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Thread: Why is modern pop so terrible?

  1. #121
    montesquieu Guest

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    Quote Originally Posted by Marco View Post
    Fair enough, but I think you'll agree it's representative of some decent new music, not likely to be found if you're too stuck in your ways!

    How may folks here I wonder, including you, *actively seek out* new music that they might like, either by:

    a) attending local gigs/live music events

    b) reading music magazines, in paper form or online, and checking out some of the recommendations

    c) listening to non-mainstream music content on the radio

    d) visiting local independent record shops and checking out new music releases from bands you've not heard of before

    I do all of those

    Marco.
    Can't imagine you listening to chart pop music though Marco, which is what this thread at least started off being despairing about.

    Yes there are plenty of decent bands and good new music around, the issue is that business imperatives have resulted in commercial pop - the lowest common denominator stuff that you can't avoid as you go around and about, whether it's at the barbers, the pictures, or the Co-op - has shrunk in scope, variety and ambition, in ways that are not a matter of opinion but are absolutely demonstrable (per the original clip). Regardless of what other good stuff is around, it's a matter for some sadness and regret that this has come to pass.

    Being a classical guy, I don't tend to seek out bands and so on (I'm busy enough keeping up with my own favoured genres) so my main experience of 'today's' music is the mass-market pap that's everywhere and I have to say, it's no surprise to me that it's measurably less varied melodically, harmonically, rythmically or structurally, than what was around even 20 years ago never mind 40 or 50, while at the same time more and more being compressed to buggery in the loudness wars, as we can all hear.

    It's kind of irrelevant that there is lots of other good stuff around if it is primarily this that the great unwashed are being exposed to. Our communal experience is being degraded and no amount of praise for non-mass market stuff can really get around that.

  2. #122
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

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    Quote Originally Posted by montesquieu View Post
    Can't imagine you listening to chart pop music though Marco, which is what this thread at least started off being despairing about.
    Yeah sure, like I said, I was simply extrapolating the discussion to include a little bête noire of mine [boring creatures of habit, who lack adventurousness in their musical tastes].

    However, I agree with every word you've just written

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


  3. #123
    Join Date: Oct 2017

    Location: Ontario, Canada

    Posts: 791
    I'm Svend.

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    Quote Originally Posted by Marco View Post
    Fair enough, but I think you'll agree it's representative of some decent new music, not likely to be found if you're too stuck in your ways!

    How may folks here I wonder, including you, *actively seek out* new music that they might like, either by:

    a) attending local gigs/live music events

    b) reading music magazines, in paper form or online, and checking out some of the recommendations

    c) listening to non-mainstream music content on the radio

    d) visiting local independent record shops and checking out new music releases from bands you've not heard of before

    I do all of those

    Marco.
    Having two young daughters (19 and 21 y-o) really helps keep me connected to new stuff. They have great taste, for which I pat myself on the back a bit, as the indie music leanings of my youth have rubbed off on them. When they were much younger and developing their own taste in music, I always stressed quality, authenticity, originality, and genuine talent. I taught them to recognize posers and fake crap. So now I reap the rewards, as they will punt over a recommendation of band or song that they think I would like, and thus I get exposed to some really great new stuff....and vice-versa, I'll send stuff back to them. I love it! And much to my delight, they are developing a real taste for jazz and classical, and are creating some pretty cool playlists of these on Spotify.

    Next step: start helping them build a vinyl collection. Now that is going to be fun!

    As for your a-b-c-d list, yes, we all do each of those. Makes for a richer, more interesting life, don't you think?

    Cheers,
    Svend

  4. #124
    Join Date: Dec 2017

    Location: Manchester

    Posts: 359
    I'm John.

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    Quote Originally Posted by montesquieu View Post
    Can't imagine you listening to chart pop music though Marco, which is what this thread at least started off being despairing about.

