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Thread: The Marco-boy main system, as of August 2020

  1. #461
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

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    Quote Originally Posted by Light Dependant Resistor View Post
    Ideally all equipment we use, should match the level of the source media we purchase or use.

    If used with a passive, then there is no need to change the sensitivity with a 306, as it then is perfectly suited to line level output from almost every known source component. This is because the RMS level in media we use rarely exceeds 350mv , The source component equipment can have, and usually does have much higher specification, but the media itself ie CD's Flac files etc in my experience never exceeds the 350mv mark, see attached which is a flac file being read by Audacity, the RMS level is in light blue

    Level changes away from the source level, appeasing other equipment's lack of sensitivity,( IMO then on entirely the wrong path ) is then neatly avoided.
    Cheers, Chris! Btw, I hope you're well and staying safe, mate

    Hey, at long last I'll be able to try your LDR, which might match really well with the 306... On that note, and just to clarify, in terms of the connections at the rear of the unit... I'm presuming that the two phono sockets separated from the rest, on the far right, are the outputs to the power amp?

    Also, of the other three sets of sockets to the left of that, what are the differences, if any, and which one should I connect to my CD player? Furthermore, in terms of the input selector switch, it just seems to continually click round, without limit, so how do you know which inputs it's activating, other than simply listening for when the sound comes through or not?

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


  2. #462
    Join Date: Sep 2013

    Location: North Island New Zealand

    Posts: 1,757
    I'm Chris.

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    Hi Marco
    Yes safe and well, trust the same there for you and your partner.

    Yes RCA pair further from the 3 inputs are the outputs, The input switch selecting the series pair anodes , is a bit different to normal in that the needed
    contact, is made prior to falling into its rest position. the rest position being off. Seen here with a internal image its a well made switch.

    Input 1 which is the RCA pair closer to the output is then selected with the front panel switch furthest to the left , but then allowing to be just off the off rest position.
    input 2 then follows the next rest position.

    Looking forward to how it goes. I have 24 boards in production so will send you an updated main board before Xmas.

    Cheers / Chris
    Attached Images Attached Images

  3. #463
    Join Date: Apr 2012

    Location: N E Kent

    Posts: 51,625
    I'm Geoff.

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    Quote Originally Posted by Marco View Post
    According to the info Geoff stated in post 453, it's 375mV, so does that mean that the 405-2 is less or more sensitive than the 306?

    Marco.
    A bit less.
    It is impossible for anything digital to sound analogue, because it isn't analogue!

  4. #464
    Join Date: Feb 2008

    Location: South Wales

    Posts: 9,151
    I'm NotTakingLifeTooSeriouslyTheseDays.

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    Input Sensitivity of the copper amps [depending on the feedback position] around 500mv.
    Quote Originally Posted by Marco View Post
    Cheers, Geoff. However, I've no idea what the likely result will be of using it with the Croft 'as is'... Do you think it would have too much or not enough gain? I know you don't know the figures, but just your gut feeling?

    No idea what the input sensitivity is of my Copper amp, so that's one to ask Anthony. Like I said though, a mate brought round his 405-2s and they were fine, so is the gain on the 306 different from that on the 405s?

    Marco.
    "Today scientists have substituted mathematics for experiments, and they wander off through equation after equation, and eventually build a structure which has no relation to reality"
    Nikola Tesla



    Its now a conspiracy theory to believe that the Immune system is capable of doing the job it was designed to do.
    A fish is only as healthy as the water its swimming in ! [Dr Robert Young]


    www.tubedistinctions.co.uk

    Matthew 5:10

  5. #465
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

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    Cheers, mate (and Geoff), so that's interesting... The *lower* the figure, the higher the sensitivity? So if the 405-2s are 500mV, as Barry says, that'll explain why Ian's worked fine with the Croft, as it's the same as the Copper amp

    So is the 125mV of difference in sensitivity between the 306 and the 405s (with the the former being 375mV) likely to be a major issue?

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


  6. #466
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Hi Chris,

    Glad that you guys are safe and well. NZ seems to be one of the safest places to be, and have dealt with the virus pretty well

    All noted, except for the input switch selector, which appears to just go round and round with no 'rest position'... Normally input selectors only have a small number of available steps/positions, and 'lock' either way at the end of those.

    Therefore, in that respect, I don't understand what you mean by 'furthest to the left'...?

