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Thread: Will a well-modded Technics 1210 see off a Michell Orbe?

  1. #31
    Join Date: Sep 2012

    Location: London

    Posts: 434
    I'm Nick.

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    This forum is really something - I've been researching lots of AoS "such-&-such TT v Technics 1210" threads over the last couple of nights, and every time I come up with a TT I think might be an interesting candidate, I find an AoS thread that at some point will say "A modded 1210 sounds better"...!
    The Michell decks, Garrard 301/401, Linn LP12s, Brinkmann Bardo/Oasis... this is really the forum of the Technics lover! So I guess I'm in the right place... doesn't give me any excuse to scratch that itch for a new TT though... every time i think I've found a contender I get talked out of it.
    Guess I'll just have to accept that I already have a great-sounding TT!

  2. #32
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

    Question Will a well-modded Technics 1210 see off a Michell Orbe?

    Short answer: YES! [In the areas where the Technics excels].

    *But*, it'll sound like an SL-1210, with all the traits of a good direct-drive T/T, not an Orbe, which presents music quite differently and has its own enviable traits, which through design, NO Technics, however well-modded can emulate, let alone "see off".

    Sorry to throw the cat back in among the pigeons, but things are never quite that simple!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


  3. #33
    Join Date: Apr 2011

    Location: London

    Posts: 4,419
    I'm Robert.

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    Quote Originally Posted by Marco View Post
    Short answer: YES! [In the areas where the Technics excels].

    *But*, it'll sound like an SL-1210, with all the traits of a good direct-drive T/T, not an Orbe, which presents music quite differently and has its own enviable traits, which through design, NO Technics, however well-modded can emulate, let alone "see off".

    Sorry to throw the cat back in among the pigeons, but things are never quite that simple!

    Marco.
    Very well put !
    My System:
    Amplification - Sansui AU-alpha 707 DR
    Turntable - Technics SP10 MK2-Technics EPA-250 Tonearm-Yannis Tome 423.5Plus tonearm cable-Eichmann KLEI Absolute Harmony plugs.
    Ortofon Cadenza Black moving coil cartridge-Fritz Gyger S re-tip. Panzerholz plinth.

    CDP - Pioneer PD-91
    Speakers - Spendor D7 on Soundcare SuperSpikes
    QED Silver Spiral speaker cable-airloc banana plugs
    Mains - Ultra Pure silver plated un-switched socket-Missing link EPS 500 silver plated plugs-Hi-Fi Tuning gold plated silver ceramic 13 amp fuses

  4. #34
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Well.... One thing an Orbe does better than a Techy, no matter how well-modded, is soundstage width and depth, along with subtle levels of detail retrieval, which I find is only available from best belt-drive T/Ts, and simply not emulated by any D/D I've heard, as it tends to be masked by an overriding sonic 'muscularity'.

    Therefore, if the former really matters, then an Orbe would be the way to go, as belt-drive T/Ts tend to reproduce music a little more subtly.

    Me? Of course I care about that stuff, but other things to me matter more, such as rock-solid speed/pitch stability, together with an addictive heft/drive and 'boogie factor', in my experience only produced by D/Ds and idlers [it's mainly how their respective platters and high-torque motors work in unison, to 'push' music along].

    In that respect, low-powered belt-drives sound rather 'weedy' and inept in comparison, and simply aren't as pitch accurate. Alternatively, if you're a big imaging/detail freak, there are better T/Ts out there than a Techy, no matter how well-modded. As they say, you pays yer money and takes yer choice!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


  5. #35
    Join Date: Apr 2011

    Location: London

    Posts: 4,419
    I'm Robert.

    Default

    Yep!

    The detail aspect is a minor though - stick something like one of the Shibata Ortofons on and you'll be rewarded with untold detail retrieval.

    Expanding the sound stage I found a bit harder.

    Mine only really increased / improved noticeably once I'd fully modded it / the Techie.
    Last edited by RobbieGong; 24-08-2018 at 11:52.
    My System:
    Amplification - Sansui AU-alpha 707 DR
    Turntable - Technics SP10 MK2-Technics EPA-250 Tonearm-Yannis Tome 423.5Plus tonearm cable-Eichmann KLEI Absolute Harmony plugs.
    Ortofon Cadenza Black moving coil cartridge-Fritz Gyger S re-tip. Panzerholz plinth.

