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Thread: Room Acoustics

  1. #1
    Join Date: May 2018

    Location: Woking

    Posts: 803
    I'm Chris.

    Default Room Acoustics

    I've got a nasty dead spot (below 200hz -8db or more) right around my listening position.

    If I go and crouch in the corner on either side or somewhere in front of it, all is fine. In fact perfectly balanced which does make me think I might need some EQ also.
    I don't really want to use my parametric EQ even though it is very good, as it limits me to using digital playback only and also toslink cables.

    So I've decided to treat the problem with bass traps and panels.

    I'm just wondering if that will work as if I'm getting the sound I want in the corners of the room where the modes collect, absorbing may not give me any extra bass in my listening position?

    I don't really know if the dead spot is because waves are colliding there or because something else is stopping them getting there if that makes sense.

    I will be treating the the main two corners behind the speakers with 100 x 30 x 30 bass traps and 50mm panels at various reflection points around the room as well as behind my listening position. Plus some strategically placed bookshelves and storage units of vinyl etc.

    I'm hoping for a much improved sound but I'm just wondering if there is anything else I can do to address it?

    Room is a weird shape kind of like a plus sign with the speakers in one section of the 'plus' and the listening position at the front of the opposite section.

    I did have it sounding better but I moved some stuff around and now can't recreate whatever acoustic effect the 'stuff' was having.

    Any advice or suggestions much appreciated.

    Cheers,

    Chris
    System 1: - Amp - Musical Paradise MP-701 mk2 - Neurochrome 686
    - Source: Audio Technica LP-5 - Custom 6V6 stage - Novafidelity X30 - Soekris 1421 (LPSU) - Custom TDA1541 C3G DAC -
    - Speakers: Martin Logan Prodigy's - Subs: - REL T3's -

    System 2 - Amp: Musical Paradise MP 303/Custom 300B SET - Custom 6SL7 Pre -
    - Source: Pioneer N-30K - SONCOZ SGD1 -
    - Speakers: Loth X BS1's - Sub: REL T3 -

  2. #2
    Join Date: Jun 2014

    Location: Chorley Lancs

    Posts: 14,739
    I'm Steve.

    Default

    I would have thought that the bass null you've got at your listening position will probably stay there regardless of where the speakers are sited, but I see you're using REL T3 subs, so could you use bass traps to reduce the bass in the corners, and then turn the wick up on the subs until you find a level of bass you're happy with? And if you're using two subs you can perhaps experiment with their positioning. Lots of options there.

    Just a thought, I'm sure some more intelligent ideas will be along soon
    I just dropped in, to see what condition my condition was in

    T/T: Inspire Monarch, X200 tonearm, Ortofon Quintet Blue. Phono: Project Tube Box CD: Marantz CD6006 (UK Edition); Amp: Musical Fidelity A5 Integrated.
    Speakers: Zu Omen Def, REL T9i subwoofer. Cables: Atlas Equator interconnects, Atlas Hyper 3.0 speaker cables

    T'other system:
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  3. #3
    Join Date: Nov 2011

    Location: Seaton, Devon, UK

    Posts: 13,267
    I'm Adrian.

    Default

    Quote Originally Posted by Opti-cal View Post
    I've got a nasty dead spot (below 200hz -8db or more) right around my listening position.

    .............

    I don't really know if the dead spot is because waves are colliding there or because something else is stopping them getting there if that makes sense.

    I will be treating the the main two corners behind the speakers with 100 x 30 x 30 bass traps and 50mm panels at various reflection points around the room as well as behind my listening position. Plus some strategically placed bookshelves and storage units of vinyl etc.

    I'm hoping for a much improved sound but I'm just wondering if there is anything else I can do to address it?

    Room is a weird shape kind of like a plus sign with the speakers in one section of the 'plus' and the listening position at the front of the opposite section.

    I did have it sounding better but I moved some stuff around and now can't recreate whatever acoustic effect the 'stuff' was having.

    Any advice or suggestions much appreciated.

    Cheers,

    Chris
    Hi Chris,

    I and a friend of mine have played around in out listening rooms with speaker positions, listening position, and dampening devices to try and get it as good as possible. Based on what you said about your room I would suspect it is reflections converging at your listing position and canceling each other out.

    How are you measuring the 200hz dead spot? I use REW(free for Mac or PC) and us a simple USB microphone. After calibrating with the mic at my listening head position I do a sweep measurement form 20 to 20Khz and look at the curve. If the past I then made simple adjustments to speaker positions and so on looking for improvement. I also tried temporary bass traps by placing old blanket in the corners on poles/lampstands and hanging towels off the walls at strategic points. This would be worth trying IMO before splashing out on traps only to find they make little difference. Each time you make a change re-measure and see if its better.

    I hope this helps a bit, but perhaps you have already done this. By the way I would turn the subs off to start with and get it right with the mains and then re-introduce the subs and see if they are the issue or not.
    Listening is the act of aural discrimination and dissemination of sound, and accepting you get it wrong sometimes.