    Yes there are plenty of decent bands and good new music around, the issue is that business imperatives have resulted in commercial pop - the lowest common denominator stuff that you can't avoid as you go around and about, whether it's at the barbers, the pictures, or the Co-op - has shrunk in scope, variety and ambition, in ways that are not a matter of opinion but are absolutely demonstrable (per the original clip). Regardless of what other good stuff is around, it's a matter for some sadness and regret that this has come to pass.

    Being a classical guy, I don't tend to seek out bands and so on (I'm busy enough keeping up with my own favoured genres) so my main experience of 'today's' music is the mass-market pap that's everywhere and I have to say, it's no surprise to me that it's measurably less varied melodically, harmonically, rythmically or structurally, than what was around even 20 years ago never mind 40 or 50, while at the same time more and more being compressed to buggery in the loudness wars, as we can all hear.

    It's kind of irrelevant that there is lots of other good stuff around if it is primarily this that the great unwashed are being exposed to. Our communal experience is being degraded and no amount of praise for non-mass market stuff can really get around that.
    Perfectly put. It's not the lack of good new music being made, it's the lack of good new music being successful.

    But on the plus side, I get to see some great artists in small venues for under £20.

    Sent from my SM-G920F using Tapatalk

  5. #125
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Quote Originally Posted by Svend N View Post
    Having two young daughters (19 and 21 y-o) really helps keep me connected to new stuff. They have great taste, for which I pat myself on the back a bit, as the indie music leanings of my youth have rubbed off on them. When they were much younger and developing their own taste in music, I always stressed quality, authenticity, originality, and genuine talent. I taught them to recognize posers and fake crap. So now I reap the rewards, as they will punt over a recommendation of band or song that they think I would like, and thus I get exposed to some really great new stuff....and vice-versa, I'll send stuff back to them. I love it! And much to my delight, they are developing a real taste for jazz and classical, and are creating some pretty cool playlists of these on Spotify.

    Next step: start helping them build a vinyl collection. Now that is going to be fun!

    As for your a-b-c-d list, yes, we all do each of those. Makes for a richer, more interesting life, don't you think?
    Absolutely! All I can say, Svend, is that you have my utter respect - the *perfect* set up [and congrats too, for bringing up your kids properly]!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


  6. #126
    Join Date: Oct 2017

    Location: Ontario, Canada

    Posts: 791
    I'm Svend.

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    Thank you Marco, for the kind words. I appreciate it

    Warm regards,
    Svend

  7. #127
    Join Date: Aug 2009

    Location: Staffordshire, England

    Posts: 37,886
    I'm Martin.

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    I used to do everything on Marco's checklist, don't do any of that now. There was a time when there were more new records out that I wanted than I had money to buy. That dropped off a cliff about 15/20 years ago and has never come back. And I'm pretty sure it isn't me that has changed.
    Current Lash Up:

    TEAC VRDS 701T > Sony TAE1000ESD > Krell KSA50S > JM Labs Focal Electra 926.

  8. #128
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    But a mixture of apathy and laziness (in simply ignoring and being unwilling to seek out new forms of music, under the premise that it's shit) won't facilitate the expanding of your musical tastes, which ably proves what I've said about most middle-aged audiophiles

    I know you'll always be married to your Steely Dan albums!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


  9. #129
    Join Date: Aug 2009

    Location: Staffordshire, England

    Posts: 37,886
    I'm Martin.

    Default

    If you've got all the Steely Dan, Led Zep and Hendrix you can pretty much do without the rest.
    Current Lash Up:

    TEAC VRDS 701T > Sony TAE1000ESD > Krell KSA50S > JM Labs Focal Electra 926.

  10. #130
    Join Date: Feb 2013

    Location: W Lothian

    Posts: 99,005
    I'm Grant.

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    I find the likes of Deezer or any of the others invaluable for exposing yourself to new stuff. It's like your personal old grey whistle test and your bob Harris. Lol
    Regards,
    Grant .... ؠ ......Don't be such a big girl's blouse

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