I listened to every version on Spotify, every one sounds crap at the start, like it was meant to be like that, God and Bowie only know why. That is frisbee material
I listened to every version on Spotify, every one sounds crap at the start, like it was meant to be like that, God and Bowie only know why. That is frisbee material
Bakoon 13r Denon DP80 Stax UA-70 Shure Ultra 500 in a Martin Bastin body with jico stylus, project ds2 digital Rullit aero 8 field coils in tqwt speakers
Office system, DIY CSS fullrange speakers with aurum cantus G2 ribbons yulong dac Sony STR6055 receiver Jvc QL-A51 direct drive turntable, Leema sub. JVC Z4S cart is in the house
Garage system another Sony receiver, cassette deck
System components are subject to change without warning and at the discretion of the owner.
The youtube version is crap reproduction and the repeated hihat hit comes out the worse for it.
I have a CD version and would say that from many years playing drums in my youth, that is precisely what an ever so slightly open hihat sounds like and is IMV intentional
The amount of 'sibilance' a hihat produces when hit is directly affected by the pressure applied on the foot pedal and (to a lesser extent) the weight of and force applied to the drumstick.
Full pressure closure will simply give a slightly metallic tick ... the lesser the pressure the more the cymbals will 'slish' against each other.
Just got my bargain mint Hendrix cd of Axis bold as love, from ebay, £2! It's better than the vinyl version - red polydor 80s reissue, less congested. This could be the way to go now that cds are 10 a penny, I mean why not? Finally getting over my digital phobia...……….
Current system 1210 GR. CDP - Meridian G08. Amp -Sugden A21I - Sig. Wharfedale Lintons.
OK I think I may have a possible explanation for you. Firstly I believe you say it is not occurring with all LPs, this is important as it indicates a problem with some only, so it is not likely to be you TT set up. I had a very similar experience with several LP's and one in particular highlighted it very much, this was a copy of Genesis - and Then There Were Three, this is a particularly long at 51 minutes to fit onto a vinyl so any vagaries which pressing it will impact it heavily, especially on tracks near at the centre of the record. So when I purchased it as a very clean near mint copy I eagerly put it on and I was immediately somewhat disappointed, there was quite a bit of sibilance and it just did not sound right, certainly not as I remembered. I did a bit of investigation and found that in the UK/EU there were hundreds of thousands of pressings made of this record and often long runs on each pressing run. So I took the plunge and ordered online a Canadian copy, knowing that only tens of thousands were produce for Canada and a separate pressing run. The result between the two was challenged and cheese. Either greater care had been given to the CA pressing or the UK one was produced near the end of the life of the stamper it was taken from. I suspect this may be the issue with some of the records you are experiencing distortion on. It might be trying another copy of Innervisions, borrow or purchase one. I hope this helps.
Listening is the act of aural discrimination and dissemination of sound, and accepting you get it wrong sometimes.
Analog Inputs: Pro-Ject Signature 10 TT & arm, Benz Micro LP-S, Michel Cusis MC, Goldring 2500 and Ortofon Rondo Blue cartridges, Hitachi FT5500 mk2 Tuner
Digital:- Marantz SA-KI Pearl CD player, RaspberryPi/HifiBerry Digi+ Pro, Buffalo NAS Drive
Amplification:- AudioValve Sunilda phono stage, Krell KSP-7B pre-amp, Krell KSA-80 power amp
Output: Wilson Benesch Vector speakers, KLH Ultimate One Headphones
Cables: Tellurium Q Ultra Black II RCA & Chord Epic 2 RCA, various speaker leads, & links
I think I am nearing audio nirvana, but don’t tell anyone.
Thanks, I think I'm just gonna be buying cds from now on! I'm currently buying up many of my vinyl lps on cd to hear the difference, they are so cheap off Ebay that it doesn't feel like a waste of money. I'm hearing some good results so far. With cd beating vinyl in most cases, or matching it. Although I got a copy of Beefhearts 1st LP on cd, and I preferred the vinyl. Currently hunting down 80s/90s Blue note cds mastered by Ron McMaster, the good folks over at PFM assure me they are the sweet point on that label, cheap and high quality, better than the RVG remasters apparently. I think further listening will tell me which genres are best suited to vinyl or cd.
Current system 1210 GR. CDP - Meridian G08. Amp -Sugden A21I - Sig. Wharfedale Lintons.
You may find it a bit hit and miss with rock and pop, early cds from 80’s and even into the early 90’s can be poor IMO due to bad transcription to digital, due to either equipment used or lack of care taken. I have generally found if an album has been re-issued on cd as remastered it is better than the first offering. However there are exceptions , the Led Zeppelin double remastered that was releases in the 90’s I find dull an un-involving, but the later remastered albums are good. Some albums produced in the 80’s are good across the board, a good example being Peter Gabriel’s -So, in fact just last night I and a friend were doing blind comparisons between the lp, Cd and Flac versions, we could just flick from one to other on the pure amp, we could just identify the digital, but it was quite a subtle difference to the lp. But between cd and Flac it was impossible. We both preferred the lp, slighlty warmer, but the digital gave slightly more high end detail. So it’s up to what you like really in that situation.
Have fun hunting CDs
Listening is the act of aural discrimination and dissemination of sound, and accepting you get it wrong sometimes.
Analog Inputs: Pro-Ject Signature 10 TT & arm, Benz Micro LP-S, Michel Cusis MC, Goldring 2500 and Ortofon Rondo Blue cartridges, Hitachi FT5500 mk2 Tuner
Digital:- Marantz SA-KI Pearl CD player, RaspberryPi/HifiBerry Digi+ Pro, Buffalo NAS Drive
Amplification:- AudioValve Sunilda phono stage, Krell KSP-7B pre-amp, Krell KSA-80 power amp
Output: Wilson Benesch Vector speakers, KLH Ultimate One Headphones
Cables: Tellurium Q Ultra Black II RCA & Chord Epic 2 RCA, various speaker leads, & links
I think I am nearing audio nirvana, but don’t tell anyone.
With odd exceptions I've found the opposite to be true and I actively seek out the early releases. Far from being bad transcriptions (it really is not difficult to make an excellent digital copy of an analogue recording) they are actually very good, dynamic range tends to be better (massively so in some cases) and that does mean they will sound a little thin at low volume, increasing the volume is the solution.
Current Lash Up:
TEAC VRDS 701T > Sony TAE1000ESD > Krell KSA50S > JM Labs Focal Electra 926.