I just dropped in, to see what condition my condition was in
T/T: Inspire Monarch, X200 tonearm, Ortofon Quintet Blue. Phono: Project Tube Box CD: Marantz CD6006 (UK Edition); Amp: Musical Fidelity A5 Integrated.
Speakers: Zu Omen Def, REL T9i subwoofer. Cables: Atlas Equator interconnects, Atlas Hyper 3.0 speaker cables
T'other system:
Echo Dot, Amptastic Mini One,Arcam A75 integrated, Celestion 5's, BK XLS-200 DF
A/V:
LG 55" OLED, Panasonic Blu Ray, Sony a/v amp, MA Radius speakers, REL Storm sub
Forget the past, it's gone. And don't worry about the future, it doesn't exist. There is only NOW.
KICKSTARTER: ENABLING SCAMMERS SINCE 2009
This may be the reason my Fidelity HF43 record player with six disc autochanger sounded a bit shit. Although the discs sliding against each other may have been a contributing factor.
I just dropped in, to see what condition my condition was in
T/T: Inspire Monarch, X200 tonearm, Ortofon Quintet Blue. Phono: Project Tube Box CD: Marantz CD6006 (UK Edition); Amp: Musical Fidelity A5 Integrated.
Speakers: Zu Omen Def, REL T9i subwoofer. Cables: Atlas Equator interconnects, Atlas Hyper 3.0 speaker cables
T'other system:
Echo Dot, Amptastic Mini One,Arcam A75 integrated, Celestion 5's, BK XLS-200 DF
A/V:
LG 55" OLED, Panasonic Blu Ray, Sony a/v amp, MA Radius speakers, REL Storm sub
Forget the past, it's gone. And don't worry about the future, it doesn't exist. There is only NOW.
KICKSTARTER: ENABLING SCAMMERS SINCE 2009
No, I didn't even own any LP's for the first few months anyway. I did not know about that feature of 45's either. They still used to slide quite often though. The autochanger was crap anyway, often dropping two or three at a time. When I started buying LP's I hardly ever bothered with singles any more.
Going back to the VTA thing though, surely the difference between 180g and 'standard records wouldn't be an issue would it? The idea of changing VTA with each record seems too silly for words. Or am I misunderstanding what VTA is?
Apologies for the stupid questions, but I'm at home on a Saturday night and feeling bored.
I just dropped in, to see what condition my condition was in
T/T: Inspire Monarch, X200 tonearm, Ortofon Quintet Blue. Phono: Project Tube Box CD: Marantz CD6006 (UK Edition); Amp: Musical Fidelity A5 Integrated.
Speakers: Zu Omen Def, REL T9i subwoofer. Cables: Atlas Equator interconnects, Atlas Hyper 3.0 speaker cables
T'other system:
Echo Dot, Amptastic Mini One,Arcam A75 integrated, Celestion 5's, BK XLS-200 DF
A/V:
LG 55" OLED, Panasonic Blu Ray, Sony a/v amp, MA Radius speakers, REL Storm sub
Forget the past, it's gone. And don't worry about the future, it doesn't exist. There is only NOW.
KICKSTARTER: ENABLING SCAMMERS SINCE 2009
Location: Moved to frozen north, beyond Inverness
Posts: 2,602
I'm Dave.
I read this and at first thought this was incorrect - going deeper into a groove. It's years since I thought about or worried about stylus shapes, so I needed a refresher course. I found this article - https://www.sound-smith.com/articles...pe-information - which seems better than most, which explains some of the features of different shapes of stylus. The development of the CD-4 quad system requiring cartridges tracking at over 40 kHz led to the Shibata stylus, and then to other carefully honed stylus shapes. Even though the CD-4 system did not survive in the consumer market, the technical developments led to improvements in stylus design. The generally beneficial effects of elliptical or other shaped styli would appear to give improvements at the innner grooves of an LP and at high frequencies.
Another article - is this one - https://www.ortofon.com/media/14912/...tyli_types.pdf - though it doesn't seem very rigorous. There are few accessible articles which deal with stylus shapes from a mathematical point of view - perhaps most relying on the seemingly "obvious" fact that elliptical styli are closer in shape to the cutting stylus used to make the master discs - and hence "must" give better results.
Dave
Sorry Martin, have to disagree there, I made a change to my turntable set up some month ago and noticed that the bass was somewhat lacking and at time the top end sound a bit shrill/edgy. I was wondering if the styli was dirty or damaged and cleaned it but that made little difference. Then I put on a 180gm records and things improved, not perfect my the bass was improved and top end edgyness less prevalent. I had a light bulb moment and check the horizontal angle of the arm with a standard record and a 180gm and it was out. So after half an hour of fiddling with VTA I set it up primarily for standard record. Put one the records on I had noticed th problem with initially and presto all was good. So IMO you can hear the difference, obviously this is affected by the quality and accuracy of the equipment in use.
Listening is the act of aural discrimination and dissemination of sound, and accepting you get it wrong sometimes.
Analog Inputs: Pro-Ject Signature 10 TT & arm, Benz Micro LP-S, Michel Cusis MC, Goldring 2500 and Ortofon Rondo Blue cartridges, Hitachi FT5500 mk2 Tuner
Digital:- Marantz SA-KI Pearl CD player, RaspberryPi/HifiBerry Digi+ Pro, Buffalo NAS Drive
Amplification:- AudioValve Sunilda phono stage, Krell KSP-7B pre-amp, Krell KSA-80 power amp
Output: Wilson Benesch Vector speakers, KLH Ultimate One Headphones
Cables: Tellurium Q Ultra Black II RCA & Chord Epic 2 RCA, various speaker leads, & links
I think I am nearing audio nirvana, but don’t tell anyone.
Current Lash Up:
TEAC VRDS 701T > Sony TAE1000ESD > Krell KSA50S > JM Labs Focal Electra 926.
it also doesn't help that the 2m black is one of the most fussy cartridges to set up right for vta
My System
John Wood KT88 Amp.
Paradise Phono Stage
Sony TTS-8000 Turntable.
PMAT-1010 MK6 Tonearm.
Ortofon Cadenza Bronze
Sony X555ES Cd Player
Yamaha NS1000m Speakers
180gm records won't or shouldn't give any issues to I've never had any
Regards,
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