as their getters have been more active mopping the stray gasses up before the damage gets done.

    Agree about the Teslas, and the good news is that Peter at Edicron has stocks of them, very nice tubes.

  10. #10
    Join Date: Mar 2008

    Location: Galashiels

    Posts: 13,696
    I'm inthescottishmafia.

    Default

    It'll tell you if you are buying tired valves being sold as NOS though.
    “Music has always been a matter of energy to me, a question of fuel. Sentimental people call it inspiration, but what they really mean is fuel. I have always needed fuel. I am a serious consumer. On some nights I still believe that a car with the gas needle on empty can run about fifty more miles if you have the right music very loud on the radio”

    Hunter S Thompson

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