Hi All
Did any one see the Garrard 4HF, I think, on The Repair Shop?
It was left with Mark Stucky for sorting out.
Location: Birmingham
Posts: 142
I'm Michael.
Hi All
Did any one see the Garrard 4HF, I think, on The Repair Shop?
It was left with Mark Stucky for sorting out.
Nope.
Wouldn't have minded seeing it, not that I intend to get a 4HF though .
It is impossible for anything digital to sound analogue, because it isn't analogue!
Yep, watched that.
I always think that some stuff is done (or missed) specifically for the sake of television, but in this case he smacks the platter with a hard faced hammed (), already stating that it's fitted on a 'spline' (?) and subsequently makes no mention whatsoever about the centre spindle and its support casting or the associated lubrication or thrust bearing.....
Don't think I'd want him maintaining my 401 . . . .
Technics SL1000R, DynavectorXV1t, Garrard 401, Jelco SA750LB, Decca Reference, ATVM750SH, AT33Mono, Hana Umami Red, Reimyo CDP777, EarYoshino 912, Ear Yoshino 509s, JBLK2 SL5800s, ART Dram interconnects / speaker cables.
I saw it too. I could see it said Garrard, but no idea which model. But it did look ancient. It clearly held some sentimental value, and looked ok when finished, but would I have that to play my records on? Not really.
Owner was pleased that it still had its original "tone", so that's the main thing
I just dropped in, to see what condition my condition was in
T/T: Inspire Monarch, X200 tonearm, Ortofon Quintet Blue. Phono: Project Tube Box CD: Marantz CD6006 (UK Edition); Amp: Musical Fidelity A5 Integrated.
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Location: Birmingham
Posts: 142
I'm Michael.
I wouldn’t let him near my 401 either!
He smacked the spindle with a hammer, whilst pulling the platter up with a 'claw' he had made out of an old coathanger. That is what you have to do with a splined fit; especially if the two parts have not been separated for a long time. AFAIK the 'thrust bearing' on a 4HF is like that on the SP25: the platter runs on a washer supported by ball bearings in a well in the chassis.
Regarding the stiff/seized speed change mechanism, again the lubricant was years old and all it needed was some fresh lubricant and a bit of working to free it up.
It was a Garrard 4HF fitted with a ceramic cartridge after all - not a 401 fitted with a Koetsu. What he did was quite sufficient and the results obviously delighted the owner.
Barry
.
I agree to an extent..... My apologies for a slight misleading error by saying he 'smacked' the platter. However, he still used a steel hammer on the spindle! There didn't appear to be a spline and what was visible above the chassis was a tapered collar to the spindle, as with most Garrards of the era, which of course made no difference to the 'method' of removal (but a steel hammer?).
When the chassis was turned over there was a visible housing similar to that of a 301 / 401, so not quite the same as an SP25!
And with due respect to the owner, he wouldn't have known the difference between '3in1' or 20/50, or anything else when the TT was presented rotating and a sound was being produced.
I know I must sound pretty pedantic, but I wouldn't let that guy near an SP25 (far less a 301 or 401) in the condition that was seen in the program, even with a ceramic cartridge. It just didn't look impressive from someone who is considered to be an 'expert'.....
Technics SL1000R, DynavectorXV1t, Garrard 401, Jelco SA750LB, Decca Reference, ATVM750SH, AT33Mono, Hana Umami Red, Reimyo CDP777, EarYoshino 912, Ear Yoshino 509s, JBLK2 SL5800s, ART Dram interconnects / speaker cables.
I finally watched this last night. As to the speed selector mechanics, it seemed clear to me that he had to lubricate it and work it purely to get it apart. When the camera came back to him later he explained that he had stripped, cleaned and re-lubricated it.
Ultimately, it ended up working and the chap who brought it in was happy, which is all that matters. I'd have done much more had it been my own (including finding an original Garrard mat!) but that's not what the show is about.
As an aside, it could be a lot worse - they could have given it to that Tim the Gramophone bloke who did one or two electrical audio jobs before Mark appeared on the show. On one of these occasions he tripped the breaker in the building after failing to make any basic electrical safety checks on a radio chassis that he then merrily plugged in and switched on! He may be good at wind-up gramophones but shouldn't be allowed anywhere near electricity in my view. It seems I wasn't alone as he hasn't been seen for a while...
Engineers: fixing problems you didn't know you had in ways you don't understand.