+ Reply to Thread
Results 1 to 8 of 8

Thread: Rogers LS3/6 owner

  1. #1
    Join Date: Jan 2021

    Location: Somerset

    Posts: 6
    I'm John.

    Default Rogers LS3/6 owner

    Thank you for letting me join the Forum which I discovered via a Google search for the iconic Rogers LS3/6 monitor. My interest stems from the fact that I am the proud owner of said speakers. They are the original BBC monitors, albeit with the additional super tweeters and replacement Swisstone/Rogers bass units. They are currently undergoing an annual MoT to replace a couple of capacitors and carry out a full sound check but these speakers still have the capacity to shine even after almost 40 years. I am running these with a Marantz home cinema amp and dedicated Marantz stereo amp, along with Quad Lite rears and sub. My musical taste is mainly classical, particularly Mahler, but also 70s and 80s pop in my lighter moments!

  2. #2
    Join Date: Jan 2008

    Location: Norfolk, UK

    Posts: 6,209
    I'm BigBobJoylove.

    Default

    Wow! 40 years. Now that's darned good service from a pair of speakers.

    Nice to have you on board John. Enjoy!

    Ben Duncan mains conditioner
    2022 MacBook Pro 14" M1 Pro 10/16/16/16
    Samsung QE75Q90T 75" QLED TV
    XMOS DSD Async USB to Coax converter
    RME Audio ADI-2 FS (AK4493) DAC
    Chord Clearway XLR interconnects
    Audioquest Crimson USB interconnect
    QED Quartz Reference optical interconnect
    Edifier S3000 Pro active speakers
    Atacama SE24 stands

  3. #3
    Join Date: Apr 2012

    Location: N E Kent

    Posts: 51,625
    I'm Geoff.

    Default

    Hi John. Welcome to AOS.

    Join in the chat, I'm sure you'll find plenty to interest you here.


    Enjoy the forum,
    Geoff.
    It is impossible for anything digital to sound analogue, because it isn't analogue!

  4. #4
    Join Date: Jan 2009

    Location: Essex

    Posts: 31,965
    I'm openingabottleofwine.

    Default

    Welcome to AoS John.

    The Rogers LS3/6 are lovely speakers, and have an interesting history in their development with the BBC: https://www.markhennessy.co.uk/rogers/others.htm I can remember listening to some Rogers " BBC Studio Monitor" speakers (as a more compact replacement for the Quad 57s), which may or may not be a domestic version of the LS3/6.

    Enjoy the Forum
    Barry
    Barry
    Barry

  5. #5
    Join Date: Jan 2021

    Location: Somerset

    Posts: 6
    I'm John.

    Default

    Thanks very much! To my ears they still take some beating. I've also managed to track down a Rogers C33 centre plus a pair of LS1s as rears so, with the exception of a REL sub I now have a Rogers surround system :-)

  6. #6
    Join Date: Jan 2021

    Location: Somerset

    Posts: 6
    I'm John.

    Default

    Thanks Geoff, all good so far!

  7. #7
    Join Date: Jan 2021

    Location: Somerset

    Posts: 6
    I'm John.

    Default

    Thanks Barry, yes, I've become quite immersed in Rogers' complicated history and also been talking to Mark Hennessy.

  8. #8
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Quote Originally Posted by our_john View Post
    Thank you for letting me join the Forum which I discovered via a Google search for the iconic Rogers LS3/6 monitor. My interest stems from the fact that I am the proud owner of said speakers. They are the original BBC monitors, albeit with the additional super tweeters and replacement Swisstone/Rogers bass units. They are currently undergoing an annual MoT to replace a couple of capacitors and carry out a full sound check but these speakers still have the capacity to shine even after almost 40 years. I am running these with a Marantz home cinema amp and dedicated Marantz stereo amp, along with Quad Lite rears and sub. My musical taste is mainly classical, particularly Mahler, but also 70s and 80s pop in my lighter moments!
    Hi John,

    Welcome to AoS

    Got any pics of your LS3/6s? They're one of my favourite vintage speakers!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


+ Reply to Thread

Posting Permissions

  • You may not post new threads
  • You may not post replies
  • You may not post attachments
  • You may not edit your posts
  •