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Thread: What value is placed on the absence of UK servicing when considering a brand?

  1. #11
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

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    1. Should ‘civilians’ enquire as to what the importer / distributor’s policy is regarding repair work i.e. can all service work be carried out in the UK and if not, why not?

    2. Should magazines (who always and vociferously claim to have the end-user’s interests at the very heart of what they do) be persuaded to include a brief statement re the state of UK servicing on any item they review?
    Hello Howard,

    In answer to your first question I think it's only common sense for customers to enquire about repair work, should it be necessary, when considering buying equipment from a manufacturer where no UK servicing is offered. Dealers should also be advising customers, too, in that scenario.

    I think if it were me though, and I really liked and wanted the equipment, I would take the risk as my view with hi-fi is 'nothing ventured, nothing gained'. I've imported quite a few things now from the States and China that aren't available to buy in the UK which would have no UK servicing in the event of failure.

    It's a risk you take but in my view is worth it if it pays off. So far it's worked fine for me, and if anything goes wrong I know that I've got people here in the UK that would be able to fix it if something went wrong. Of course, not everyone is so adventurous!

    Regarding your second question I would say most definitely yes they should. From a punter's point of view you can never have too much information in a magazine review, so informing readers of the lack of UK servicing for a particular product is good practice, but at the end of the day I guess the onus is on the potential customer to do his or her research properly before committing to the purchase.

    Marco.

    P.S I have renamed your thread "What value is placed on the absence of UK servicing when considering a brand?" I think your typing fingers must have got a bit mixed up originally!
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

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  2. #12
    Join Date: May 2008

    Location: United Kingdom

    Posts: 96
    I'm Malcolm.

    Thumbs down

    Just wanted to extend the discussion a little further

    Most of my listening is done on high end electrostatic headphones rather than speakers such as Stax Omeag and Sennheiser Orpheus. These require as good if not better source and amplification components than your standard hifi set up due to the amount of detail available and operating at fractions of watts rather than hundreds.

    There are many niche suppliers that supply aftermarket amplifiers some of which cost mant thousands of pounds. I know one person who purchased a Single Power valve (tube) based headphone amplifier from America which cost £13,000! The following is one of the posts from the worlds largest headphone forums

    http://www.head-fi.org/forums/f4/sta...ew-223263-new/

    I live in Israel and have an Single Power ES-1. Unfortunately the sound is
    unbalanced. The sound is fuller and weightier on the left side and lighter and
    hollower on the right side. I already sent it in to Singlepower and
    they sent it back exactly the same as before. I was not surprised as I
    once bought a SDS-XLR from them and they shipped it to me 5 months
    latewith serious issues. I sent it back at my cost (over $800) and in 6
    months after countless begging requests it was returned exactly as it
    was before- absolutely nothing was done that could be seen physically or
    heard. It was useless for me to persue the matter furthur as I was
    being ignored completely for close to a year so I ended up selling it at a
    big discount in "Broken" condition.

    The question is what to do now with my ES-1. I love it- I just need to
    fix this one problem. It really does sound great besides this one
    issue. There are many competent technitions in Israel. I brought it to
    one and he said he doesn't know how to open it up because the screws are
    based on the fractional system versus the metric system used here in
    Israel and his tool is either to big or to small. Of course Singlepower
    promissed me a tool to open the screws on the amp. at least 5 times
    and it never arrived. Unfortunately after being abused and lied to no
    less than 30 times in our relationship Mikhael and I have decided to part
    ways- so to speak.

    Does anyone know what you call the tool which opens the screws on the
    ES-1? I have a family member comming from the US to Israel soon and he
    can bring it to me so I can have a technition here look at it. Also I
    would appreciate any ideas from the technically minded as to what
    potentially may be the problem so I can tell my Technition to look in these
    areas.


    http://www.head-fi.org/forums/f5/whe...ikhail-333677/

    Hey Headfiers,

    Does anyone know where Mikhail is? (Single Power) has anyone tried to contact him recently? He is totally MIA, mailbox full, and basically washed off the face of the earth. This is concerning because he is harboring a VERY expensive amp.

    This is very upsetting - since, as we all know, Singlepower is not known for their responsiveness. However this recent run is non-existence!
    1) Yes I have called him
    2) He's avoiding my calls
    3) His mailbox is full
    4) I've been trying to reach him for 2 weeks calling him every day
    5) He promised delivery of my amp (in for repair) over a month ago.

    Irresponsibility


    The above thread is worth reading, its a lesson in purchasing niche items from remote suppliers that have no service or support in the UK or EU. Frustrating, costly and just not worth the effort!

  3. #13
    Join Date: Jan 2008

    Location: gone

    Posts: 11,519
    I'm gone.

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    Interesting. I think that my unconcern about serviceability is that I very rarely have had problems with equipment.

    The last item I had to have repaired was a Musical Fidelity NuVista21 DAC which died - and which MF charged me £hundreds to fix. I was not pleased about that! Before that an obscure make of German valve amp died - but any competent vintage kit engineer can usually tackle those, and one did. I think those are the only items needing repair for many years of multiple-box ownership.

