Originally Posted by
Jimbo
I will be going down the same route as yourself Panos. Are you looking at the RIAA R phono stage?
Jim, as a matter of fact, for the time being I will be using an ASR Mini Basis Exclusive (solid state, MM+MC), so that I can test my various cartridges, but it seems that I will eventually opt for a Croft RIAA RS. Then next challenge with be the SUTs to accommodate my MC cartridges. My primary cartridge remains the Music Maker III (moving iron).
System1: Lenco L75 with custom plinth, SLAT, sph bearing, SG4 external power supply + Alfred Bokrand AB-309 tonearm + Denon DL103R (aluminum body) + Well Tempered 12" tonearm clone + Denon DL103R (wooden body), ASR Mini Basis Exclusive HV, Marantz CD6005, LAB12 DAC1 SE+, Hattor BIG passive + active pre, Lab12 Suono power amp, Falcon LS3/5a Gold Badge, LAB12 Gordian, Belden 8428, Black Cat Red Level Triode, LAB12 Knack MkII
System 2: Roksan Xerxes original (HiFi Inspire plinth) with Maxon ReMax motor + Audiomods Series6 + Ortofon Cadenza Black microridge retipped, ASR Mini Basis Exclusive, Marantz CD6003, Croft Micro25R + Series7R monoblocks (110W/ea), Harbeth SHL5 Plus 40th Anniv.
System 3: Marantz CD6003, Croft SuperMicroII ('R' spec by Croft, Tesla E83CC in phono)+ Series7, Snell Type EII (with bypass caps, new internal wiring, WBT nextgen 0703Cu), Mark Grant HDX1, Atlas Hyper 3.0