+ Reply to Thread
Page 5 of 8 FirstFirst ... 34567 ... LastLast
Results 41 to 50 of 76

Thread: Slammed’s Hifi

  1. #41
    Join Date: Nov 2018

    Location: Glasgow

    Posts: 93
    I'm Stuart.

    Default

    Thanks again mate, your input is much appreciated

    Small wardrobes Exactly what my Mrs said on first site of them

    It’s very early days , just getting my ears accustomed to the “new” sound

  2. #42
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Ha - I know... We're both very lucky having wives willing to indulge our hobby to that extent - and if yours is anything like mine, in that respect, she'll love bass! Del and I listen to music together often, as she's defo a 'bass head', so only fat 15-inchers will do! Ooh-er...

    Anyway, enjoy - and I'll be following your ongoing journey closely. Any questions, just ask!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


  3. #43
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Any joy, Stuart, on finding some 15MGs?

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


  4. #44
    Join Date: Nov 2018

    Location: Glasgow

    Posts: 93
    I'm Stuart.

    Default

    Quote Originally Posted by Marco View Post
    Any joy, Stuart, on finding some 15MGs?

    Marco.
    Quote Originally Posted by Marco View Post
    Any joy, Stuart, on finding some 15MGs?

    Marco.
    Unfortunately not ,Marco

    The search continues

    After a fair bit of mucking about I moved the Majors out of the lounge ( due to Christmas decorating ) and into the smaller sitting room which was supposed to be a temporary measure ,but to my surprise, I’m really enjoying the sound there making in here , the room is 4x5m into the bay window , I thought they’d need the big room to sound at there best , but I’m totally surprised with there performance in the new location ........they look ridiculously big in here but the near-field listening is pleasantly surprising

  5. #45
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Lol..... THAT is *SO* funny, mate - but in a good way!!

    Why? Because it's what I've always said and found myself... I use mine in a small room, a little bigger than that one, and much prefer listening to them near field, as you describe

    I know it's contrary to what you might think with such big speakers, but I also discovered the same thing in Scalford Hall, when I took them down to the show and put them into a big room, and they sounded ok, but nowhere near as good as they did in my much smaller room.

    For me, if you sit further away from big Tannoy DCs, the bass dominates too much, but with more near filed listening it's just right, and deep and authoritative, plus the mids and top end are really clear and crisp, natural and lifelike. I guess it makes sense that they work better near field, as that's how they'd have been used in studios!

    Enjoy...

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


  6. #46
    Join Date: Aug 2009

    Location: Staffordshire, England

    Posts: 37,932
    I'm Martin.

    Default

    The big ones were used in studios but not as near field monitors. I think you'd have trouble fitting them onto the console bridge!

    'Near field' in a studio is literally just a couple of feet from ear to speaker.
    Current Lash Up:

    TEAC VRDS 701T > Sony TAE1000ESD > Krell KSA50S > JM Labs Focal Electra 926.

  7. #47
    Join Date: Aug 2009

    Location: Staffordshire, England

    Posts: 37,932
    I'm Martin.

    Default

    Here you can see how he has his near field monitors on the console and the full range monitors a little further back. (B&W not Tannoy but you get the idea):

    Current Lash Up:

    TEAC VRDS 701T > Sony TAE1000ESD > Krell KSA50S > JM Labs Focal Electra 926.

  8. #48
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Quote Originally Posted by Macca View Post
    The big ones were used in studios but not as near field monitors. I think you'd have trouble fitting them onto the console bridge!

    'Near field' in a studio is literally just a couple of feet from ear to speaker.
    Yes I know what you mean, but you need to look around at some vintage/specialist studios, liable to use speakers such as Stuart's and mine, to see what I mean, such as old pics of control rooms at Abbey Road, or smaller (all analogue) studios, such as Toe Rag [pics courtesy of Jo's site Tannoyista]:





    That looks pretty near-field to me!

    Although those are Lockwood Universal cabs, which are smaller than Majors, they're still pretty big - and much bigger than the near-field monitors used in modern studios today, such as you've shown. In any case, it doesn't detract from the observations both Stuart and I have made, which is that big Tannoy DCs sound better in smaller rooms than bigger ones - that's certainly what many years of experience has told me!

    Anthony also uses his Kensington SEs, near-filed in a small room. He can't be sitting any more than about 2/3 meters from his, and they sound fab.

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


  9. #49
    Join Date: Aug 2009

    Location: Staffordshire, England

    Posts: 37,932
    I'm Martin.

    Default

    The thing about small studios is that they cannot afford to optimise everything so you get situations like at Toe Rag. If you'd offered to pay for them to build a bigger control room I'm sure they would not have turned you down.

    Big Tannoy do work well in small spaces no doubt, heard that many times including at your place but it isn't an absolute truth that they are better in small spaces, just that some people prefer to listen close to the speaker (and not just with Tannoy).

    Tannoy being dual concentric facilitate this, unlike an otherwise similarly capable large three or four way speaker which needs to be some distance from the listener for the multiple, separated sound sources to coalesce into one.

    Personally I prefer to listen to any speaker in a larger room and I'm sure I'm not alone in that.
    Current Lash Up:

    TEAC VRDS 701T > Sony TAE1000ESD > Krell KSA50S > JM Labs Focal Electra 926.

  10. #50
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Quote Originally Posted by Macca View Post
    The thing about small studios is that they cannot afford to optimise everything so you get situations like at Toe Rag. If you'd offered to pay for them to build a bigger control room I'm sure they would not have turned you down.
    Sure, but that doesn't detract from the fact that they sound great in there.

    Big Tannoy do work well in small spaces no doubt, heard that many times including at your place but it isn't an absolute truth...
    Course not - nothing in audio is an "absolute truth", and of course personal preference comes into it, but I've heard too many pairs of big Tannoys in too many different rooms over the years, big and small for them clearly sounding better in the latter simply to be just a coincidence, therefore I do believe that there is something intrinsically in their design causing that, not simply just my preference.

    The biggest shock in that respect, was how much worse mine sounded in a much bigger room at Scalford [after folk had been nagging me for ages about how much better they'd be in a bigger room that would 'allow them to breahe', lol], compared with what I get at home, and which made me re-evaluate things accordingly.

    Even in Ian Walker's place, which I believe you've been to, with his Canterbury's, in a room bigger than mine (longer) with a concrete floor, we used to spend ages moving his sofa back and forth trying to convince ourselves that it *should* sound better further back away from the speakers, only later to move it forward again, as it clearly sounded better that way

    Yes I know you prefer listening to speakers in a larger room, and with different speakers able to benefit accordingly, I would too... But THAT is the key issue. Even you wouldn't prefer listening that way if your ears clearly told you that the speakers in question sounded worse!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


+ Reply to Thread
Page 5 of 8 FirstFirst ... 34567 ... LastLast

Posting Permissions

  • You may not post new threads
  • You may not post replies
  • You may not post attachments
  • You may not edit your posts
  •