AMT tweeters have quite narrow directivity so toeing in will help with that. Good tweeters though, no 'tinsel' effects.
AMT tweeters have quite narrow directivity so toeing in will help with that. Good tweeters though, no 'tinsel' effects.
Current Lash Up:
TEAC VRDS 701T > Sony TAE1000ESD > Krell KSA50S > JM Labs Focal Electra 926.
Thanks Chaps.
Will get them dialled in properly with a few weeks under their belt, be interesting to see where that goes.
I've read that the IsoAcoustic Gaia footers are great for these speakers, so might swap the stock feet for a set of Gaia's further down the road.
They do look rather nice Gary, be interesting to hear how you find then with the 557, I am still considering finding a 557 myself to try out with my speakers, and compare to the Allnic. I think you will also like the H2's with the 556 once you have them up and running, so you may then have a dilemma.
Cheers
Listening is the act of aural discrimination and dissemination of sound, and accepting you get it wrong sometimes.
Analog Inputs: Pro-Ject Signature 10 TT & arm, Benz Micro LP-S, Michel Cusis MC, Goldring 2500 and Ortofon Rondo Blue cartridges, Hitachi FT5500 mk2 Tuner
Digital:- Marantz SA-KI Pearl CD player, RaspberryPi/HifiBerry Digi+ Pro, Buffalo NAS Drive
Amplification:- AudioValve Sunilda phono stage, Krell KSP-7B pre-amp, Krell KSA-80 power amp
Output: Wilson Benesch Vector speakers, KLH Ultimate One Headphones
Cables: Tellurium Q Ultra Black II RCA & Chord Epic 2 RCA, various speaker leads, & links
I think I am nearing audio nirvana, but don’t tell anyone.
They look good, Gaz, and certainly suit the aesthetics of the room (and that of your existing system). You're quite right, initially, to just plonk 'em down roughly where they look right, and get used to how they sound first before getting too anal about the positioning - the fine tuning will come later, and once you find their true 'sweet spot'
From your initial description of how they sound, it sounds good, with plenty to keep you entertained, musically. Just watch that, along with the amps and your T/T, you don't overegg the balance with a somewhat 'sparkly detailed'/brightly lit, mid-forward sound, at the expense of tunefulness and tonal warmth, as that's what I often hear with modern gear: it can have an addictive 'fresh & zingy' sound, but often lack a little 'meat on the bone'..
Therefore, when the time is right, I'd concentrate on eliminating the 'lightweight' sound you're hearing, although much of that will be the drivers still being 'stiff' and needing to loosen up a bit (in that respect, I'd be playing a low-level music signal through them, 24/7, say Spotify, or whatever on repeat), which should open them up nicely, and ensure that for speakers of that size they deliver all the weight and visceral intensity that they should, so that they satisfy you at the bass end, as much as in the mids and top.
Other than that, enjoy, and keep us posted how things develop!
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!
Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!
Thanks Adrian, Marco.
Hear you on the forward mid sound, can be an issue in some scenarios for sure.
My Dac is known for being quite analogue sounding (whatever that is) and speakers for not being in your face shouty, despite the AMT tweeters reputation.
Neutral sounding amps too, the Pre has a valve input stage so a good musical balance overall.
Which as Marco says is important.
Was looking for what I had but with more oomph and scale.
Had Roon playlists playing in the background all morning, bass is already changing.
They were a big hit at the Bristol Hifi show couple of years back, found a good demo on T'Tube, in fact was this one that got me curious about about the big Wharfedales.
Been enjoying me some Portishead, Groove Armada and Chemical Brothers.
Ok, these speakers do bass. Lots and LOTS of bass.
Starting to open up a bit now too, more of that 'sounds coming from the side' thing going on.
Very very cool.
And...
Some Massive Attack flapping my trouserlegs...neat.
Good stuff, mate, and noted. Sounds like you're on the right track, then
How much were the Wharfs?
Marco.
Main System
Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.
Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.
Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.
CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.
Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.
Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.
Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.
Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.
Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.
Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!
Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!
One thing I noticed is that you seem to be sitting rather a way back from them, if you are sitting near to the rear wall then you are likely to get exaggerated bass through reflection. If the speakers are 6 feet apart I would try sitting with your head 6-8 feet from them. Also try toeing in so they pointing at the side of your head.
If this works then mark with tap where the front of the speaker is. Then move them forward 6 inches, and listen from the same position, if better then try moving the forward 1/2 inch at a time until it goes off, then move back to best point. If moving 6 inch forward made them worse then move back 3”, and re-listen, if better try 1/2 inch back and/or forward until best is found. If moving them forward from the original position made no improvement at any point, then move them back 6” and move 1/2” at a time until you get best sound.
When I say sound I mean the best bass definition and clarity, so pick a really good track which you knows has great and depth, also listen for when the speakers disappear and the soundstage is just behind them with clear instrument separation, you will then have the sweet spot. Stick with one track throughout or it will get confusing.
I apologise if I have told you stuff you already know, but it may help.
Cheers
Sent from my iPhone using Tapatalk
Listening is the act of aural discrimination and dissemination of sound, and accepting you get it wrong sometimes.
Analog Inputs: Pro-Ject Signature 10 TT & arm, Benz Micro LP-S, Michel Cusis MC, Goldring 2500 and Ortofon Rondo Blue cartridges, Hitachi FT5500 mk2 Tuner
Digital:- Marantz SA-KI Pearl CD player, RaspberryPi/HifiBerry Digi+ Pro, Buffalo NAS Drive
Amplification:- AudioValve Sunilda phono stage, Krell KSP-7B pre-amp, Krell KSA-80 power amp
Output: Wilson Benesch Vector speakers, KLH Ultimate One Headphones
Cables: Tellurium Q Ultra Black II RCA & Chord Epic 2 RCA, various speaker leads, & links
I think I am nearing audio nirvana, but don’t tell anyone.
Location: London/Durham
Posts: 6,882
I'm Lawrence.