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Thread: Caiman -- three weeks of burn-in

  1. #21
    Join Date: May 2010

    Location: Vancouver, Canada

    Posts: 2,166
    I'm Alex.

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    Quote Originally Posted by Joe View Post
    I'm married. My wife never moves anything. The bookcases are fixed to the walls, and the sofas might as well be.
    Wow, that's fantastic! Where did you get such docile wife? Do they offer these features in the Russian Bride catalogue?
    Don't you just hate it when you cannot detect where the post ends and a signature line begins?

    Alex.

  2. #22
    Join Date: May 2009

    Location: gone away

    Posts: 4,870
    I'm joe.

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    Quote Originally Posted by Marco View Post
    That's right, and you'd kick her ass if she tried!!

    Marco.
    Certainly not! The sofas are a two-person lift anyway. The other day, we were searching for some of Caroline's coursework that had gone astray, and we lifted the three-seater sofa, in case it had got under there. It hadn't, but we found an undeveloped roll of film that had gone missing after a holiday about three years ago.

    We both 'suffer' from whatever the opposite of OCD is.

  3. #23
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

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    I am an unabashed subjectivist (read: I don't give a shit about objective factors in evaluating audio components).
    Me neither! I think you'll fit in here nicely, Alex - in fact, you already have...

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


  4. #24
    Join Date: May 2009

    Location: gone away

    Posts: 4,870
    I'm joe.

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    Quote Originally Posted by magiccarpetride View Post
    Wow, that's fantastic! Where did you get such docile wife? Do they offer these features in the Russian Bride catalogue?
    I succeeded in what most people would have said was impossible, and married someone even more laid-back than me.

  5. #25
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Certainly not!
    Hahaha - I was kidding!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


  6. #26
    Join Date: May 2010

    Location: Vancouver, Canada

    Posts: 2,166
    I'm Alex.

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    Quote Originally Posted by StanleyB View Post
    As for your views on details becoming more noticeable because of the likelihood that people get accustomed to the DAC ( I have condensed your essay to just a few words): you are misguided. The quick way to check that out is to take the DAC out of the audio chain and play back the same track(s). With and without the DAC in circuit it should be quite audible if the brain is being fooled or the ears are hearing a difference.
    Also, as I've explained in other threads, if getting 'accustomed' is a viable explanation, how come I'm not getting accustomed with other components? It is only with the Caiman that I'm experiencing this dramatic improvement with the burn-in. With any other components I've purchased, there is invariably a short introductory period (maximum a couple of days), after which the component settles in and stops surprising me. But this DAC continues to surprise me even after four weeks of intense listening to it
    Don't you just hate it when you cannot detect where the post ends and a signature line begins?

    Alex.

  7. #27
    Join Date: May 2009

    Location: gone away

    Posts: 4,870
    I'm joe.

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    Quote Originally Posted by Marco View Post
    Hahaha - I was kidding!

    Marco.
    I know! But Caroline's not someone to mess with. When she was a teenager, a bloke tried to snatch her handbag, and ended up with a broken wrist!

  8. #28
    Join Date: May 2010

    Location: Vancouver, Canada

    Posts: 2,166
    I'm Alex.

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    Quote Originally Posted by AlanS View Post
    Err No, nor a likely customer if ever I want a DAC after your overly defensive post.
    So let me see if I get this straight: we're all on a lookout for the best audio components we could afford, right? So let's say we come across a component that was built by a very crafty engineering team, and is very affordable, and just as we're about to take the plunge, we learn about some unpalatable (to us) personal traits of the guy who masterminded the component. We get into a bit of a verbal row with the guy, and then we swear off that component.

    Childish?
    Don't you just hate it when you cannot detect where the post ends and a signature line begins?

    Alex.

  9. #29
    Join Date: May 2009

    Location: gone away

    Posts: 4,870
    I'm joe.

    Default

    I read of another audio designer that: 'He doesn't suffer fools gladly. Or at all'.

  10. #30
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    I know! But Caroline's not someone to mess with. When she was a teenager, a bloke tried to snatch her handbag, and ended up with a broken wrist!
    Come on, if she was that tough she'd have been able to move the sofas all by herself!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


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