    In terms of boards, I still have the first ones you sent me lying there. I've forgotten how to fit them now, but will have a look. If it's all a bit too complicated though, baring in mind that I am *a total numpty* when it comes to these things, I may just return the unit to you, along with the 'old boards', for you to fit the latest ones, if that's ok?

    Marco.


    Quote Originally Posted by Light Dependant Resistor View Post
    Hi Marco
    Yes safe and well, trust the same there for you and your partner.

    Yes RCA pair further from the 3 inputs are the outputs, The input switch selecting the series pair anodes , is a bit different to normal in that the needed
    contact, is made prior to falling into its rest position. the rest position being off. Seen here with a internal image its a well made switch.

    Input 1 which is the RCA pair closer to the output is then selected with the front panel switch furthest to the left , but then allowing to be just off the off rest position.
    input 2 then follows the next rest position.

    Looking forward to how it goes. I have 24 boards in production so will send you an updated main board before Xmas.

    Cheers / Chris
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


  7. #467
    Join Date: Sep 2013

    Location: North Island New Zealand

    Posts: 1,757
    I'm Chris.

    Default

    Quote Originally Posted by Marco View Post
    Hi Chris,

    Glad that you guys are safe and well. NZ seems to be one of the safest places to be, and have dealt with the virus pretty well

    All noted, except for the input switch selector, which appears to just go round and round with no 'rest position'... Normally input selectors only have a small number of available steps/positions, and 'lock' either way at the end of those.

    Therefore, in that respect, I don't understand what you mean by 'furthest to the left'...?

    In terms of boards, I still have the first ones you sent me lying there. I've forgotten how to fit them now, but will have a look. If it's all a bit too complicated though, baring in mind that I am *a total numpty* when it comes to these things, I may just return the unit to you, along with the 'old boards', for you to fit the latest ones, if that's ok?

    Marco.
    It is a 11 contact position switch, but only the first three contacts are used, as it was not supplied with a stopper position for 3 inputs ... But the front panel left knob should turn to the left and reach a point where it stops, If you want to try it before returning here, establish the stop position furthest to the left , then as the switch reaches a point midway between getting to the next rest spot that will be input 1... it then proceeds like into a little valley the rest spot , then out of that valley is input 2 and proceed on for Input 3. its quite a nice switch as it really contacts vs other switches that don't contact as well.

    Certainly pack it up and return here, for updating, I will send you a PM with my details.

    Cheers / Chris

  8. #468
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Hi Chris,

    Quote Originally Posted by Light Dependant Resistor View Post
    It is a 11 contact position switch, but only the first three contacts are used, as it was not supplied with a stopper position for 3 inputs ... But the front panel left knob should turn to the left and reach a point where it stops...
    That's that point mate, it doesn't! Just turns round and round, and round, whilst clicking at certain points., so it's impossible to determine the start or end point, or which input you're on...

    Anyway, thanks, I'll reply to your PM later - got to go out soon.

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


  9. #469
    Join Date: Oct 2013

    Location: Wrexham

    Posts: 1,058
    I'm Darren.

    Default

    Looks like you're ok on the sensitivity front then. Sorry for any confusion caused. It was a major improvement for me when I adjusted the 405's, but it was so long ago I can't remember from what I adjusted it from or to...
    Darren.
    Listening Room.
    UNDER CONSTRUCTION
    Turn Table. Garrard 401, Reso Mat, 2 Tier Slate Plinth, DIY Hadcock GH242, Nick G modded Lentek, Denon DL-103.
    Pre Amp. Croft Super Micro2. Power Amps Quad 405 Mono Blocks.
    Speakers. TBC

    Home Cinema.
    UNDER CONSTRUCTION
    DAC/Pre Amp. Denon AVC X3700H.
    BDP/Streamer. Panasonic DP-UB820EB / Apple TV4K.
    Display. Optoma UHD51 / DIY False Black Window Screen.
    Power Amps. 2 x Nakamichi AVP1.
    Front Speakers. DIY Baby Celestion Ditton 66. Surround Speakers. Celestion Ditton 11. Subwoofer. BK Electronics P12 300SB PR.

    Old Gallery. http://theartofsound.net/forum/showt...-of-the-70%92s

  10. #470
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Hi Darren,

    What about the fact that the 306 has a sensitivity of 375mA, and therefore is more sensitive than the 405s, won't that be an issue, or is the difference not large enough to worry about?

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


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