+ Reply to Thread
Page 6 of 8 FirstFirst ... 45678 LastLast
Results 51 to 60 of 77

Thread: would anyone loan me an mc sut for a trial please?

  1. #51
    Join Date: Nov 2015

    Location: Wolverhampton

    Posts: 6,546
    I'm Oliver.

    Default

    Quote Originally Posted by farflungstar View Post
    If money is tight but performance important id look at Dave Slagle, who i believe can do them and I've read very good things about them. If they are anything like his TVC's then they should be outstanding.
    +1 for the Dave Slagle recommendation. My Slagle AVC is outstanding (Thanks Ali Tait)

    Sent from my EVA-L09 using Tapatalk
    Analogue: Technics SP10 MK2 > Phonomac AT-1010 MK5 tonearm > Ortofon Kontrapunkt b > Bigbottle Jfet MC Valve Phonostage (Telefunken Valves)
    Digital: NONE
    Amplification: Nelson Pass DCB1 with Khozmo 48 Step Series Attenuator & Krell KSA100 MK2 Amplifier
    Cables: Fisual S-Flex Speaker Cable & SPOTFIRE IC Cables & NEW SPOTFIRE Tonearm cable
    Speakers: Pioneer CS-77A

  2. #52
    Join Date: Sep 2014

    Location: brighton uk.

    Posts: 3,538
    I'm jamie.

    Default

    Quote Originally Posted by speedracer View Post
    He is in Lancing Jamie, not far at all, & I would come along too if you don't mind.
    sweet as,yes your welcome too,how about next saturday?
    if he's got a decent amp he could bring that as well
    My System/ Yamaha NS1000M speakers ,Pioneer PLC-590,Sony TTS-8000 turntables,Pioneer PA-5000 and PMAT-1010 Tonearms,AT-ART 7 Cartridge,Denon HA-500 Head Amp, John Wood KT88 Valve Amp, Nakamichi ca5 pre amp,Sony X555ES CD Player,Karma Interconnects

  3. #53
    Join Date: Nov 2015

    Location: Wolverhampton

    Posts: 6,546
    I'm Oliver.

    Default

    Quote Originally Posted by farflungstar View Post
    I agree with Tom. My Hashimoto HMX is basically the HM7 wth a different response, higher top end extension and slightly less lower end. It is certainly not limited at either extreme and is sublime across the board. I am however, as is Tom, using it with possibly one of the best phonostages available, and in truth the difference with or without the SUT is very very subtle.
    Hi Adrian,

    If it's very very subtle, why use one? Does your stage have direct MC input capability? (Can't see you gear on Tapatalk)

    I'm genuinely interested as to what it brings to the party in your system or is there any "expectation bias" due to having invested substantially in an SUT?





    Sent from my EVA-L09 using Tapatalk
    Analogue: Technics SP10 MK2 > Phonomac AT-1010 MK5 tonearm > Ortofon Kontrapunkt b > Bigbottle Jfet MC Valve Phonostage (Telefunken Valves)
    Digital: NONE
    Amplification: Nelson Pass DCB1 with Khozmo 48 Step Series Attenuator & Krell KSA100 MK2 Amplifier
    Cables: Fisual S-Flex Speaker Cable & SPOTFIRE IC Cables & NEW SPOTFIRE Tonearm cable
    Speakers: Pioneer CS-77A

  4. #54
    Join Date: Dec 2015

    Location: Alicante. Spain.

    Posts: 1,700
    I'm Adrian.

    Default

    I use the Vida, the SUT adds a slight improvement in airiness and tonallity but it is slight. However it's enough to keep it in the loop - and it's not expectation bias, I've had it a good while now and experimented with and without - I like it in. The Vida is a head amp I guess, so they can be superb, but they're not cheap! Tom may have a different opinion as he's now using the Ear pre.
    Technics SP10 mk2
    Jan Allaerts MC 1 Boron mk1 cart
    Miyajima Shilabe cart
    Hashimoto HM-X SUT
    Siggwan (gimballed not unipivot) Cocobola 12"
    Aurorasound Vida LCR Phonostage
    The Truth linestage
    Dave Slagle Autoformer Volume Controller
    Cary 805c SET amps
    Audio Note ANe-SPX speakers
    Townshend Isolda speaker cables
    Cardas Golden Presence interconnects

  5. #55
    Join Date: Feb 2010

    Location: Berkshire, UK

    Posts: 3,306
    I'm Tom.

    Default

    Quote Originally Posted by farflungstar View Post
    I use the Vida, the SUT adds a slight improvement in airiness and tonallity but it is slight. However it's enough to keep it in the loop - and it's not expectation bias, I've had it a good while now and experimented with and without - I like it in. The Vida is a head amp I guess, so they can be superb, but they're not cheap! Tom may have a different opinion as he's now using the Ear pre.
    Agree with Adey - it's plain the SUT improves things over straight MC input - not massive, but it's definitely noticeable. Don't get me wrong it's a top quality MC input and it's perfectly possible to use it that way, but a good SUT just adds that bit more air and dimensionality. This was most noticeable when I used it with the Audio Note Japan AN-S6cc but was also quite discernable with the Hashimoto HM-7 and the TX103.
    Main: Speakers 'RFC' Tannoy Canterburys / custom crossovers with Tannoy ST25 supertweeters; Amp - Radford STA100; Pre EAR 912; Vinyl: Thorens TD124 MkII + Ikeda IT345-CR1 9 inch and Ikeda IT-407 12 inch tonearms; Cartridges Stereo - Miyajima Madake, Miyajima Takumi, Ikeda 9TT, SAEC/Excel C3; Mono - Miyajimas - Zero 0.7, Premium 1.0, Edison '78' 4.0 conical, and Shure M44 strapped for mono with several Expert Stylus conicals for different eras of 78s; Phono stage and SUT from EAR 912 + Miyajima ETR-Mono SUT; Esoteric Sound Re-Equalizer for equalisation of early mono and 78, switchable in from tape loop; Digital: Audio Note CDT2/II transport, heavily modded AN Kit DAC + Mutec MC3+USB.

