Location: Near Saffron Walden, Essex
Posts: 6,579
I'm Dave.
I've been selling Croft since the early 80s and no owner has ever complained about the twin pots. I have had a handful of people put off buying because of twin pots but for those, the amps can be ordered with a single pot.
My RS LS has a single, stepped attenuator.
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Sometimes 2 pots are used due to poor channel balance of the stereo pots. What make of pots are used?
TT 1 Trans-Fi Salvation with magnetic bearing + Trans-Fi Terminator T3Pro + London Reference
TT 2 Garrard 301 with NWA main bearing + Audiomods Series Six 10.5" + Ortofon 2M Mono SE
Digital Lindemann Limetree Network Bridge / Chord Qutest
Preamp Hagerman Cornet 2 phono stage / Temple Audio Suppercap Phono Stage / John Chapman's Slagleformer-based AVC-1 / Transcendent Sound Sub Buddy
Power Amp Temple Audio Monoblocks with Supercap LPS / 300B WE91 SE Monoblocks / Firebottle EL84 PSE
Bass Amp & DSP Behringer iNuke NU3000DSP x 2
Speakers 1 Bastanis Sagarmatha Duo with twin baffleless 15" bass drivers per side
Speakers 2 MarkaudioSota Viotti One
Anyone know what the phono stage is like on the Croft micro 25? (not the more expensive 25r which I can't afford). At the moment I use a G Slee era gold, I've always thought less interconnects/boxes must equal better sound, I could be completely wrong, usually am, but be nice to save 2 boxes (slee +ps) if the onboard Croft one is just as good.
Current system. NAS Interspace, Jelco 750, /Nagaoka MP 200/Graham Slee Era V. CDP - Mission PCM 7000. Amps - Quad 909/Croft micro 25. Chario Syntar 100 Tower. QED XT40 speaker cable/Straight wire interconnects.
Main: Speakers 'RFC' Tannoy Canterburys / custom crossovers with Tannoy ST50 supertweeters; Amp - Silvercore 833C monoblocks; preamp TBA watch this space; Vinyl: Schopper'd Thorens TD124 MkII + Ikeda IT345-CR1 9 inch and Ikeda IT-407 12 inch tonearms; Cartridges Stereo - Miyajima Madake, Miyajima Takumi, Ikeda 9TT, vintage Ortofon SPU GM and SPU Gold; Mono - Miyajimas - Zero 0.7, Premium 1.0, Miyajima/Edison '78' 4.0 conical, and Shure M44 strapped for mono with several Expert Stylus conicals for different eras of 78s; Phono stage Allnic H7000V used with Miyajima ETR-Mono and ETR-Stereo SUTs; Digital: Audio Note CDT2/II transport, heavily enhanced AN DAC based on kit but aspiring to DAC5 spec.
Study: Speakers - Tannoy DC6; Amp: Marantz PM-4; Digital: CDP Sony CDP-X3000ES & Arcam rBlink; Vinyl: Garrard 401 with AT 1503 MkI broadcast arm, Ortofon SPU Classic GM, Ortofon 2-15k SUT and Puresound Tenuto platter mat
Location: Near Saffron Walden, Essex
Posts: 6,579
I'm Dave.
That's very interesting, I wonder if it's feasible to fit a remote controlled stepped attenuator?
I had a very quick look at this before but there is no space between the pots on the front panel and the line stage circuit and valves behind them.
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Source: Thorens TD124 Rega RB300, Sumiko bluepoint No2., Cambridge Audio D500 Special Edition CDP, Squeeze box Touch, PC with Trends Audio USB Audio DAC UD-10 Amplification: Croft Micro 25 basic pre, Leak Stereo 20, Trends Audio Class T TA-10, Fisher X100-A Speakers:Impulse H6 Interconnects: Handmade silver and TNT audio CAT5 speaker cables
I like the dual controls its very easy to set up , If you are sitting slightly off central to you speakers you can tweek the volume up on one channel , Also the phono stage is decent , I have the 25R![]()
Music is vinyl it fills the gaps between silence !
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