    Analog Inputs: Pro-Ject Signature 10 TT & arm, Benz Micro LP-S, Michel Cusis MC, Goldring 2500 and Ortofon Rondo Blue cartridges, Hitachi FT5500 mk2 Tuner

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  4. #4
    Join Date: May 2018

    Location: Woking

    Posts: 803
    I'm Chris.

    Default

    Thanks for the replies so far chaps.

    I've measured it using my Behringer microphone connected to my DEQ digital EQ. It can boost the frequencies around that area but is also likely boosting the cancelling wave so not a huge improvement, Plus it doesn't really help me out for the vinyl!

    The bass traps I've ordered were fairly cheap compared to a lot of them and I already have some strategically placed pillows/duvets around the place. I've had this problem in other rooms and they did the trick perfectly in those instances, this one is a bit harder to shift.

    Some bass traps are on the way so will hopefully go some way towards improving things. I did take the subs out of the system and was really appreciating the 'natural' sound but a lot of my music is electronic and I was really missing the bass after a while even though my speakers do easily go into the low 20Hz (my Grand Masters not the Quads which roll off at 45hz) . That gets to the listening position no problem but then with this null there is a noticeable dip in between the mid low and the sub bass frequencies.

    I can't move the speakers as I've been there, done that for weeks and where they are sounds 10 x better than any other placement, it is THE spot.

    I can move my listening position forward a foot or so and that does improve frequency response a lot it's just I lose a fair amount of soundstage.... Although I think I'll sacrifice that for the missing frequencies at the moment.

    Hoping the acoustic treatment gets me there! I'm also making quite a few wall panels myself from 5 to 8cm thick foam. I know this won't do much for the bass but should improve higher frequencies.
    System 1: - Amp - Musical Paradise MP-701 mk2 - Neurochrome 686
    - Source: Audio Technica LP-5 - Custom 6V6 stage - Novafidelity X30 - Soekris 1421 (LPSU) - Custom TDA1541 C3G DAC -
    - Speakers: Martin Logan Prodigy's - Subs: - REL T3's -

    System 2 - Amp: Musical Paradise MP 303/Custom 300B SET - Custom 6SL7 Pre -
    - Source: Pioneer N-30K - SONCOZ SGD1 -
    - Speakers: Loth X BS1's - Sub: REL T3 -

  5. #5
    Join Date: May 2016

    Location: Notts

    Posts: 2,746
    I'm Geoff.

    Default

    Foam is pretty useless for wall panels. You need something like this. https://www.insulation4less.co.uk/pr...iABEgK8tPD_BwE

    Make sure you use the 100mm thickness as anything thinner will not have much effect. It is easy to work but make sure to use gloves and a mask.

    Geoff


    Quote Originally Posted by Opti-cal View Post
    Thanks for the replies so far chaps.

    I've measured it using my Behringer microphone connected to my DEQ digital EQ. It can boost the frequencies around that area but is also likely boosting the cancelling wave so not a huge improvement, Plus it doesn't really help me out for the vinyl!

    The bass traps I've ordered were fairly cheap compared to a lot of them and I already have some strategically placed pillows/duvets around the place. I've had this problem in other rooms and they did the trick perfectly in those instances, this one is a bit harder to shift.

    Some bass traps are on the way so will hopefully go some way towards improving things. I did take the subs out of the system and was really appreciating the 'natural' sound but a lot of my music is electronic and I was really missing the bass after a while even though my speakers do easily go into the low 20Hz (my Grand Masters not the Quads which roll off at 45hz) . That gets to the listening position no problem but then with this null there is a noticeable dip in between the mid low and the sub bass frequencies.

    I can't move the speakers as I've been there, done that for weeks and where they are sounds 10 x better than any other placement, it is THE spot.

    I can move my listening position forward a foot or so and that does improve frequency response a lot it's just I lose a fair amount of soundstage.... Although I think I'll sacrifice that for the missing frequencies at the moment.

    Hoping the acoustic treatment gets me there! I'm also making quite a few wall panels myself from 5 to 8cm thick foam. I know this won't do much for the bass but should improve higher frequencies.

  6. #6
    Join Date: Aug 2009

    Location: Staffordshire, England

    Posts: 37,928
    I'm Martin.

    Default

    Quote Originally Posted by Opti-cal View Post
    I've got a nasty dead spot (below 200hz -8db or more) right around my listening position.

    If I go and crouch in the corner on either side or somewhere in front of it, all is fine. In fact perfectly balanced which does make me think I might need some EQ also.
    I don't really want to use my parametric EQ even though it is very good, as it limits me to using digital playback only and also toslink cables.
    have you not considered using an analogue to digital convertor on your analogue sources? Then you could use the parametric eq for them too.
    Current Lash Up:

    TEAC VRDS 701T > Sony TAE1000ESD > Krell KSA50S > JM Labs Focal Electra 926.

  7. #7
    Join Date: Apr 2016

    Location: Bishops Stortford

    Posts: 1,250
    I'm Chris.

