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Thread: Beechwoods' Den - April 2010

  1. #21
    Join Date: Dec 2008

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    Quote Originally Posted by DSJR View Post
    Slightly lean-n-bright as are the best 3/5A's, but with excellent imaging. The JR150 was fun as well if the top end can be tamed - neither like old solid-state distortions. Can't remember what tweeter the 150 had, but the T27 needs careful matching to sing and when it does, it's still great.......
    I always thought the 'JR-149' sounded better than the 'LS3/5a' to my ears..The 'JR150' used an Audax tweeter & Bass/Mid units.

    Dave i'm looking out for the original Nak 1000 Tri-tracer in minto condition for ones collection (Wooden cabinet condition not important) how much roughly do they go for on the used market?
    Last edited by Rare Bird; 12-04-2010 at 00:16.

  2. #22
    Join Date: May 2008

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    About tuppence I hope. They're VERY unreliable, have complex multi-pole switches that give constant trouble and you can't get bits for them as far as I'm aware.....

    They're desirable now as ornaments/museum pieces, so I expect they'd go for thousands.....

    I liked my 700 ZX/E (next range down frm the 1000. The 700- XZ/E, XZ/L the latter with automatic tuning I think), but the CR7 sounded clearer and had a better frequency response.

    Sorry to spoil it mate, but I remember these things......
    Tear down these walls; Cut the ties that held me
    Crying out at the top of my voice; Tell me now if you can hear me

  3. #23
    Join Date: Jan 2008

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    Quote Originally Posted by Beechwoods View Post
    There's also a thread on them (the JR149) from way back, on here... http://theartofsound.net/forum/showthread.php?t=1570

    ....

    I must say I'm well chuffed with them, and I know there's at least one other AOS'er (St3v3) who's smitten with theirs
    Nice setup there Nick, and I do love the JR149 speakers - I played mine in the nud. (The speakers, not me but they are a bit 'industrial' like that). On balance I'd take them in preference to LS3/5A, even disregarding relative current pricing.

    Some photos of the ones I had and their bigger bro', the JR150, on that thread you linked to.
    .

  4. #24
    Join Date: Jun 2009

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    A very nice growing collection you have Nick, Chris (wazoo) has some of my manuals and i remember some tape stuff in there, Nags and others but you have to ask him what they are, he's hoping to scan them all for prosperity.

    I did fancy a pair of the Rogers but they are not ideally suited to Valves power wise from what i hear, it will be well worth getting your Quads serviced, i use the same 33 303 in my office which have been done, they are very good sound wise and easy on the ears and i'm only the second owner from new
    Jon


    A person who never made a mistake never tried anything new.




    Set up
    Lafayette el84 power amp , Audio note M1 pre , Tannoy Sterlings, Garrard 301 , SME 3012 , puresound P10, Ortofon SPU, Cambridge CXN streamer
    Micro mega Duo 3 cd transport ,

  5. #25
    Join Date: Dec 2008

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    Quote Originally Posted by DSJR View Post
    About tuppence I hope. They're VERY unreliable, have complex multi-pole switches that give constant trouble and you can't get bits for them as far as I'm aware.....

    They're desirable now as ornaments/museum pieces, so I expect they'd go for thousands.....

    I liked my 700 ZX/E (next range down frm the 1000. The 700- XZ/E, XZ/L the latter with automatic tuning I think), but the CR7 sounded clearer and had a better frequency response.

    Sorry to spoil it mate, but I remember these things......
    Sorry Dave can't buy that mate.

    I've always found Tandberg miles better machines IMHO.

    I'm not gonna argue Frequency extremes cos i'm not intrested in all that tripe, I collect use vintage for reason, i'm not a hi-fi nut as some seem to think!
    Last edited by Rare Bird; 12-04-2010 at 00:16.

  6. #26
    Join Date: May 2008

    Location: Bristol, UK

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    I'm Nick.

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    Tandberg made some very nice decks... but they're rarer than high-end Naks and cost even more. They were beautiful objects as well, as testified by your picture!
    Nick
    My system...


    Follow AOS on Twitter: @AoS_Forum

  7. #27
    Join Date: Dec 2008

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    Quote Originally Posted by Beechwoods View Post
    Tandberg made some very nice decks... but they're rarer than high-end Naks and cost even more. They were beautiful objects as well, as testified by your picture!
    No fiddly knobs & buttons like the Naks, the construction was amazing aswell as proper VU Meters.

  8. #28
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

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    I'm AudioAl'sArbiterForPISHANTO.

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    I collect use vintage for reason, i'm not a hi-fi nut as some seem to think!
    Bollox! You've got a very discerning pair of ears (don't let anyone tell you differently), and as far as the bit highlighted above goes, the quality of your recordings on CD (apart from anything else) says otherwise


    These are stunningly awesome:





    I'd swap my CR-7 for one anytime!!


    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


  9. #29
    Join Date: May 2008

    Location: Bristol, UK

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    I'm Nick.

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    If you ever do feel like getting rid of it, let me know
    Nick
    My system...


    Follow AOS on Twitter: @AoS_Forum

  10. #30
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

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    No worries, dude

    I might happen one day, as I'm using my Technics RSB-565 (similar to the one Alex tweaked for the show in London) more these days, to save the heads on the CR-7, and TBH, there isn't a hill of beans between them as far as making high quality recordings goes (which is all I use a tape deck for really - tapes for the car), although the Nak edges it on playback

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


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