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I'm Dave.
That was THE music of the time, followed by Two Tribes. Both very powerful, dynamic recordings which showed instantly the superiority of the big SD's against the puny Wharfedales.
At that time there were masses of 12 inch singles which we used to great effect. Also very good at CD v turntable dems. Of course, we used plenty of other discs which were popular with the lads coming in on a Saturday to buy a good hi-fi system.
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Two Tribes is probably one of the best 12" singles I've ever heard for sound quality.
My system is decidedly low-fi, but I only realised how good it could be with a pair of "proper" speakers... My biggest upgrade ever.
Alex
Main System: Digital: HP Laptop/M2Tech Hiface/Logitech Media Server/FLAC; Marantz SA7001 KI Signature SACD Player and other digital stuff into Gatorised Beresford Caiman DAC Vinyl: Garrard 401/SME 3009 SII Improved/Sumiko HS/Nagaoka MP-30
Amplifier: Rega Brio R. Speakers: Spendor SP1. Cables: Various, mainly Mark Grant. Please see "about me" for the rest of my cr@p! Gallery
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Yes - only speakers can really determine scale.
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I'm MadeOfDeadGiantStarsThatExplodedEonsAgo.
Oh so trueOriginally Posted by MartinT
You may get a great sound from something small & a superb front end, but for sheer scale & impact you need to move some air
Bests, Mark
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Indeed, guys (I think we successfully demonstrated that at Scalford Hall
And that is not as easy to achieve as some people think! At least to the standards I would be seeking.
Give me smaller, 'musically capable' speakers, on the end of a very good source and amp, any day over a mediocre source and amp driving bigger speakers. The former will reproduce believable music, and the latter more likely only capable of making an 'impressive' noise.
Differentiating between a sound that resembles real music, and one which is perhaps only good for a party, is what separates truly discerning enthusiasts from those who are merely playing at it!
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
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I'm ThinkingOfHorns.
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Last edited by alfie2902; 24-03-2011 at 23:15.
alfie
Main System: Denon DP-6000 VPI Base/Fidelity Research FR64s/Ortofon SPU Royal GM MKII/Shelter 901/Auditorium 23 SUT/Pure Sound P10/SB Touch or Audio Note CDT & M2Tech Young Dac/BL Audio LP-1/New Audio Frontiers KT66 Legend/Living Voice OBX.
2nd System: PC/Foobar/E-MU 0404 pci (Modded)/AVI ADM9/Rel Strata II subs.
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Location: North Cambs UK, Earth, Sol, Orion - Cygnus arm of galaxy
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I'm MadeOfDeadGiantStarsThatExplodedEonsAgo.
Agreed entirely, nothing more to addIndeed, guys (I think we successfully demonstrated that at Scalford Hall
Give me smaller, 'musically capable' speakers, on the end of a very good source and amp, any day over a mediocre source and amp driving bigger speakers. The former will reproduce believable music, and the latter more likely only capable of making an 'impressive' noise.
Differentiating between a sound that resembles real music, and one which is perhaps only good for a party, is what separates truly discerning enthusiasts from those who are merely playing at it!
Marco.
Bests, Mark
"We must believe in free will. We have no choice"
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