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Thread: Dark Side of the Moon 50th anniversary

  1. #41
    Join Date: Nov 2011

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    Quote Originally Posted by struth View Post
    think i tested 4.. original vinyl, the reissue on 180, the sacd and the cd. might have been 2 cds. the original vinyl was my preference, but the rest were all pretty good. the old vinyl just ticked more boxes and gave me a few extra shivers lol
    Well I am on my 3rd play of DSOTM in 24 hours and this is the last, for a while, it is the earliest version I possess, Vinyl, LP, Repress, Stereo, 5th, Gatefold, Harvest – SHVL 804, Harvest – 1E 064 o 05249.

    There is something rather nice about this original version, it is very hard to say why I prefer it to the 2016 Vinyl re-master or the SACD 40th Anniversary edition, but I will have a go.

    Ignoring that my copy has slight surface noise in places, (I think a good clean in my ultrasonic record cleaner will help), what is most noticeable is a feeling of great dynamics and depth and possibly a slightly warmer presentation. Don't get me wrong the differences between the 3 versions mentioned are quite subtle, but this earliest I version I have just seems to be more balanced. I do not think it is physiological, I am quite critical when deliberately listening and focusing on a piece of music, or just perhaps it is the 70's version(s) that I have heard many, many times since its original release has embedded itself in my brain so I fell more at home with how it sounds. An interesting thought, could that be why I like the oldest version the most?

    So in summary I could listen to any version I own and enjoy DSOTM, it is a rather special album musically, but I think the 5th pressing copy I own has the edge just.
    Listening is the act of aural discrimination and dissemination of sound, and accepting you get it wrong sometimes.

    Analog Inputs: Pro-Ject Signature 10 TT & arm, Benz Micro LP-S, Michel Cusis MC, Goldring 2500 and Ortofon Rondo Blue cartridges, Hitachi FT5500 mk2 Tuner

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  2. #42
    Join Date: Aug 2009

    Location: Staffordshire, England

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    Quote Originally Posted by AJSki2fly View Post

    or just perhaps it is the 70's version(s) that I have heard many, many times since its original release has embedded itself in my brain so I fell more at home with how it sounds. An interesting thought, could that be why I like the oldest version the most?
    I think that's very likely.

    As a student I listened to lot of Zeppelin and Hendrix on vinyl. I played all those albums to death. They still don't sound 'right' to me on CD even 30 odd years on and probably never will.
    Current Lash Up:

    TEAC VRDS 701T > Sony TAE1000ESD > Krell KSA50S > JM Labs Focal Electra 926.

  3. #43
    Join Date: Nov 2011

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    Quote Originally Posted by Macca View Post
    I think that's very likely.

    As a student I listened to lot of Zeppelin and Hendrix on vinyl. I played all those albums to death. They still don't sound 'right' to me on CD even 30 odd years on and probably never will.
    Yes Martin, it suddenly occurred to me that this could be the reason, like you I was and still am an avid Led Zeppelin and Hendrix fan, and similarly am not that keen on later re-masters or remixes of them, I particularly dislike some of the Led Zeppelin early CDs, and really do not like the Re-Master double album. There are a few other groups I listened to intensely from my teenage years to about 30 and I think that same hold trues for this as well, interesting. Perhaps our musical appreciation, even down to how we like a system to sound to our ears and brain is pre-conditioned by our early listening years.
    Listening is the act of aural discrimination and dissemination of sound, and accepting you get it wrong sometimes.

    Analog Inputs: Pro-Ject Signature 10 TT & arm, Benz Micro LP-S, Michel Cusis MC, Goldring 2500 and Ortofon Rondo Blue cartridges, Hitachi FT5500 mk2 Tuner

    Digital:- Marantz SA-KI Pearl CD player, RaspberryPi/HifiBerry Digi+ Pro, Buffalo NAS Drive

    Amplification:- AudioValve Sunilda phono stage, Krell KSP-7B pre-amp, Krell KSA-80 power amp

    Output: Wilson Benesch Vector speakers, KLH Ultimate One Headphones

    Cables: Tellurium Q Ultra Black II RCA & Chord Epic 2 RCA, various speaker leads, & links


    I think I am nearing audio nirvana, but don’t tell anyone.

