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Thread: PLINTH DESIGN - Motor decoupling & Seperate tonearm pod

  1. #1
    Join Date: Nov 2010

    Location: Yorkshire

    Posts: 9,321
    I'm Andrew.

    Default PLINTH DESIGN - Motor decoupling & Seperate tonearm pod

    I've started looking into redesigning my Garrard 301 plinth. I have one simple question and would just like a consensus of opinion. My objective is to limit vibration getting into the headshell. My intentions as stated in the thread title are to decople the motor from the Garrard 301 and use a seperate arm pod. What it be fair to say that by using both techniques, it should maximise the chances of vibration getting into the cartridge? Sounds like the answer is pretty obvious but I would like comments and input from you guys.

    Many thanks, Andy.
    SS
    CD Teac VRDS25X(Audiotuned) DECK 1210 Mat Crystal Audio Mods MN Base/Bearing/Platter+Ebony armboard Feet Isonoe PSU Paul Hynes SR7EHD-27XL/DCSXL Ag DC lead/3 Stage Regs/Recap PCB+No Pitch/Strobe/Light ARM SME V(Kondo Ag Rewire&Tags) MC Cadenza Black FGS CABLES Arm Yannis SPD-4 IC Yannis 222 Litz+Ag bullets Power WAR PRE ATC SCA2 SPEAKERS ATC 50ASL STANDS Atacama PHONO Sugden Masterclass PA4 SUT Ortofon ST80SE POWER PSAudio P10

    VALVE
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    Croft Epoch(Modded) AMP Sondex S100 (Modded) SPEAKERS Tannoy 15"MG+RFC Warwick cabs+ Ref XO + Batpure supertweeters DECK Garrard 301 Mat Teunto Bearings 401(Bastin) Plinth Bamboo Arms 3009/3012 PSU Eagle+Tachometer MC Ag Meister II/FGS + Ortofon SPU MONO CABLES Arm Yannis 420.5 Litz+ SpeakerPC Tripple C+WBT-0681 Ag IC Oyaide FTVS-510 AgWBT 0110Ag Phonostages Paradise(4 Box Mega-Modded) / Croft Musicmaker



  2. #2
    Join Date: Jun 2015

    Location: Powys, Wales

    Posts: 334
    I'm Sandy.

    Default

    God, what a nest of vipers to get into.
    I'm only going on my own limited experience owning and researching about 401s. Aesthetically I like the separate arm "satellite" relying on mass/friction to hold it in position. But I guess then you are relying on supporting the whole shebang on something that will be rigid and non resonant.
    Decoupling the motor is an excellent idea and there are a few out there (401s at least) who have done that.
    I really don't know how far you would want to go- the cost/benefit analysis only you can answer.

    In fact with a silent motor and bearing(s) you'd not need to separate the arm... Like George Best, I would spend the saved money and time on booze, women and gambling.

  3. #3
    Join Date: Nov 2010

    Location: Yorkshire

    Posts: 9,321
    I'm Andrew.

    Default

    Well that's one reply! I've already got a 401 in a MaxPlank plinth from Martin Bastin which decouples the motor and it has silent motor and bearing. I just want to see how far we can push the 301.
    SS
    CD Teac VRDS25X(Audiotuned) DECK 1210 Mat Crystal Audio Mods MN Base/Bearing/Platter+Ebony armboard Feet Isonoe PSU Paul Hynes SR7EHD-27XL/DCSXL Ag DC lead/3 Stage Regs/Recap PCB+No Pitch/Strobe/Light ARM SME V(Kondo Ag Rewire&Tags) MC Cadenza Black FGS CABLES Arm Yannis SPD-4 IC Yannis 222 Litz+Ag bullets Power WAR PRE ATC SCA2 SPEAKERS ATC 50ASL STANDS Atacama PHONO Sugden Masterclass PA4 SUT Ortofon ST80SE POWER PSAudio P10

    VALVE
    PRE
    Croft Epoch(Modded) AMP Sondex S100 (Modded) SPEAKERS Tannoy 15"MG+RFC Warwick cabs+ Ref XO + Batpure supertweeters DECK Garrard 301 Mat Teunto Bearings 401(Bastin) Plinth Bamboo Arms 3009/3012 PSU Eagle+Tachometer MC Ag Meister II/FGS + Ortofon SPU MONO CABLES Arm Yannis 420.5 Litz+ SpeakerPC Tripple C+WBT-0681 Ag IC Oyaide FTVS-510 AgWBT 0110Ag Phonostages Paradise(4 Box Mega-Modded) / Croft Musicmaker



  4. #4
    Join Date: Jun 2015

    Location: Powys, Wales

    Posts: 334
    I'm Sandy.

