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Thread: Class D come of age - Coherent amplification

  1. #21
    Join Date: Apr 2008

    Location: Cheshire, UK

    Posts: 2,829
    I'm Clive.

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    I'd be very interested to hear Tony's class d amp. I identify with what he's saying when comparing valve and class d. I find I cycle through a few power amps to give me a variation in the sound I experience. There are a few more amps in my stash than my signature suggests. The favourites however are the class d and the two valve amps. I select the class d for a few weeks when I'm craving a tighter, more "precise" sound, after those few weeks I then switch to valves to give me some extra meat to the soundstage and that fluidity Tony talks about. The valves being SE and PSE will be euphonic but they sound good and my speakers are a great match for them. Again...after a while a want to switch the presentation again so I revert to class d, sometimes via class a/b solidstate Philips Black Tulip or current dumping Quad 306.

    If I could finally have all the positive attributes in a single amp it would be wonderful.
    TT 1 Trans-Fi Salvation with magnetic bearing + Trans-Fi Terminator T3Pro + London Reference
    TT 2 Garrard 301 with NWA main bearing + Audiomods Series Six 10.5" + Ortofon 2M Mono SE
    Digital Lindemann Bridge + Gustard R26 with LB external clock
    Pre and Power Amp EWA M40P + M40A
    Bass Amp & DSP Behringer iNuke NU3000DSP x 2
    Speakers 1 Bastanis Sagarmatha Duo with twin baffleless 15" bass drivers per side
    Speakers 2 MarkaudioSota Viotti Tower

  2. #22
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

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    Hi Tony,

    Interesting stuff, as is Alan's appraisal of the Class D amps in question. I have little experience of Class D, so can't really offer much input to the discussion. However, were Class D amps used in the system you demonstrated at Cranage Hall last year?

    As you know, I spent some time in your room listening to music and chatting with you, so if that was Class D I may have some kind of handle on what it does, musically

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


  3. #23
    Join Date: Mar 2017

    Location: Seaford UK

    Posts: 1,861
    I'm Dennis.

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    Are my now ten year old class D Icepower amps regarded as not very good then?

  4. #24
    Join Date: Jan 2008

    Location: Gerrards Cross

    Posts: 3,000
    I'm Tony.

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    Dennis,

    In answer to your question, if they are ICE power 1000ASP modules they have a limited bandwidth of 38Khz +/-3dB so not even the second harmonic is captured.
    From personal experience with a wide range of amplifiers, a minimum BW of the four harmonic (80Khz) more is better but having over 1/4 mhz is a bit OTT is required to begin to truly recreate a proper three dimensional, textural layering imho.

    The later ASX series are a big improvement over the ASP models which were really for pro audio big banger speakers and subs. Though the 500 ASP I always felt far more engaging even only if it had 500watts lol still swing 38 amps at peak, but it had a 80Khz bandwidth.

    Everyone experience with these may well be different, however the bottom line is what each of us really holds close to their heart for perception of a quality sound.


    The
    Coherent Systems
    Real high end sound with musicality not hifi

  5. #25
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

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    Hi Tony,

    Could you answer post #22 please, specifically whether it was Class D amps I was listening to in your room at Cranage? Churz!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


  6. #26
    Join Date: Mar 2017

    Location: Seaford UK

    Posts: 1,861
    I'm Dennis.

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    I cannot see the need for the bandwidth you quote Tony.

  7. #27
    montesquieu Guest

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    Quote Originally Posted by Mr. C View Post
    Dennis,

    In answer to your question, if they are ICE power 1000ASP modules they have a limited bandwidth of 38Khz +/-3dB so not even the second harmonic is captured.
    From personal experience with a wide range of amplifiers, a minimum BW of the four harmonic (80Khz) more is better but having over 1/4 mhz is a bit OTT is required to begin to truly recreate a proper three dimensional, textural layering imho.

    The later ASX series are a big improvement over the ASP models which were really for pro audio big banger speakers and subs. Though the 500 ASP I always felt far more engaging even only if it had 500watts lol still swing 38 amps at peak, but it had a 80Khz bandwidth.

    Everyone experience with these may well be different, however the bottom line is what each of us really holds close to their heart for perception of a quality sound.


    The
    In agreement with Geoff that Class D is undoubtedly the future, my concern has been that any I've heard have been close, but not quite up to the best valve amps in terms of musicality. (My view is that the best Class D amps have probably already exceeded what A or A/B solid state can manage). So still 'the future' then even if it's getting nearer.

    Tony, can you give us a view on price? £140k amps of the kind you mentioned as competition aren't real world for people here, any more than they are likely to drive home in a Bugatti.

    The biggest question really is 'what's the damage?' which for many will determine whether a listen is something urgent or a curiosity that can wait till some random hifi show.

  8. #28
    Join Date: Mar 2010

    Location: Sheffield

    Posts: 2,898
    I'm Simon.

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    Quote Originally Posted by Pharos View Post
    I cannot see the need for the bandwidth you quote Tony.
    Maybe there's a benefit to having a faster modulator which has shorter clocking cycles and therefore greater precision, the converse of course is a greater requirement on the output filter to block all HF EMI reaching the speaker.


    Tom, my experience of Class D amps says they haven't reached the best of class A/B yet. Back to back with perfectly built NC400's a I ended up going for the Class A/B unit. Of course there may be gains to be had from better input buufers and output filters for the NC400s
    Kuzma Stabi/S 12", (LP12-bastard) DC motor and optical tacho psu, Benz LP, Paradise (phonostage). MB-Pro, Brooklyn dac and psu, Bruno Putzeys balanced pre, mod86p dual mono amps, Yamaha NS1000m

  9. #29
    Join Date: Feb 2013

    Location: W Lothian

    Posts: 99,005
    I'm Grant.

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    Quote Originally Posted by montesquieu View Post
    In agreement with Geoff that Class D is undoubtedly the future, my concern has been that any I've heard have been close, but not quite up to the best valve amps in terms of musicality. (My view is that the best Class D amps have probably already exceeded what A or A/B solid state can manage). So still 'the future' then even if it's getting nearer.

    Tony, can you give us a view on price? £140k amps of the kind you mentioned as competition aren't real world for people here, any more than they are likely to drive home in a Bugatti.

    The biggest question really is 'what's the damage?' which for many will determine whether a listen is something urgent or a curiosity that can wait till some random hifi show.
    Indeed many Hifi items have a higher than Hifi price tag. But plenty seem to afford them. They just generally don't frequent fora lol.
    Regards,
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  10. #30
    montesquieu Guest

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    Quote Originally Posted by struth View Post
    Indeed many Hifi items have a higher than Hifi price tag. But plenty seem to afford them. They just generally don't frequent fora lol.
    Too busy running hedge funds, out shooting with Jackie Stewart or flying their own private jets I suppose.

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