    But yes, if my £13,000 headphone amp of obscure origin () was irrecoverable, I too would not be very happy. (But let's face it, if you can afford £13k for a headphone amp don't you just go out and buy another one with the change in your back pocket? )
    .

  4. #14
    Join Date: Jan 2008

    Location: Norwich

    Posts: 1,064
    I'm Mike.

    Default Servicing/repair Integral To The Purchase

    Even better than Jerry, I cannot remember a failing piece of kit which formed part of my system. Not that I change things much, mind.

    However, there are big U.K. firms out there with enviable records on servicing and repairs. Naim (expensive but dependable) and Meridian ('we simply aim to cover our costs') are but two. Michell are fast-acting and supportive. I gather SME,Arcam, Quad, E.A.R. and Mission are, or were, good in this respect. Many U.K. cottage industries also have a good customer relationship (Art Audio has been recommended). There must be many others.

    Cartridges apart, the U.K. produces some of the world's best hifi:- always has! Unless you can depend upon your distributor, sourcing from the U.K. must be a safer bet except for electronics engineers.

    I guess that with valved kit, if you have access to competent help or are handy yourself, componentry and repairs are less of a concern, as Marco says.

    'Nothing ventured, nothing gained', as Marco's motto may be. 'Nothing ventured, nothing lost' should also enter into the equation, I feel.

  5. #15
    Join Date: Jan 2008

    Location: Norfolk, UK

    Posts: 6,209
    I'm BigBobJoylove.

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    Quote Originally Posted by jandl100 View Post
    Interesting. I think that my unconcern about serviceability is that I very rarely have had problems with equipment.
    I have to thoroughly agree with Jerry. I've only ever had one component fail in all the time I've had hi-fi; that was my Arcam Alpha 5+ which I bought brand new back in the early nineties. It was playing happily one day and then suddenly no sound whatsoever. It was the DAC. I expected it to go for repair but the chap at the hi-fi shop (Martin's in Norwich I think) gave me an immediate replacement off the shelf and sorted the player himself.

    That was the only component failure I've ever experienced and that was almost 15 years ago. I've had a mix of new and used hi-fi since then and never run into problems with either. I just don't consider repairs or even servicing. Hi-fi's just too well made I guess.

    Ben Duncan mains conditioner
    2022 MacBook Pro 14" M1 Pro 10/16/16/16
    Samsung QE75Q90T 75" QLED TV
    XMOS DSD Async USB to Coax converter
    RME Audio ADI-2 FS (AK4493) DAC
    Chord Clearway XLR interconnects
    Audioquest Crimson USB interconnect
    QED Quartz Reference optical interconnect
    Edifier S3000 Pro active speakers
    Atacama SE24 stands

  6. #16
    Join Date: Jan 2008

    Location: Norfolk, UK

    Posts: 6,209
    I'm BigBobJoylove.

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    Quote Originally Posted by Mike Reed View Post
    ...Many U.K. cottage industries also have a good customer relationship...
    Not all of them.

    Ben Duncan mains conditioner
    2022 MacBook Pro 14" M1 Pro 10/16/16/16
    Samsung QE75Q90T 75" QLED TV
    XMOS DSD Async USB to Coax converter
    RME Audio ADI-2 FS (AK4493) DAC
    Chord Clearway XLR interconnects
    Audioquest Crimson USB interconnect
    QED Quartz Reference optical interconnect
    Edifier S3000 Pro active speakers
    Atacama SE24 stands

  7. #17
    Join Date: Jan 2008

    Location: gone

    Posts: 11,519
    I'm gone.

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    Quote Originally Posted by Filterlab View Post
    Not all of them.
    If you are referring to a certain Banned member - think anagram of VNA - then I can assure you that his customer service is second to none. His forum persona is quite a different matter, though!
    .

  8. #18
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Interestingly, someone put forward the theory recently that the true personality of said banned member is actually that which is witnessed on hi-fi forms, and the "persona" created by him in real life is that which is false!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


  9. #19
    Join Date: Jan 2008

    Location: Norfolk, UK

    Posts: 6,209
    I'm BigBobJoylove.

    Default

    That's what I've experienced.

    Ben Duncan mains conditioner
    2022 MacBook Pro 14" M1 Pro 10/16/16/16
    Samsung QE75Q90T 75" QLED TV
    XMOS DSD Async USB to Coax converter
    RME Audio ADI-2 FS (AK4493) DAC
    Chord Clearway XLR interconnects
    Audioquest Crimson USB interconnect
    QED Quartz Reference optical interconnect
    Edifier S3000 Pro active speakers
    Atacama SE24 stands

  10. #20
    Join Date: Jan 2008

    Location: Norwich

    Posts: 1,064
    I'm Mike.

    Default

    Quote Originally Posted by Marco View Post
    Interestingly, someone put forward the theory recently that the true personality of said banned member is actually that which is witnessed on hi-fi forms, and the "persona" created by him in real life is that which is false!

    Marco.
    Interesting hypothesis; quite the inverse of what one might imagine. You do know that he has transferred his 'rant' to PFM, where, I gather, he's no stranger.

    Although totally disinterested in his later diatribes, I always felt they were more 'cant' than 'rant', and tended to increasingly portray the author as the former with a vowel change; probably unfair, I suppose.

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