Current Lash Up:
TEAC VRDS 701T > Sony TAE1000ESD > Krell KSA50S > JM Labs Focal Electra 926.
To be honest, until people actually do some proper blind testing, it's all just opinion & 'feelings' rather than reliably identifying cable differences. I don't think it is a coincidence that LFD, one of the most cable and wire fanatic companies out there, do not make XLR cables anymore, because they are a 'well sorted' connection. Being able to rank a series of them from best to worst, well, it smacks of expectation bias to me. End of the day, if the differences are so clear, then blind testing isn't going to make these differences disappear.
Last edited by Yomanze; 03-10-2018 at 10:16.
Mana Acoustics Racks / Bright Star IsoNodes Decoupling >> Allo DigiOne Player >> Pedja Rogic's Audial Model S DAC + Pioneer PL-71 turntable / Vista Audio phono-1 mk II / Denon PCL-5 headshell / Reson Reca >> LFD DLS >> LFD PA2M (SE) >> Royd RR3s.
Cable burn-in is hokum, there's absolutely no change whatsoever in electrical parameters with use. However the quality of your hi-fi fluctuates with the time of day, and with your mood, so there are many good reasons why our perception of sound quality changes and a new set of cables is an easy place to hang any system fluctuations. it's just human nature to want to be able to pin that tail on the donkey in this way as it helps us understand our world, we prefer categorisation to the unknown. That's how religions started when we didn't jack shit about how and why things happen, weather, the seasons, any of it. It's a comfortable way of explaining the unknown.
I can see perfectly valid reasons why the quality of shielding and impedance of earthing between components could have an effect on sound quality though.
Kuzma Stabi/S 12", (LP12-bastard) DC motor and optical tacho psu, Benz LP, Paradise (phonostage). MB-Pro, Brooklyn dac and psu, Bruno Putzeys balanced pre, mod86p dual mono amps, Yamaha NS1000m
Two areas where there are far more variances in RCA cables. Standard pro-audio XLRs like Belden & Canare, with the ubiquitous Neutrik XLRs, have no issues with either shielding or impedance.
There is the 'Pin 1' problem as discussed earlier of course, here's a good article from Rane: https://www.rane.com/note165.html
Mana Acoustics Racks / Bright Star IsoNodes Decoupling >> Allo DigiOne Player >> Pedja Rogic's Audial Model S DAC + Pioneer PL-71 turntable / Vista Audio phono-1 mk II / Denon PCL-5 headshell / Reson Reca >> LFD DLS >> LFD PA2M (SE) >> Royd RR3s.
He's in Wolverhampton, some might think that the back of beyond
Location: Troon
Posts: 2,476
I'm tony.
great write up Ken....thanks for that.
my experience regards cables is that they do subtly change over time
my spotfire resides in my av set up....it settled down after 100hrs or so.
had many cable bake offs over the years-not everyone prefers the same sonic signature but usually we all hear and describe the individual differences quite consistently.
at the end of the day its good fun getting together for a session and enjoying our shared passion for audio/music