Engineers: fixing problems you didn't know you had in ways you don't understand.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!
Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!
Right, I'm out of the lab and the PSU didn't go bang, which is good news...
It might actually surprise you to know, Marco, that I know what you mean about the arms on B&O turntables. They do look a bit spindly and weedy! However, they are that way for a reason, namely to minimise the effective mass that is seen by their proprietary cartridges, and it works well. Also, if you haven't heard a good one, you should try and to have a listen to a good one, one day as I think you'd not only be surprised, but would like it. As you often mention, you don't like the colder, clinical "hi-fi" sound, but a warmer, more mellifluous and musical sonic presentation, and this is what B&O does so well. I know you don't like heading south of the M42 but if you are ever passing Hampshire, you're welcome to clap your ears round my Beogram 8002/MMC2 - you might just enjoy it!
And anyway, I'm confident with my spindly B&O arms - I've no need to compensate!
I'm also with you on the good old analogue VU meters on cassette decks, so It's a surprise to no-one more than me that I recently sold my Aiwa AD-6900 which, as you may know, has double needles, with peak and VU meters in the same housing. The trouble is that my recently acquired Yamaha KX-1200 was just a bit better than it, has remote control and, most importantly, has LED meters that I can see from across the room, unlike the Aiwa's VUs!
Still, my main cassette deck is still a B&O Beocord 8004 - lovely big LEDs and there ain't nothing spindly about it at all!
Engineers: fixing problems you didn't know you had in ways you don't understand.
Lol, I know... Thing is, my approach to vinyl replay is all about MASS - and PLENTY of it, judiciously applied in the right way!
High-mass T/Ts and arms, combined with low-compliance/high-VTF cartridges, has always produced the best sound to my ears, so that's the way I'll always go.
Nice one, thanks, and yes I appreciate that, and indeed I may well enjoy it. However, let's not lose sight of the fact that the discussion was revolved around LOOKS, not sonic performance. I didn't say that I hated the B&O SOUND... However, no matter how good the T/Ts sounded, I couldn't live with them because of their appearanceAlso, if you haven't heard a good one, you should try and to have a listen to a good one, one day as I think you'd not only be surprised, but would like it. As you often mention, you don't like the colder, clinical "hi-fi" sound, but a warmer, more mellifluous and musical sonic presentation, and this is what B&O does so well. I know you don't like heading south of the M42 but if you are ever passing Hampshire, you're welcome to clap your ears round my Beogram 8002/MMC2 - you might just enjoy it!
Lol... The thing is, I just think that VU meters are *SO* much sexier looking than LEDs (frankly there's no comparison), and also plenty accurate enough for my purposes. A professional recording engineer I ain't.I'm also with you on the good old analogue VU meters on cassette decks, so It's a surprise to no-one more than me that I recently sold my Aiwa AD-6900 which, as you may know, has double needles, with peak and VU meters in the same housing. The trouble is that my recently acquired Yamaha KX-1200 was just a bit better than it, has remote control and, most importantly, has LED meters that I can see from across the room, unlike the Aiwa's VUs!
Ultimately, it's about what sounds good and is the most FUN to use!
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!
Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!