I wouldn’t use an spl meter, I would measure from the speaker terminals with a multimeter, any cheap one will do, you don’t need anything special.
Im afraid Stoke is likely a bit far for me but it partly depends on whatever date is chosen .
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I wouldn’t use an spl meter, I would measure from the speaker terminals with a multimeter, any cheap one will do, you don’t need anything special.
Im afraid Stoke is likely a bit far for me but it partly depends on whatever date is chosen .
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Obvious troll is obvious.
Oliver, matching the output levels is a good idea, fixing a cart loading possibly isn't. Different phonostages have different input topologies with different native loading. Far better to allow people to choose the loading they think is best for the cart, and giving them time to fine tune it. Forcing a specific loading onto every stage doesn't match real world conditions of use where the user will likely adjust loading homing in on a preferred value.
Kuzma Stabi/S 12", (LP12-bastard) DC motor and optical tacho psu, Benz LP, Paradise (phonostage). MB-Pro, Brooklyn dac and psu, Bruno Putzeys balanced pre, mod86p dual mono amps, Yamaha NS1000m
I'm not sure what your issue is, Cyrus. You've been passively aggressive about this bakeoff all day, what's your deal?
It's an average cartridge in terms of output, loading, body weight, height and about any other specification you want to look at. It's DESIGNED to work with nearly any SUT or head amp and compatible with ANY phono stage I've looked at and i have looked into the ones on offer here. FFS surely Ortofon would've considered how to sell as many of them as possible and not make them difficult to pair up, don't you think?
The Kontrapunkt is what I have available to me and as with the rest of the system, if something better is offered, it can go in.
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Why am I a troll? It's an absolutely relevant question - choosing the right cartridge gives everyone a chance. Please explain why and how I'm trolling, and if you are correct in your assumption I'll apologise and retreat back into the shadows.
Location: Home Counties
Posts: 157
I'm Joe.
Thanks for organising this Oliver. Stoke is a bit far for me but you never know. As to controlling variables other than the phono stage, well, obviously use the same kit and substitute stages and do your best to keep volumes similar but that should be it. Surely the whole point of this is to enjoy the day and explore how different stages sound. I doubt it is to declare a winner as people naturally have different preferences. Just one problem I can foresee, my valve stage takes a while to fully come on song and I dare say this is true of other stages. How long do you intend giving each stage before (not too) serious listening?
If I don't come, have a great day and don't listen to knockers!