    CDP - Pioneer PD-91
    Speakers - Spendor D7 on Soundcare SuperSpikes
    QED Silver Spiral speaker cable-airloc banana plugs
    Mains - Ultra Pure silver plated un-switched socket-Missing link EPS 500 silver plated plugs-Hi-Fi Tuning gold plated silver ceramic 13 amp fuses

  6. #36
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Yup, same with mine. I'm pretty sure that the slightly over-damped rubberised plinth (designed when the T/T was sold to be used in dance clubs) is the cause of that, and so would only likely be cured if the motor unit was housed in a different style of plinth.

    That's a step too far for me though (as it'd be a pretty big job), especially given that the soundstaging issue is only slight, and so not a major problem.

    However, that's why the performance of SP10s is so plinth-dependent, and in that respect the 1210 is no different. In the final analysis, once you've successfully upgraded everything else on a 1200 or 1210, the sound will ultimately be governed by the limitations of the plinth.

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


  7. #37
    Join Date: Apr 2011

    Location: London

    Posts: 4,419
    I'm Robert.

    Default

    Quote Originally Posted by Marco View Post
    Yup, same with mine. I'm pretty sure that the slightly over-damped rubberised plinth (designed when the T/T was used in dance clubs) is the cause of that, and so would only likely be cured if the motor unit was housed in a different style of plinth.

    That's a step too far for me though (as it'd be a pretty big job), especially given that the soundstaging issue is only slight, and so not a major problem.

    That's why though, the performance of SP10s is so plinth-dependent, and in that respect the 1210 is no different. In the final analysis, once you've successfully upgraded everything else on a 1200 or 1210, the sound will ultimately be governed by the limitations of the plinth.

    Marco.
    Defo on all counts.
    Ive toyed with the idea of an SP10 on and off over the years and thats the area I sensed needs to be right.
    There's a heck of a lot of torquey motor that needs to be housed with thought and care in order to strike the right balance of isolation, damping and sonic rightness in terms of material(s) used - not as easy to nail as one might think.
    My System:
    Amplification - Sansui AU-alpha 707 DR
    Turntable - Technics SP10 MK2-Technics EPA-250 Tonearm-Yannis Tome 423.5Plus tonearm cable-Eichmann KLEI Absolute Harmony plugs.
    Ortofon Cadenza Black moving coil cartridge-Fritz Gyger S re-tip. Panzerholz plinth.

    CDP - Pioneer PD-91
    Speakers - Spendor D7 on Soundcare SuperSpikes
    QED Silver Spiral speaker cable-airloc banana plugs
    Mains - Ultra Pure silver plated un-switched socket-Missing link EPS 500 silver plated plugs-Hi-Fi Tuning gold plated silver ceramic 13 amp fuses

  8. #38
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Defo not, which is why I'm leaving well alone!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


  9. #39
    Join Date: Dec 2012

    Location: Stevenage

    Posts: 356
    I'm Mark.

    Default

    Quote Originally Posted by Marco View Post
    Yup, same with mine. I'm pretty sure that the slightly over-damped rubberised plinth (designed when the T/T was used in dance clubs) is the cause of that, and so would only likely be cured if the motor unit was housed in a different style of plinth.

    That's a step too far for me though (as it'd be a pretty big job), especially given that the soundstaging issue is only slight, and so not a major problem.

    That's why though, the performance of SP10s is so plinth-dependent, and in that respect the 1210 is no different. In the final analysis, once you've successfully upgraded everything else on a 1200 or 1210, the sound will ultimately be governed by the limitations of the plinth.

    Marco.

    not saying you are wrong. But I'm curious as to why you think the plinth differences are responsible for the soundstage? If asked I'd have guessed arm and cartridge would make more difference. But I have no reason for that other than gut feel tbh

  10. #40
    Join Date: Nov 2010

    Location: Chorley, Lancs

    Posts: 2,734
    I'm Mike.

    Default

    Quote Originally Posted by Marco View Post
    Short answer: YES! [In the areas where the Technics excels].

    *But*, it'll sound like an SL-1210, with all the traits of a good direct-drive T/T, not an Orbe, which presents music quite differently and has its own enviable traits, which through design, NO Technics, however well-modded can emulate, let alone "see off".

    Sorry to throw the cat back in among the pigeons, but things are never quite that simple!

    Marco.
    Well said mate, it's like trying to say what's better between apples and pears, they both are fruit but they taste different, it all depends what YOU like


    As the late Colonel Sanders once said
    "I'm too drunk to taste this chicken!!"

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