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Thread: Clone or Knock off??

  1. #11
    Join Date: Apr 2016

    Location: Gravesend and France

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    I'm paul.

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    Quote Originally Posted by Haselsh1 View Post
    Forgive me as I am really not trying to derail this thread but I have noticed similar with kit cars. AC Cobra replicas that even have a fake AC badge on them. These things are almost an exact copy and you see people that have built them expecting to get £46k for them..! It is a knock off mate, nothing more nothing less. Getting back to the OP, I have noticed the amps on ebay too.
    even Gibson guitars sell say a '59 reissue. It might look like a '59, it might have similar hardware but the timber will not compare, years ago the Japanese bought the best timber and were making better quality guitars than the Americans, it irritates me when I see a '59 les Paul for sale and then find out it's a reissue and not the genuine article even though it's made by a company with the name Gibson, ok the same company but not the same craftsmen and materials

    Btw I just bought an amplifier reminiscent of a Linley hood design that looks very Dartzeel but is NOT labeled as one, 15w solid state, bought out of interest rather than expecting it to be anywhere near the quality of my Bakoon.
    Last edited by paulf-2007; 23-05-2020 at 10:04. Reason: Missed not from sentence
    Bakoon 13r Denon DP80 Stax UA-70 Shure Ultra 500 in a Martin Bastin body with jico stylus, project ds2 digital Rullit aero 8 field coils in tqwt speakers

    Office system, DIY CSS fullrange speakers with aurum cantus G2 ribbons yulong dac Sony STR6055 receiver Jvc QL-A51 direct drive turntable, Leema sub. JVC Z4S cart is in the house

    Garage system another Sony receiver, cassette deck


    System components are subject to change without warning and at the discretion of the owner.

  2. #12
    Join Date: Mar 2016

    Location: Barnet, london UK

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    I'm Adam.

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    Quote Originally Posted by Macca View Post
    The amp you mention - I'm assuming we are thinking of the same one - is described as a clone so no-one who buys it would be deceived into thinking it was anything other than that. That's the key point I think.
    Hmm, Interesting point...
    so if one states it’s a fake, but still continues to try and sell the fake, even though to the eye it’s a complete facsimile of a product, which a company has invested a massive amount of R&D, money and commitment in.... its ok, because they stated it was a clone to begin with?

    Imho that doesn’t sit right, and darn sure if any of us had the same commitment to a product we’d be very upset.

    Not exactly endorsing the small business ethic that make up the hifi industry!
    "lack of passion is fatal"


    Vinyl: Thorens TD-124mk2 / SME-312 Aluminium 'special' / SME M2-9R / STEREO: Etsuro Urushi Cobalt / Shure M3D / Ortofon SPU A95 / Cartridge Man Music Master / Shure - SC35C (US) / SAEC C3 MC MONO: Miyajima Zero B 0.7mil mono / Miyajima Premium 1.0 / Amps & SUTs: Radford STA25 mk3 / AD Audio 'Satchmo2' pre & LCR phono / Hashimoto HM-7 SUT / ETR-MONO SUT Digital: Audio Note 4.1 (with DAC5 upgrades) DAC / Roon / Tidal Speakers: Tannoy 12" MGs' in RFC custom 'Rutland' Cabinets with RFC crossovers / Tannoy ST-100 Super Tweeters Cables: LFD Grainless phono / RFC Mercury / Duelund DCA16GA tinned copper / Kimber 12TC / SW1X Audio Design USB-SPdif / Duelund DCA20GA interconnects / SW1X Audio SPDIF Aero 6 / Mains Power Conditioner / Box Furniture rack / Audiodesk Systeme Vinyl Cleaner / a very beautiful & understanding Wife!

  3. #13
    Join Date: Aug 2009

    Location: Staffordshire, England

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    I'm Martin.

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    Quote Originally Posted by WESTLOWER View Post
    Hmm, Interesting point...
    so if one states it’s a fake, but still continues to try and sell the fake, even though to the eye it’s a complete facsimile of a product, which a company has invested a massive amount of R&D, money and commitment in.... its ok, because they stated it was a clone to begin with?

    Imho that doesn’t sit right, and darn sure if any of us had the same commitment to a product we’d be very upset.

    Not exactly endorsing the small business ethic that make up the hifi industry!
    Is there really an issue providing things like names/logos are not appropriated and there's no intent to deceive i.e it is not sold as being the real thing?
    Current Lash Up:

    TEAC VRDS 701T > Sony TAE1000ESD > Krell KSA50S > JM Labs Focal Electra 926.

  4. #14
    Join Date: Mar 2016

    Location: Barnet, london UK

    Posts: 2,146
    I'm Adam.