    Study: Speakers - Tannoy DC6; Amp: Pass Aleph 'Mini'; tube preamp - Gate Audio tube; Vinyl: Garrard 401 with AT1503 Mk I tonearm and vintage Ortofon SL-15e with matching Ortofon 2-15k SUT; Phono Stage from Gate Audio preamp; Digital - Trichord Genesis III CDP + Arcam rBlink.

  6. #56
    Join Date: Jul 2016

    Location: Ferndown, Dorset, UK

    Posts: 224
    I'm Brook.

    Default

    Okay I will have a word & get back to you, & yes he has more than 1 very very decent amps

  7. #57
    Join Date: Mar 2016

    Location: East Sussex

    Posts: 193
    I'm Nat.

    Default

    I have been reading this thread with great interest as I have been wondering if an sut would be an upgrade connected to my Trichord Dino with the dip switches set to MM. I have just acquired a Benz Micro Ace SL and wondered if the Trichord is up to the task of getting the very best from this cart and as a very expensive stage is out of my reach would an SUT offer some of what a more expensive stage could give to the Benz?

  8. #58
    Join Date: Nov 2015

    Location: Wolverhampton

    Posts: 6,546
    I'm Oliver.

    Default

    Quote Originally Posted by farflungstar View Post
    I use the Vida, the SUT adds a slight improvement in airiness and tonallity but it is slight. However it's enough to keep it in the loop - and it's not expectation bias, I've had it a good while now and experimented with and without - I like it in. The Vida is a head amp I guess, so they can be superb, but they're not cheap! Tom may have a different opinion as he's now using the Ear pre.
    Thanks Adrian, the Vida looks lovely!!! But we're not talking Modest in terms of price are we



    Sent from my EVA-L09 using Tapatalk
    Analogue: Technics SP10 MK2 > Phonomac AT-1010 MK5 tonearm > Ortofon Kontrapunkt b > Bigbottle Jfet MC Valve Phonostage (Telefunken Valves)
    Digital: NONE
    Amplification: Nelson Pass DCB1 with Khozmo 48 Step Series Attenuator & Krell KSA100 MK2 Amplifier
    Cables: Fisual S-Flex Speaker Cable & SPOTFIRE IC Cables & NEW SPOTFIRE Tonearm cable
    Speakers: Pioneer CS-77A

  9. #59
    Join Date: Nov 2015

    Location: Wolverhampton

    Posts: 6,546
    I'm Oliver.

    Default

    Quote Originally Posted by Natara View Post
    I have been reading this thread with great interest as I have been wondering if an sut would be an upgrade connected to my Trichord Dino with the dip switches set to MM. I have just acquired a Benz Micro Ace SL and wondered if the Trichord is up to the task of getting the very best from this cart and as a very expensive stage is out of my reach would an SUT offer some of what a more expensive stage could give to the Benz?
    It can't give what's not there IMO.it may change something in the presentation which may be favourable or not. Unless you're going to spend big (1k+), don't bother or borrow one and see for yourself. The FRT-3 is probably as good as it gets under (500 used).

    SUTs and Head amps are literally just there to provide Gain to the MC signal to make it work with MM phonostages.

    Only my opinion


    Sent from my EVA-L09 using Tapatalk
    Analogue: Technics SP10 MK2 > Phonomac AT-1010 MK5 tonearm > Ortofon Kontrapunkt b > Bigbottle Jfet MC Valve Phonostage (Telefunken Valves)
    Digital: NONE
    Amplification: Nelson Pass DCB1 with Khozmo 48 Step Series Attenuator & Krell KSA100 MK2 Amplifier
    Cables: Fisual S-Flex Speaker Cable & SPOTFIRE IC Cables & NEW SPOTFIRE Tonearm cable
    Speakers: Pioneer CS-77A

  10. #60
    Join Date: Apr 2012

    Location: Southall, West London

    Posts: 37,229
    I'm Geoff.

    Default

    I don't know about the Dino, but some MM/MC phono stages actually do sound better used via the MM side with an SUT. The MM/MC version of the EAR 834P springs to mind, where this was very evident.

    As SUT's tend to resell at the price paid for them, there's not a lot to lose by trying one. Cheap SUT's are a disaster though and ruin the MC experience. Regard something like the Fidelity Research FRT-3 as being at the minimum price point for something worthwhile.

+ Reply to Thread
Page 6 of 8 FirstFirst ... 45678 LastLast



 

Posting Permissions

  • You may not post new threads
  • You may not post replies
  • You may not post attachments
  • You may not edit your posts
  •