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Thread: Valve amps, great with Jazz, shit with everything else.

  1. #11
    Join Date: Nov 2011

    Location: Seaton, Devon, UK

    Posts: 13,261
    I'm Adrian.

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    Quote Originally Posted by Macca View Post
    More likely to be the amplifier than the speakers. Lots of harmonic distortion to give that 'better than real life' sound but once the mix gets busy the associated intermodulation distortion kicks in and it all starts to sound nasty.
    I am finding this all a bit ODD to say the least.

    I purchased new and owned for many years an Audio Innovations S500 mk1 and it was extremely good, I had it tri-wired by them and I replaced the valves with Genelux Golden Lions as recommended by a dealer, and it sounded superb. Initially driving Snell type Js, (I cannot comment on similarities to ANs Js), and later with KEF Reference model 3.2's (not the easiest of speakers to drive) but it worked fine. I would hasten to add that it sounded good on all genres on both. I actually had one of those silly moments and sold the S500 and other gear which I went onto regret, so much so that a 3 years later I purchased another S500 but pre-owned this time, once again I upgraded the valves with Golden Lions, but this time drove Dali Ikon 6's, and again it sounded very good, however the one area of failing with this combo was restricted placement of the speakers because if not positioned correctly then they over-emphasised the bass.

    I am not sure how long you have been listening to it Mike but I would give it several days to a week on other genres before you write the combination off, sometimes it takes time to adjust to a new set, up. If you are still not happy then it might be well worth trying a different speaker, if you want easy to drive then maybe a suitable Tannoy or Impulse H2's, you certainly should get bass from either of those combos IMO.
    Listening is the act of aural discrimination and dissemination of sound, and accepting you get it wrong sometimes.

    Analog Inputs: Pro-Ject Signature 10 TT & arm, Benz Micro LP-S, Michel Cusis MC, Goldring 2500 and Ortofon Rondo Blue cartridges, Hitachi FT5500 mk2 Tuner

    Digital:- Marantz SA-KI Pearl CD player, RaspberryPi/HifiBerry Digi+ Pro, Buffalo NAS Drive

    Amplification:- AudioValve Sunilda phono stage, Krell KSP-7B pre-amp, Krell KSA-80 power amp

    Output: Wilson Benesch Vector speakers, KLH Ultimate One Headphones

    Cables: Tellurium Q Ultra Black II RCA & Chord Epic 2 RCA, various speaker leads, & links


    I think I am nearing audio nirvana, but don’t tell anyone.

  2. #12
    Join Date: Jan 2009

    Location: Essex

    Posts: 31,984
    I'm openingabottleofwine.

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    There is nothing wrong with the Audio Innovations 500 amplifier - it's a very good amplifier.

    I don't know about Audio Note loudspeakers or how the driver(s) is(are) loaded, but the AI 500 (factory upgraded to the latest specification) works wonderfully well with horn-loaded speakers (a good example in my experience being the Impulse H2s).
    Barry

  3. #13
    Join Date: Aug 2012

    Location: Belfast

    Posts: 139
    I'm Tim.

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    I have 106db horns that are perfect for low powered valve amps. After demo’ing loads from £2k-£40k I’ve found the thread title to be spot on. Wouldn’t have one given...

  4. #14
    Join Date: Apr 2012

    Location: London

    Posts: 685
    I'm James.

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    My experience is different, but I value timbre, tonality, and image density over forensic ability to tease apart complex music. I like Audio Note and accept their failings because their stuff plays enjoyable sounds that meets my needs. I enjoy lots of other stuff including class d amps, but haven't yet found speakers better for my room and tastes than AN-E.
    With 106dB horns I'd be staggered if you could tolerate anything other than class a amps and valve above sand, but maybe Pass labs fits the bill?

    Sent from my BLA-L09 using Tapatalk

  5. #15
    Join Date: Mar 2016

    Location: Brighton, UK.

    Posts: 3,096
    I'm Mike.

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    Quote Originally Posted by Macca View Post
    The problem is both the valve amp and the speakers are not very good. That's why only plinky-plonk sounds any good through them. Plinky plonk will sound good on an Amstrad.
    Haha, that's nonsense. I know cos I've tried both, and this combo with jazz is superb
    Current system 1210 GR. CDP - Meridian G08. Amp -Sugden A21I - Sig. Wharfedale Lintons.

  6. #16
    Join Date: Mar 2016

    Location: Brighton, UK.

    Posts: 3,096
    I'm Mike.

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    Quote Originally Posted by walpurgis View Post
    I don't think I'd be looking at Exposure or Naim to get the best from recordings of limited quality.

    A serviced Cambridge A60 or Audiolab 8000A would probably suit, but if you can get away from the idea of an integrated, a Quad 909 with a passive pre-amp would be just the job, offering oodles of refined power! A 606 Mk.II does the same.
    Had the 909, found it a bit sedate. I often read that the early Naits 'could really boogie', so thought they might be good, similar with exposure.
    Last edited by Mikeandvan; 29-07-2020 at 20:08.
    Current system 1210 GR. CDP - Meridian G08. Amp -Sugden A21I - Sig. Wharfedale Lintons.

  7. #17
    Join Date: Aug 2009

    Location: Staffordshire, England

    Posts: 37,882
    I'm Martin.

