Useful. Thanks Grant
Location: HAMPSTEAD
Posts: 1,156
I'm brian.
Useful. Thanks Grant
I’m thinking of obtaining an RCM, so interested in all the comments
Regards
Robin
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Acoustic Solid Wood MPX, Ortofon Quintet Bronze
Pathos Classic Remix Amp, dac
Cyrus Signature phono stage
Eversolo DMP-A6
Cyrus CD i
ART Stiletto 6V3. Loudspeakers
Location: Sheffield
Posts: 225
I'm John.
I bought mine from a guy called Tim on the WAM forum, who'd put a lot of thought/research into optimum power/frequency. It works very well and I've encountered no evidence whatsoever of damage or deterioration to records. The only downside I can see is that if you just leave records to air dry you can sometimes have some contamination left behind. This has only happened to me a couple of times, but I guess the ideal solution would be to use 2 machines, an ultrasonic followed by a vacuum clean/dry.
The ultrasonic cleaner really comes into its own with very dirty records, and has mede several charity shop basket cases perfectly playable.
That's very useful information makes me feel a bit more comfortable giving it a go. We came across one for a reasonable price that has adjustable power/frequency and also is heated with adjustable setting, I think it takes up to 5 records. I will have to chat with my friend.
Listening is the act of aural discrimination and dissemination of sound, and accepting you get it wrong sometimes.
Analog Inputs: Pro-Ject Signature 10 TT & arm, Benz Micro LP-S, Michel Cusis MC, Goldring 2500 and Ortofon Rondo Blue cartridges, Hitachi FT5500 mk2 Tuner
Digital:- Marantz SA-KI Pearl CD player, RaspberryPi/HifiBerry Digi+ Pro, Buffalo NAS Drive
Amplification:- AudioValve Sunilda phono stage, Krell KSP-7B pre-amp, Krell KSA-80 power amp
Output: Wilson Benesch Vector speakers, KLH Ultimate One Headphones
Cables: Tellurium Q Ultra Black II RCA & Chord Epic 2 RCA, various speaker leads, & links
I think I am nearing audio nirvana, but don’t tell anyone.
Yes I use the MoFi inner sleeves, they aren’t the cheapest. But are thick enough to keep their shape while stuffing them into an album cover. Actually I got a kit when I bought an RCM, that had the Super Record Wash fluid, the MoFi scrubber brush, and these sleeves. So, it was kind of by chance that I got this brand, but I’ve been pleased with them.
Russell
Location: Sheffield
Posts: 225
I'm John.
I also have an ultrasonic bath and fan drying system that i bought from ebay as a vinyl cleaning kit, i use the distilled water, IPA, Ifotol mix and find that it does a decent job on most records, i think some of the problems i've found with certain records being noisy even after a cleaning cycle is more to do with the vinyl, for instance i have an original pressing of Elton John "Captain Fantastic" i inherited it from my dad (i was only 6 when it was released) it's as noisy as hell so i cleaned it and it made a difference but not as good as i expected, so since the original clean i've bought 3 more copies of the album in an attempt to get a good one, they all sound the same, this got me thinking, i've got other LP's from that era and earlier that have cleaned up like new, my dad was quite anal with his vinyl, he handled and stored it correctly, so why is this LP so bad and why are all the 1975 / 76 pressings of this album in much the same state, can it be that i've just be unlucky with all the copies i've bought, my feeling is that it might be the particular vinyl or batch of vinyl used for these pressings?
As the late Colonel Sanders once said
"I'm too drunk to taste this chicken!!"
I would agree that this can sometimes be the issue with some records production runs, poor control of quality of the process and/or the vinyl, or a run that is extended too far. I came across this very issue with a copy of Genesis - and Then There Were Three, a challenging pressing anyway as it is well over the optimum 22 minutes each side. The first copy I had came fro ma long run and I presume towards the end or possibly poor vinyl and it was noisy and distorted in in parts. I purchased a Canadian pressing from CA which was a small run and the difference was like chalk and cheese.
All these variances can make cleaning records a torturous process.
Listening is the act of aural discrimination and dissemination of sound, and accepting you get it wrong sometimes.
Analog Inputs: Pro-Ject Signature 10 TT & arm, Benz Micro LP-S, Michel Cusis MC, Goldring 2500 and Ortofon Rondo Blue cartridges, Hitachi FT5500 mk2 Tuner
Digital:- Marantz SA-KI Pearl CD player, RaspberryPi/HifiBerry Digi+ Pro, Buffalo NAS Drive
Amplification:- AudioValve Sunilda phono stage, Krell KSP-7B pre-amp, Krell KSA-80 power amp
Output: Wilson Benesch Vector speakers, KLH Ultimate One Headphones
Cables: Tellurium Q Ultra Black II RCA & Chord Epic 2 RCA, various speaker leads, & links
I think I am nearing audio nirvana, but don’t tell anyone.
Just my silly 2 pennyworth!
I have a noisy copy of Then there were 3 too- hmmm
I buck the trend by washing my records in the sink . Dried on dirt needs a good soaking in my opinion ,and I wash the record in the sink in one of my Knosti baths!
I dont use any of my record cleaning mix fluid to start with - just filtered (preferably) hot water and a wool wash soap liquid . Its preferable to leave them for a minute or 2 out of the bath and go again .
usually theres loads of hottish water and loads of soap , so changing it frequently is the way to go !
Then I rinse them with plain water , and then into my second bath with the proper solution in it!
Agree about the letting them drip dry not good , you can sometimes see a faint line of stuff in that bottom area ! Vacuum good
Sorry ,it might sound tight ,but its the way I have done it
I only ride 'em, I don't know what makes 'em work
I don't think it's tight at all. I think that whatever you put on a record there is a risk of leaving some residue behind, the key IMO is to rinse the record as much as possible with distilled water at the end of whatever process you follow and then to vacuum off. An as you say some records are stubborn to get clean due to the contamination that they have been subjected to over many years.
Listening is the act of aural discrimination and dissemination of sound, and accepting you get it wrong sometimes.
Analog Inputs: Pro-Ject Signature 10 TT & arm, Benz Micro LP-S, Michel Cusis MC, Goldring 2500 and Ortofon Rondo Blue cartridges, Hitachi FT5500 mk2 Tuner
Digital:- Marantz SA-KI Pearl CD player, RaspberryPi/HifiBerry Digi+ Pro, Buffalo NAS Drive
Amplification:- AudioValve Sunilda phono stage, Krell KSP-7B pre-amp, Krell KSA-80 power amp
Output: Wilson Benesch Vector speakers, KLH Ultimate One Headphones
Cables: Tellurium Q Ultra Black II RCA & Chord Epic 2 RCA, various speaker leads, & links
I think I am nearing audio nirvana, but don’t tell anyone.