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    Quote Originally Posted by Macca View Post
    Is there really an issue providing things like names/logos are not appropriated and there's no intent to deceive i.e it is not sold as being the real thing?
    So why not use a different aesthetic?
    Of course it’s meant to deceive, it’s been put in the same VERY distinctive case
    "lack of passion is fatal"


    Vinyl: Thorens TD-124mk2 / SME-312 Aluminium 'special' / SME M2-9R / STEREO: Etsuro Urushi Cobalt / Shure M3D / Ortofon SPU A95 / Cartridge Man Music Master / Shure - SC35C (US) / SAEC C3 MC MONO: Miyajima Zero B 0.7mil mono / Miyajima Premium 1.0 / Amps & SUTs: Radford STA25 mk3 / AD Audio 'Satchmo2' pre & LCR phono / Hashimoto HM-7 SUT / ETR-MONO SUT Digital: Audio Note 4.1 (with DAC5 upgrades) DAC / Roon / Tidal Speakers: Tannoy 12" MGs' in RFC custom 'Rutland' Cabinets with RFC crossovers / Tannoy ST-100 Super Tweeters Cables: LFD Grainless phono / RFC Mercury / Duelund DCA16GA tinned copper / Kimber 12TC / SW1X Audio Design USB-SPdif / Duelund DCA20GA interconnects / SW1X Audio SPDIF Aero 6 / Mains Power Conditioner / Box Furniture rack / Audiodesk Systeme Vinyl Cleaner / a very beautiful & understanding Wife!

  5. #15
    Join Date: Apr 2011

    Location: cheltenham

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    I'm matt.

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    Here's an interesting one - What about a company that's name is known worldwide, and their old products still fetch good money on the second-hand market. Recently, they make new products with the same name and similar looks, but the original owners and designers are long gone, and although they look the same, they obviously don't perform the same.

    Can you guess who I'm thinking of?

  6. #16
    Join Date: Nov 2010

    Location: Yorkshire

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    I'm Andrew.

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    Quote Originally Posted by fatmarley View Post
    Here's an interesting one - What about a company that's name is known worldwide, and their old products still fetch good money on the second-hand market. Recently, they make new products with the same name and similar looks, but the original owners and designers are long gone, and although they look the same, they obviously don't perform the same.

    Can you guess who I'm thinking of?
    Some Might Explain this in a differing manner.
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  7. #17
    Join Date: Apr 2012

    Location: N E Kent

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    I'm Geoff.

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    Quad clones have been around for years. I doubt they care much about 30 year out of date designs being copied.
    It is impossible for anything digital to sound analogue, because it isn't analogue!

  8. #18
    Join Date: Jul 2010

    Location: Cheltenham

    Posts: 982
    I'm Charlie.

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    I think that this whole aspect of hi fi electronics is a can of worms. It's just like copyright in many ways, except some people choose to turn a blind eye.

    As in the computer world, some designs are open source with the circuits published. Anyone building one of these is perfectly entitled to do so, as that was what the designer originally intended. Something like the vintage Mullard 5-20 circuit or the modern Nelson Pass designs would fall into this category - effectively they're like freeware.

    However, many designers invest a huge amount of effort, time and money into improving their designs. I don't think that there is any such thing as copyright in electronics and patents are hard and difficult to secure. Some designers, like Frank Schroeder, are willing to share their knowledge to private DIY individuals; Frank has helped many people to build clones of his tonearms, on the condition that they are for private use and not for profit.

    Opening up a new piece of equipment and admiring the quality of workmanship is one thing. But reverse engineering someone else's design without the original designer's consent is effectively intellectual property theft. But many smaller designers and even some of the household names don't have the resources to litigate, particularly if the offender is overseas or an individual with few assets. It is much easier to copy a design with discrete components, as that is within the skillset of a skilled electronics engineer. But copying surface mounted boards requires a different level of investment.

    Ultimately if the cohort of excellent small designers have their business undercut and their products ripped off without their consent, the hi-fi world would be a much poorer place.
    R2R: Studer A820 1/2 inch 2 track; Otari MTR-12 1/4 inch 2 track; Sony APR 5003; Sony APR 5002; Studer A807/II. Vinyl: Platine Verdier Allaerts MC1B/Schroeder Reference & Model 2 Decca C4E/Hadcock 228 TRON Seven Reference phono. Keith Monks MkII RCM Other analogue source: Nakamichi Dragon with ANT4066 mods. Amplification: TRON Meteor preamp TRON Voyager 20B SET power. Speakers: Avantgarde Duo. Digital: computing at last with Prism Sound Lyra 2 A2D converter

  9. #19
    Join Date: Apr 2011

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    Quote Originally Posted by REXTON View Post
    Some Might Explain this in a differing manner.
    I see what you did there, but that's not who I was thinking of. Thinking about it, I'm sure there are many examples where this has happened.

  10. #20
    Join Date: Apr 2012

    Location: N E Kent

    Posts: 51,625
    I'm Geoff.

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    If you look on ebay for amplifiers and include 1969 or Hood in the search, you will get derivatives of John Linsley Hood Class A designs. I doubt anybody is likely to complain.
    It is impossible for anything digital to sound analogue, because it isn't analogue!

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