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    Quote Originally Posted by Mikeandvan View Post
    Haha, that's nonsense. I know cos I've tried both, and this combo with jazz is superb
    You say it is good with jazz but a good amp and speakers will be good with everything.
    Current Lash Up:

    TEAC VRDS 701T > Sony TAE1000ESD > Krell KSA50S > JM Labs Focal Electra 926.

  8. #18
    Join Date: Mar 2016

    Location: Brighton, UK.

    Posts: 3,096
    I'm Mike.

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    Quote Originally Posted by AJSki2fly View Post
    I am finding this all a bit ODD to say the least.

    I purchased new and owned for many years an Audio Innovations S500 mk1 and it was extremely good, I had it tri-wired by them and I replaced the valves with Genelux Golden Lions as recommended by a dealer, and it sounded superb. Initially driving Snell type Js, (I cannot comment on similarities to ANs Js), and later with KEF Reference model 3.2's (not the easiest of speakers to drive) but it worked fine. I would hasten to add that it sounded good on all genres on both. I actually had one of those silly moments and sold the S500 and other gear which I went onto regret, so much so that a 3 years later I purchased another S500 but pre-owned this time, once again I upgraded the valves with Golden Lions, but this time drove Dali Ikon 6's, and again it sounded very good, however the one area of failing with this combo was restricted placement of the speakers because if not positioned correctly then they over-emphasised the bass.

    I am not sure how long you have been listening to it Mike but I would give it several days to a week on other genres before you right the combination off, sometimes it takes time to adjust to a new set, up. If you are still not happy then it might be well worth trying a different speaker, if you want easy to drive then maybe a suitable Tannoy or Impulse H2's, you certainly should get bass from either of those combos IMO.
    I'm happy with the system, but as I said, its quite limited in what it can relay, but with jazz its spot on, and quite addictive. So I'll happily keep it, and am just gonna buy another integrated amp and smallish standmounts for the other genres I like. I've room for 2 amps on my rack, the other speakers will just have to sit in a cupboard till I need them.
    Current system 1210 GR. CDP - Meridian G08. Amp -Sugden A21I - Sig. Wharfedale Lintons.

  9. #19
    Join Date: Nov 2011

    Location: Seaton, Devon, UK

    Posts: 13,261
    I'm Adrian.

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    Quote Originally Posted by Mikeandvan View Post
    I'm happy with the system, but as I said, its quite limited in what it can relay, but with jazz its spot on, and quite addictive. So I'll happily keep it, and am just gonna buy another integrated amp and smallish standmounts for the other genres I like. I've room for 2 amps on my rack, the other speakers will just have to sit in a cupboard till I need them.
    I now am completely confused Mike, how can smallish stand mounts possibly give you the bass you describe you want I cannot fathom. Also whether it’s a valve or integrated amp with such speakers is not going to make much difference imo. It really does sound as if the AN Js are the issue here! Has anyone else any other ideas?


    Sent from my iPhone using Tapatalk
    Listening is the act of aural discrimination and dissemination of sound, and accepting you get it wrong sometimes.

    Analog Inputs: Pro-Ject Signature 10 TT & arm, Benz Micro LP-S, Michel Cusis MC, Goldring 2500 and Ortofon Rondo Blue cartridges, Hitachi FT5500 mk2 Tuner

    Digital:- Marantz SA-KI Pearl CD player, RaspberryPi/HifiBerry Digi+ Pro, Buffalo NAS Drive

    Amplification:- AudioValve Sunilda phono stage, Krell KSP-7B pre-amp, Krell KSA-80 power amp

    Output: Wilson Benesch Vector speakers, KLH Ultimate One Headphones

    Cables: Tellurium Q Ultra Black II RCA & Chord Epic 2 RCA, various speaker leads, & links


    I think I am nearing audio nirvana, but don’t tell anyone.

  10. #20
    Join Date: May 2018

    Location: Woking

    Posts: 803
    I'm Chris.

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    Mike, I get what you are saying re valve amps but I think your issue with them has been compounded by the Audio Note's shortcomings, not the amps.

    With the right speakers valve amps can give a powerful, dynamic sound with plenty of bass although admittedly it can be tricky to get right though. The speakers you have are considered superb for acoustic reproduction and indeed Jazz (as you have eluded to). They do place texture and timbre above nearly all else sonic-wise so other important (although less to some people) characteristics of a speakers 'signature' are missing, even compared to a lot of far less expensive examples.

    For a lot of people this is okay as they may only listen to the kind of music that the speakers excel with but it does limit your musical genres somewhat.

    As with a lot of things hifi its horses for courses due to the limitations of speaker design. I would say the AN's are more 'compromised' than most in the pursuit of convincingly reproducing one or two particular types of music extremely well (maybe better than nearly all others).

    As you say if you're willing to swap the speakers out when you feel like it then that's fine but the amp is not the problem here. Get some more well rounded and less 'compromised' speakers and a lot of things missing from the AN's should return, plus, if you choose carefully you might just get a large dose of what the AN's offer too!
    System 1: - Amp - Musical Paradise MP-701 mk2 - Neurochrome 686
    - Source: Audio Technica LP-5 - Custom 6V6 stage - Novafidelity X30 - Soekris 1421 (LPSU) - Custom TDA1541 C3G DAC -
    - Speakers: Martin Logan Prodigy's - Subs: - REL T3's -

    System 2 - Amp: Musical Paradise MP 303/Custom 300B SET - Custom 6SL7 Pre -
    - Source: Pioneer N-30K - SONCOZ SGD1 -
    - Speakers: Loth X BS1's - Sub: REL T3 -

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