    Default

    My advice would be to ring REL. Those guys have seen it all and will give great advice about how to optimise their subs.
    Source
    SW1X Universal Music Server UMS I Signature with Power Supply Unit PSU I Signature
    SW1X USB II
    SW1X DAC III Special
    Audiolab 6000 CDT transport
    Amps
    Pre amps -- Hi fi Collective twin mono ladder stepped attenuator, with Charcroft Z-foil and silver wired. And First Watt B1 active no gain buffer.
    Power amps -- Welborne 45 SET monoblocks 1.8W / Decware Taboo 6W / Elekit 300B TU-8600SVK plus further improved components 9W / ICE Power 1000W
    Speakers
    Highly modified Endorphin P17 open baffle speakers containing both vintage and modern alnico drivers and paper cones. All silver wired - 8" Cube Audio FC8 full range drivers and vintage 15" Altec VOTT 416 bass drivers. All sat on Townsend Audio Podium seismic isolation platforms.
    BK Electronics XLS400FF Sub.
    Cabling
    Silver mains cables, interconnects and speaker cables by SW1X
    Headphones
    HRT HeadStreamer and SennHeiser HD650 headphones

  8. #8
    Join Date: May 2018

    Location: Woking

    Posts: 803
    I'm Chris.

    Default

    Quote Originally Posted by Sherwood View Post
    Foam is pretty useless for wall panels. You need something like this. https://www.insulation4less.co.uk/pr...iABEgK8tPD_BwE

    Make sure you use the 100mm thickness as anything thinner will not have much effect. It is easy to work but make sure to use gloves and a mask.

    Geoff
    Hi Geoff, thanks for the advice and the link. To be fair the wall panels are mostly to deal with reflections and tame the echo as indeed its very hard to absorb any bass with anything as thin as the foam I'm using. They are actually acoustic tiles (so meant for the job) but yes the rockwool would do a better job. Unfortunately it might just be a little too invasive for the other half. I can at least make the smaller panels look a bit like wall art. A huge beefy rectangle of that is difficult to justify . . . but it has got me thinking.

    Cheers
    Last edited by Opti-cal; 07-05-2020 at 08:37.
    System 1: - Amp - Musical Paradise MP-701 mk2 - Neurochrome 686
    - Source: Audio Technica LP-5 - Custom 6V6 stage - Novafidelity X30 - Soekris 1421 (LPSU) - Custom TDA1541 C3G DAC -
    - Speakers: Martin Logan Prodigy's - Subs: - REL T3's -

    System 2 - Amp: Musical Paradise MP 303/Custom 300B SET - Custom 6SL7 Pre -
    - Source: Pioneer N-30K - SONCOZ SGD1 -
    - Speakers: Loth X BS1's - Sub: REL T3 -

  9. #9
    Join Date: May 2018

    Location: Woking

    Posts: 803
    I'm Chris.

    Default

    Quote Originally Posted by Macca View Post
    have you not considered using an analogue to digital convertor on your analogue sources? Then you could use the parametric eq for them too.
    I did try a 'cheap' one but didn't like what it did to the sound. I'm sure there are better ones out there but my preference and instinct is to deal with the issues passively (if that's the right term?). As in with materials and passive absorbtion/diffusion rather than major EQing. However if it doesn't work I could always try the Dirac route and just bite the bullet and go for 'proper' room correction. My Behringer is good but I know the Dirac stuff is end game.

    Cheers
    Last edited by Opti-cal; 07-05-2020 at 08:38.
    System 1: - Amp - Musical Paradise MP-701 mk2 - Neurochrome 686
    - Source: Audio Technica LP-5 - Custom 6V6 stage - Novafidelity X30 - Soekris 1421 (LPSU) - Custom TDA1541 C3G DAC -
    - Speakers: Martin Logan Prodigy's - Subs: - REL T3's -

    System 2 - Amp: Musical Paradise MP 303/Custom 300B SET - Custom 6SL7 Pre -
    - Source: Pioneer N-30K - SONCOZ SGD1 -
    - Speakers: Loth X BS1's - Sub: REL T3 -

  10. #10
    Join Date: May 2018

    Location: Woking

    Posts: 803
    I'm Chris.

    Default

    Quote Originally Posted by bumpy View Post
    My advice would be to ring REL. Those guys have seen it all and will give great advice about how to optimise their subs.
    Great suggestion and in fact without even speaking to them I have made some progress, outlined below.
    System 1: - Amp - Musical Paradise MP-701 mk2 - Neurochrome 686
    - Source: Audio Technica LP-5 - Custom 6V6 stage - Novafidelity X30 - Soekris 1421 (LPSU) - Custom TDA1541 C3G DAC -
    - Speakers: Martin Logan Prodigy's - Subs: - REL T3's -

    System 2 - Amp: Musical Paradise MP 303/Custom 300B SET - Custom 6SL7 Pre -
    - Source: Pioneer N-30K - SONCOZ SGD1 -
    - Speakers: Loth X BS1's - Sub: REL T3 -

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