The stands for the J,s were likely to be pirates, or could be hoygans which were the same thing really.
I had a pair of H2,s with the series 500 did not like it at all, I had a biamped 2nd audio set up with 1000 pre which sounded great. I had that with the Voyd Reference turntable, Cylene tonearm and audionote ioltd nice set up it was. I moved onto a pair of H1,S which seemed to work better with high powered amps I ended up with a EAR 549 and G88 set up should never have sold the G88 it was a lovely pre. The series 500 worked well with the snell e,s I once had. I ended up with every snell speaker at the time up to the mighty A 111.
Most important and used Walker Black Diamond Etsuro Gold, Micro Seiki 8000mk2 Kondo special V12 Tiger Eye, Fidelity Research FR 66 Shindo spu, EMT 927, sme 312 aluminium. Fidelity research fr66, Sme 3012 mk1, Sme V, Ikeda 407 IT Sme Model 30/2/Dynavector 507 Kodo Beat Turntable Airtangent 10B modified Fidelity fr66s Etsuro Cartridge . Kondo Gakuoh Mk1 powers G70 Pre,Audio Tekne TFA-8695PCS pre Audio Tekne TEA 8695 Phono. Lfd Battery Phono Stage heavily custom rebuilt by Dr Richard Bews, Tharx Phono Stage. Lfd Master Dual Biamp power amp, Lfd Anniversary master preamp. Shindo Latour Field Coil. Rockport Cygnus Biamped, Voigt Domestic Corner Horns/ Feastex Fildcoils. LFD Custom silver Ribbons. LFD Diamond Vipor Mk2 interconnects, Lfd Golden Cobra interconnect. Koetsu blue lace mono special order, Koetsu burma jade mono special order.