FR-64S on SL-1200

[Marco]

Looks great, Hugo! How would you say the FR-64S changes the musical presentation of the Techy - essentially what does it bring to the party?

The Kontrapunkt is the very epitome of a modern clean sounding MC cartridge with a somewhat 'etched' top end, but that's tamed beautifully by adding 1.5uF input capacitance on the Miyajima ETR-STEREO SUT. It's very engaging, but does not quite tug at my musical heart strings like an SPU, or a Miyajima.

Quite, which is why the latter is the flavour I much prefer with vinyl replay. You can keep yer 'etched top end'!

Marco.

[Ammonite Audio]

This is the SL-1200GR, which has a completely different drive system to older models; and IMO far better for it, in particular having a musically ordered and lyrical character that the previous generations did not (IME/IMO) quite have. The standard tonearm fitted to the SL-1200GR is pretty awful, and significantly worse than what Technics provided with the old models, and not at all to be confused with the magnesium arm fitted to the SL-1200G/GAE. The SL-1200GR's stock arm does its very best to obscure the musically deft character of the new motor system, sounding constrained and disorganised. Technics make the GR in Japan and that clearly costs money compared to lower cost countries, so in aiming for an affordable retail price, some aspects of design quality had to give, and in the case of the GR it's the tonearm that's compromised.

So, there are many arms that improve the SL-1200GR and the FR-64S is just one of them. It has real 'heft' both in the physical sense and in providing a solid 'foundation' and 'depth' to the music that the stock GR totally fails to achieve. Japanese 'battleship' arms like the FR-64S also manage to put across rather more subtle and nuanced aspects of a musical performance, such as what I like to term 'musical anticipation', which for me is the rising tension as an orchestra is about to fire up. It's amazing how such an atmospheric aspect of a good recording can be lost with less accomplished tonearms. So, to answer your question directly, the FR-64S brings great dynamics, colour and musical expression to a deck that is technically awesome but otherwise flawed.

I should add that my FR-64S has been serviced by Phonomac of this parish, including new hybrid ceramic bearings and silver internal wire, so it's probably close in performance to how it came out of the factory nearly 40 years ago. It's such a lovely arm, to use as well as to hear, and it does hold up well against new high mass alternatives, although a Glanz is genuinely better to my ears. Of course, the FR-64S is still relatively affordable and will retain its value, and it does look so good on any deck, let alone the SL-1200GR.

One of these days I'd love to bring the GR up for you to hear.

Looks great, Hugo! How would you say the FR-64S changes the musical presentation of the Techy - essentially what does it bring to the party?



Quite, which is why the latter is the flavour I much prefer with vinyl replay. You can keep yer 'etched top end'!

Marco.