    Default

    Quote Originally Posted by REXTON View Post
    Well that's one reply! I've already got a 401 in a MaxPlank plinth from Martin Bastin which decouples the motor and it has silent motor and bearing. I just want to see how far we can push the 301.
    Lovely chap Dr Bastin.

  5. #5
    Join Date: Feb 2020

    Location: Fife, Scotland

    Posts: 160
    I'm Gordon.

    Default

    I've built a few 401 plinths, with no reason the designs couldn't be applied to a 301 (although I'm not conversant with the 301!).

    The one I currently use is a two piece beech ply. The motor unit is located in the top piece, with the base section attached, but isolated, with rubber mounts. The arm board is designed to accept a 9" or 12" tone arm and mounted on a pillar that is secured to the base board. This results in no contact between the motor board and the arm board (except via the rubber mounts), hence theoretically reducing any vibration between the two.....!

    Another recent one is also beech ply, but is a one piece plinth arrangement with a 'well' where the arm board sits. The arm board is supported by a fabricated pillar, also utilising rubber mounts to isolate the arm board from the plinth / motor and has no direct contact with the main plinth.

    Both sound fairly impressive, but I've never had the opportunity to determine if there is any significant advantage in sound quality when compared to a conventional plinth.
    Technics SL1000R, DynavectorXV1t, Garrard 401, Jelco SA750LB, Decca Reference, ATVM750SH, AT33Mono, Hana Umami Red, Reimyo CDP777, EarYoshino 912, Ear Yoshino 509s, JBLK2 SL5800s, ART Dram interconnects / speaker cables.

  6. #6
    Join Date: Mar 2016

    Location: Barnet, london UK

    Posts: 2,146
    I'm Adam.

    Default

    My only input is seeing a few examples of Bob C’s plinths
    Decoupled arm pods within the plinth, materials used, decoupling the motor ..
    It all makes a huge difference
    His plinths are testament to that, as they take the 301 to giddy heights... obviously at a cost.
    "lack of passion is fatal"


    Vinyl: Thorens TD-124mk2 / SME-312 Aluminium 'special' / SME M2-9R / STEREO: Etsuro Urushi Cobalt / Shure M3D / Ortofon SPU A95 / Cartridge Man Music Master / Shure - SC35C (US) / SAEC C3 MC MONO: Miyajima Zero B 0.7mil mono / Miyajima Premium 1.0 / Amps & SUTs: Radford STA25 mk3 / AD Audio 'Satchmo2' pre & LCR phono / Hashimoto HM-7 SUT / ETR-MONO SUT Digital: Audio Note 4.1 (with DAC5 upgrades) DAC / Roon / Tidal Speakers: Tannoy 12" MGs' in RFC custom 'Rutland' Cabinets with RFC crossovers / Tannoy ST-100 Super Tweeters Cables: LFD Grainless phono / RFC Mercury / Duelund DCA16GA tinned copper / Kimber 12TC / SW1X Audio Design USB-SPdif / Duelund DCA20GA interconnects / SW1X Audio SPDIF Aero 6 / Mains Power Conditioner / Box Furniture rack / Audiodesk Systeme Vinyl Cleaner / a very beautiful & understanding Wife!

  7. #7
    Join Date: Nov 2010

    Location: Yorkshire

    Posts: 9,321
    I'm Andrew.