  4. #44
    Join Date: Aug 2009

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    Quote Originally Posted by AJSki2fly View Post
    . Perhaps our musical appreciation, even down to how we like a system to sound to our ears and brain is pre-conditioned by our early listening years.
    I don't think there's any doubt about it. Our tastes and preferences are entirely constructed by external influences that we had no control over whatsoever. But we like to think that these are 'choices' that we make rationally and consciously.
    Current Lash Up:

    TEAC VRDS 701T > Sony TAE1000ESD > Krell KSA50S > JM Labs Focal Electra 926.

  5. #45
    Join Date: Feb 2013

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    Quote Originally Posted by Macca View Post
    I don't think there's any doubt about it. Our tastes and preferences are entirely constructed by external influences that we had no control over whatsoever. But we like to think that these are 'choices' that we make rationally and consciously.
    im sure to an extent your probably right, yet my love of blues from an early age came from no-one i know. i just seemed to seek it out
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  6. #46
    Join Date: Jan 2013

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    By all accounts the earlier UK DSOTM pressings are considered to sound the best. The all analogue versions and original masters are probably the closest to what we all remember when we first heard the album. Everything after is probably a retrograde step?
    Main system : VPI Scout 1.1 / JMW 9T / 2M Black / Croft 25R+ / Croft 7 / Heco Celan GT 702

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  7. #47
    Join Date: Jun 2014

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    Perhaps I should be seeking out an early pressing of DSOTM, but for it it sound truly as it was then, I'm gonna need this, the record player I had at the time:

    I just dropped in, to see what condition my condition was in

    T/T: Inspire Monarch, X200 tonearm, Ortofon Quintet Blue. Phono: Project Tube Box CD: Marantz CD6006 (UK Edition); Amp: Musical Fidelity A5 Integrated.
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  8. #48
    Join Date: Nov 2011

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    Quote Originally Posted by Pigmy Pony View Post
    Perhaps I should be seeking out an early pressing of DSOTM, but for it it sound truly as it was then, I'm gonna need this, the record player I had at the time:

    Might even sound better than you usually listen to
    Listening is the act of aural discrimination and dissemination of sound, and accepting you get it wrong sometimes.

    Analog Inputs: Pro-Ject Signature 10 TT & arm, Benz Micro LP-S, Michel Cusis MC, Goldring 2500 and Ortofon Rondo Blue cartridges, Hitachi FT5500 mk2 Tuner

    Digital:- Marantz SA-KI Pearl CD player, RaspberryPi/HifiBerry Digi+ Pro, Buffalo NAS Drive

    Amplification:- AudioValve Sunilda phono stage, Krell KSP-7B pre-amp, Krell KSA-80 power amp

    Output: Wilson Benesch Vector speakers, KLH Ultimate One Headphones

    Cables: Tellurium Q Ultra Black II RCA & Chord Epic 2 RCA, various speaker leads, & links


    I think I am nearing audio nirvana, but don’t tell anyone.

  9. #49
    Join Date: Jan 2009

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    I'm openingabottleofwine.

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    And you need to find a mono copy to play on your Fidelity record player.
    Barry

  10. #50
    Join Date: Nov 2010

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    I'm Andrew.

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    £245 for this new re-issue - - Err, yeah, £245 will be staying in my accounts!
    SS
    CD Teac VRDS25X(Audiotuned) DECK 1210 Mat Crystal Audio Mods MN Base/Bearing/Platter+Ebony armboard Feet Isonoe PSU Paul Hynes SR7EHD-27XL/DCSXL Ag DC lead/3 Stage Regs/Recap PCB+No Pitch/Strobe/Light ARM SME V(Kondo Ag Rewire&Tags) MC Cadenza Black FGS CABLES Arm Yannis SPD-4 IC Yannis 222 Litz+Ag bullets Power WAR PRE ATC SCA2 SPEAKERS ATC 50ASL STANDS Atacama PHONO Sugden Masterclass PA4 SUT Ortofon ST80SE POWER PSAudio P10

    VALVE
    PRE
    Croft Epoch(Modded) AMP Sondex S100 (Modded) SPEAKERS Tannoy 15"MG+RFC Warwick cabs+ Ref XO + Batpure supertweeters DECK Garrard 301 Mat Teunto Bearings 401(Bastin) Plinth Bamboo Arms 3009/3012 PSU Eagle+Tachometer MC Ag Meister II/FGS + Ortofon SPU MONO CABLES Arm Yannis 420.5 Litz+ SpeakerPC Tripple C+WBT-0681 Ag IC Oyaide FTVS-510 AgWBT 0110Ag Phonostages Paradise(4 Box Mega-Modded) / Croft Musicmaker



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