Stylus wars
So I'm beginning to get a handle on why some styli sound/work better on certain cartridges and arms etc.
I've been trying out loads of 'budget' MM cartridges recently and combinations of headshells/shim material and changing compliance of aforementioned combinations.
I listen to all types of music but (unlike I suspect a lot of folk on here!) a lot of my vinyl listening consists of electronic music. Not all club pounding, hotly mastered sub beating offerings, destined only for pair of 1210's (although nothing wrong with them) with some stanton needles tracking at 20g! In fact some very well produced, dynamic, soundscape stuff.
To my surprise the best sound by far that I have stumbled across, has been with using a NOS conical Panasonic EPS-56STSD stylus with my Technics EPC 270C. It's not even the 'correct' stylus (although they are exactly the same dimensions as 4 or 5 others) but the combination and synergy is absolutely spot on.
My other carts (Ortofon OM10, Shure M55 Jico, Shure SC35C, AT95ex) although sound very good in their own right are genuinely obliterated by the humble Technics.
I'll spare you most of the waxing lyrical but the 'swell' of the soundstage and overall impact of the sound is nothing short of mesmerising.
A guess as to why it sounds so good include the following factors:
- Conical stylus sounds rich and full and as I have a very revealing system anyway I'm not missing the extra detail a 'better' stylus profile may provide.
- The cartridge/headshell/arm combination is approaching 'perfect' compliance.
- The cartridge/stylus is sympathetic to my dual subwoofer setup, the high output and rich bass from it is exactly what the subs need to sound at their best.
- I got lucky with the alignment/setup of the cartridge, although conical's are less picky it can't hurt to get it spot on.
So there we have it, maybe I'm a conical guy?! Along with quite a few other (mostly Japanese) audiophiles whom swear by them. I've never felt the need for hyper-analytical vinyl setup as to me the natural 'warm' presentation of vinyl is why I like it in the first place and indeed something to embrace. Maybe with more expensive styli it's more difficult to achieve the same warmth and richness from the lower registers, resulting in them sounding a bit 'bright' in comparison due to one or more of the aforementioned factors being slightly off.
This is just fine with me as generally I'm going to be spending less money replacing styli, assuming I can still find good NOS ones that is.
I've got a Nagaoka elliptical coming to try so I have high hopes for that after some positive reports but they also do a conical so I might have to try one of those too.
Having said the above I do still really like the other cartridges (especially the Shure's) on other types of music (with less demanding basslines) and I still use my LP12 with an AT-OC9 XEN and freshly repaired Linn ASAK MC cartridges which give me all the detail I'd ever need.
Like most things in hifi it's a bit horses for courses but it's great to have the option.
System 1: - Amp - Musical Paradise MP-701 mk2 - Neurochrome 686
- Source: Audio Technica LP-5 - Custom 6V6 stage - Novafidelity X30 - Soekris 1421 (LPSU) - Custom TDA1541 C3G DAC -
- Speakers: Martin Logan Prodigy's - Subs: - REL T3's -
System 2 - Amp: Musical Paradise MP 303/Custom 300B SET - Custom 6SL7 Pre -
- Source: Pioneer N-30K - SONCOZ SGD1 -
- Speakers: Loth X BS1's - Sub: REL T3 -