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Thread: The Marco-boy main system, as of August 2020

  1. #751
    Audio Al is offline Pishanto Specialist & Super-Daftee
    Join Date: May 2012

    Location: Dagenham Essex

    Posts: 11,215
    I'm Allen.

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    Lost count how may cassette deck's I have , Without moving I can see 7
    [

  2. #752
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

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    Quote Originally Posted by Filterlab View Post
    I too have a cassette deck, a Technics TRS something-or-other, which I bought to recover some tracks from old tapes and convert them to digital for a friend.

    Let’s just say that each recording has to go through my remastering suite to bring it up to anything like a modern standard. Fun to play with though. I’d forgotten how many hours I used to spend rewinding tapes.
    Yeah, for sure. However, a big shock [read as pleasant surprise] for me was hearing what cassette decks can do, from truly top manufacturers (forget much of the mainstream Jap stuff, in that respect], and most importantly, set-up and calibrated by an expert.

    Since being 'serviced', in that way, and upgraded with the superior NOS heads of a more expensive model, the Tandberg is just simply stunning!!

    Previous to this, I'd never heard a cassette deck properly 'fettled' in that way, or internally biased to optimise specific tapes - and trust me the difference is veritably night & day. Therefore, if you've never experienced that before, then quite simply you've NEVER heard what the humble cassette tape is truly capable of...

    I really didn't think that it would make such a difference, but I guess it's akin to buying a turntable and fitting an arm and cartridge simply so it 'works' in a basic mechanical sense, and produces some sort of sound, and doing the job right and meticulously OPTIMISING its performance

    The Tandberg cost me £250, plus a further £160 on having it 'fettled', so for £410, quite honestly, I've got a music source now that doesn't disgrace itself in any way in comparison with either my CDP or T/T, which those here who've heard them will know how good they are, and which cost multiple thousands of pounds more!

    Delighted? Aye, just a bit!!

    This is the guy who did the work, and I can't recommend him highly enough: http://www.rdetandberg.co.uk/

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


  3. #753
    Join Date: Jan 2008

    Location: Norfolk, UK

    Posts: 6,209
    I'm BigBobJoylove.

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    Quote Originally Posted by Audio Al View Post
    A cassette deck come on you need to try harder than that


    And I bought that from eBay to do the one job. My tapes went years back as a lot to a mate who couldn’t afford a CD player.

  4. #754
    Join Date: Jan 2008

    Location: Out on the wild and windy moors Lancs / Yorks Border

    Posts: 593
    I'm Andy.

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    Quote Originally Posted by Macca View Post
    Musica - 'Keep Your Mind On Me'
    Cheers Martin
    Analogue
    401 / PU7 / AT33ev
    Longdog Audio Quartz turntable PSU
    Longdog Audio MCJ1 - Prototype Phonostage
    Digital
    Innuos Zen Mini Mk 3
    Topping D50s
    Caiman Seg & Dorado
    Cambridge CXC
    Amps
    Tron Seven Linestage
    Bel Canto Set 40 or Nick Gorham built 300B Set Monoblocks
    Speakers
    Tannoy GRF Memory.
    Tannoy ST100.

  5. #755
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

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    Quote Originally Posted by Audio Al View Post
    Lost count how may cassette deck's I have , Without moving I can see 7
    Snap a pic, mate, and list them in make and model number - would be interesting to see

    If you don't have a Tandberg in your collection, then sell some of the 'duffers' and use the dosh to buy one - then get it professionally restored and calibrated. You won't regret it, trust me!

    My recent experiences here in that respect have been a veritable eye-opener.

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


  6. #756
    Audio Al is offline Pishanto Specialist & Super-Daftee
    Join Date: May 2012

    Location: Dagenham Essex

    Posts: 11,215
    I'm Allen.

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    Cant be assed with taking 7 photos , the list is

    Pioneer CT540
    Akai CSM01A
    Marantz 5020
    Braun C2
    Aurex Toshiba PC X60AD
    and the best one is a Teac Z5000 Master Cassette deck with wired remote ,

    Some low end some high end

    And you don't need to convince me how good tape setups can be , I know already
    [

  7. #757
    Audio Al is offline Pishanto Specialist & Super-Daftee
    Join Date: May 2012

    Location: Dagenham Essex

    Posts: 11,215
    I'm Allen.

    Default

    This is the deck mine is now using the heads from:

    I have read this line several times and it makes no sence ????

    What it your tape machine ? and what heads is it now fitted with , Also what tapes is it calibrated for
    [

  8. #758
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

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    Quote Originally Posted by Audio Al View Post
    Cant be assed with taking 7 photos , the list is

    Pioneer CT540
    Akai CSM01A
    Marantz 5020
    Braun C2
    Aurex Toshiba PC X60AD
    and the best one is a Teac Z5000 Master Cassette deck with wired remote ,

    Some low end some high end

    And you don't need to convince me how good tape setups can be , I know already
    Lol - hush my mouth! I meant in terms of having machines professionally serviced/rebuilt and calibrated by a trained professional, then internally biased to sonically optimise specific tapes. Have you ever had that done to any of your machines?

    If not, then I stand by what I said!

    Marco.

    P.S Would be nice to see a pic of the Braun, if you have time
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


  9. #759
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Quote Originally Posted by Audio Al View Post
    This is the deck mine is now using the heads from:

    I have read this line several times and it makes no sence ????

    What it your tape machine ? and what heads is it now fitted with , Also what tapes is it calibrated for
    Lol - then you haven't read the thread properly or my signature, where the deck I use is listed.

    I have a Tandberg TCD-310, but the engineer who restored it to better than new condition (bearing in mind that it's 45 years old), and when replacing the existing worn heads, fitted those from a superior model (the TCD-420), which have a flatter and more extended frequency response - and the difference isn't subtle!

    All clear now, daftee?

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


  10. #760
    Join Date: Jan 2009

    Location: Essex

    Posts: 32,051
    I'm openingabottleofwine.

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    Quote Originally Posted by Audio Al View Post
    Cant be assed with taking 7 photos , the list is

    Pioneer CT540
    Akai CSM01A
    Marantz 5020
    Braun C2
    Aurex Toshiba PC X60AD
    and the best one is a Teac Z5000 Master Cassette deck with wired remote ,

    Some low end some high end

    And you don't need to convince me how good tape setups can be , I know already
    The best Teac cassette deck IMO was the C1 professional machine, modified to have balanced outputs.



    I have a Nakamichi machine which has been calibrated by B&W to use TDK MA metal tape. Calibration for a particular tape makes a big difference, although I still wouldn't consider cassette as a prime source medium, compared with R2R, CD or vinyl. It is however a much cheaper option.

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