Originally Posted by
Firebottle
I would stick with your Croft 25. The problem with a stand alone passive attenuator, even the Khozmo, is that it softens the transients in the music. How audible, or not, is totally dependent on the synergy with the interconnects and power amp.
The best way to implement a passive attenuator is to have a zero gain buffer immediately after the attenuator, I have heard of the improvement this makes with a Khozmo pot.
I am working on a lower cost unit using this approach.
Thanks for the reply, Alan. Do you mean you will create an add-on to the Khozmo device or are you going to build a passive preamp from scratch, following the Khozmo approach but with an added zero-gain buffer at the end?
My objective is to achieve a significant, audible improvement, by simplifying the audio chain, and not just because in theory it should be better... -))
Cheers,
P.
System1: Lenco L75 with custom plinth, SLAT, sph bearing, SG4 external power supply + Alfred Bokrand AB-309 tonearm + Denon DL103R (aluminum body) + Well Tempered 12" tonearm clone + Denon DL103R (wooden body), ASR Mini Basis Exclusive HV, Marantz CD6005, LAB12 DAC1 SE+, Hattor BIG passive + active pre, Lab12 Suono power amp, Falcon LS3/5a Gold Badge, LAB12 Gordian, Belden 8428, Black Cat Red Level Triode, LAB12 Knack MkII
System 2: Roksan Xerxes original (HiFi Inspire plinth) with Maxon ReMax motor + Audiomods Series6 + Ortofon Cadenza Black microridge retipped, ASR Mini Basis Exclusive, Marantz CD6003, Croft Micro25R + Series7R monoblocks (110W/ea), Harbeth SHL5 Plus 40th Anniv.
System 3: Marantz CD6003, Croft SuperMicroII ('R' spec by Croft, Tesla E83CC in phono)+ Series7, Snell Type EII (with bypass caps, new internal wiring, WBT nextgen 0703Cu), Mark Grant HDX1, Atlas Hyper 3.0