    Default

    Adam, I've seen bobs plinths. You don't need to spend that sort of money. A little lateral thinking, careful material selection and a militarian approach to cosmetics should give you something very similar for a fraction of the price.
    SS
    CD Teac VRDS25X(Audiotuned) DECK 1210 Mat Crystal Audio Mods MN Base/Bearing/Platter+Ebony armboard Feet Isonoe PSU Paul Hynes SR7EHD-27XL/DCSXL Ag DC lead/3 Stage Regs/Recap PCB+No Pitch/Strobe/Light ARM SME V(Kondo Ag Rewire&Tags) MC Cadenza Black FGS CABLES Arm Yannis SPD-4 IC Yannis 222 Litz+Ag bullets Power WAR PRE ATC SCA2 SPEAKERS ATC 50ASL STANDS Atacama PHONO Sugden Masterclass PA4 SUT Ortofon ST80SE POWER PSAudio P10

    VALVE
    PRE
    Croft Epoch(Modded) AMP Sondex S100 (Modded) SPEAKERS Tannoy 15"MG+RFC Warwick cabs+ Ref XO + Batpure supertweeters DECK Garrard 301 Mat Teunto Bearings 401(Bastin) Plinth Bamboo Arms 3009/3012 PSU Eagle+Tachometer MC Ag Meister II/FGS + Ortofon SPU MONO CABLES Arm Yannis 420.5 Litz+ SpeakerPC Tripple C+WBT-0681 Ag IC Oyaide FTVS-510 AgWBT 0110Ag Phonostages Paradise(4 Box Mega-Modded) / Croft Musicmaker



  8. #8
    Join Date: Mar 2016

    Location: Barnet, london UK

    Posts: 2,146
    I'm Adam.

    Default

    Quote Originally Posted by REXTON View Post
    Adam, I've seen bobs plinths. You don't need to spend that sort of money. A little lateral thinking, careful material selection and a militarian approach to cosmetics should give you something very similar for a fraction of the price.
    hmmm, not sure about that. Yes taking the attributes and reference points of well implemented design such as Bob C's plinths, may give you something that resembles one but sonically you will never know how it stacks up.
    Saying "should give you something very similar" is pretty unfounded and hopeful.

    But yes, I understand that taking similar design approaches into consideration will give you something... may even be better...who knows!

    I personally think the Bob C plinth Value for money in relative terms of what it does to the 301 and the craftsmanship involved.
    "lack of passion is fatal"


    Vinyl: Thorens TD-124mk2 / SME-312 Aluminium 'special' / SME M2-9R / STEREO: Etsuro Urushi Cobalt / Shure M3D / Ortofon SPU A95 / Cartridge Man Music Master / Shure - SC35C (US) / SAEC C3 MC MONO: Miyajima Zero B 0.7mil mono / Miyajima Premium 1.0 / Amps & SUTs: Radford STA25 mk3 / AD Audio 'Satchmo2' pre & LCR phono / Hashimoto HM-7 SUT / ETR-MONO SUT Digital: Audio Note 4.1 (with DAC5 upgrades) DAC / Roon / Tidal Speakers: Tannoy 12" MGs' in RFC custom 'Rutland' Cabinets with RFC crossovers / Tannoy ST-100 Super Tweeters Cables: LFD Grainless phono / RFC Mercury / Duelund DCA16GA tinned copper / Kimber 12TC / SW1X Audio Design USB-SPdif / Duelund DCA20GA interconnects / SW1X Audio SPDIF Aero 6 / Mains Power Conditioner / Box Furniture rack / Audiodesk Systeme Vinyl Cleaner / a very beautiful & understanding Wife!

  9. #9
    Join Date: Apr 2012

    Location: N E Kent

    Posts: 51,625
    I'm Geoff.

    Default

    Idler motor decoupling is limited by the need to keep the idler wheel in accurate contact at two points. If the motor suspension becomes too pliant, no doubt it would affect speed consistency.

    You can separate the arm from a turntable, but you shouldn't try to isolate it mechanically, as any compliance will have an adverse effect. Rigidity is crucial.
    It is impossible for anything digital to sound analogue, because it isn't analogue!

  10. #10
    Join Date: Feb 2020

    Location: Fife, Scotland

    Posts: 160
    I'm Gordon.

    Default

    Quote Originally Posted by walpurgis View Post
    Rigidity is crucial.
    A bit like fitting a Houdini then.....? . .
    Technics SL1000R, DynavectorXV1t, Garrard 401, Jelco SA750LB, Decca Reference, ATVM750SH, AT33Mono, Hana Umami Red, Reimyo CDP777, EarYoshino 912, Ear Yoshino 509s, JBLK2 SL5800s, ART Dram interconnects / speaker cables.

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