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Thread: Amp to match my Tannoys ?

  1. #31
    Join Date: Nov 2011

    Location: wirral

    Posts: 201
    I'm frank.

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    Quote Originally Posted by Marco View Post
    Good shout, Tony. I think Mike should hear those in his system. For me, every Tannoy DC aficionado should hear his or her speakers with both tube and SS amps, before making a final decision on which way to go, as the difference in sonic presentation is marked

    Marco.
    The combination of that big copper valve amp IanW had and his Canterbury's represent to me one of, if not the nicest amp /Tannoy combination I've ever heard.

  2. #32
    Join Date: Jan 2008

    Location: Out on the wild and windy moors Lancs / Yorks Border

    Posts: 347
    I'm Andy.

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    +1 on that Frank, it was a lovely combination, shame Ian did not do vinyl that could have been spectacular.
    Analogue
    301 / 3012 / 2m black
    401 / PU7 / AT33ev / Highphonics SUT
    NVA Phono 2 + PSU X 2
    Digital
    Vortexbox, SBT / Teac Dac
    Fiio Taishan
    Cambridge CXC
    Amps
    Tron Seven Linestage, Glasshouse TVC or Quad 44
    Quad 303; 606 or Bel Canto Set 40 or NG 300B Set Monoblocks
    Speakers
    Tannoy GRF Memory.
    Tannoy ST100.
    Q Acoustic 3020.

  3. #33
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 80,970
    I'm AudioAl'sArbiterForPISHANTO.

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    Totally agree, guys - having heard that combo on numerous occasions! The same amp also sounds rather good with my LMs

    However, Copper amps (or any valve amps of that ilk) don't come cheap... In fact, you can't do valve amps properly, on the cheap, period.

    Marco.
    http://www.thestainedglasscompany.com

    "A man is a success if he gets up in the morning and gets to bed at night, and in between he does what he wants to do" -- Milan Kundera.

    BE HAPPY EVERYDAY!

  4. #34
    Join Date: Mar 2014

    Location: KY - Scotland

    Posts: 3,336
    I'm Mike.

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    Quote Originally Posted by wee tee cee View Post
    Mike,
    What about a EWA pre to match the power amp....makes sense!

    If you fancy trying tubes I will lug my Kel 84 power amp and mono blocks across.

    Ive got the monos plumbed in using the TQ as dac/pre-sounds lovely.

    Can bring the tvc/tissie and bte to let you try some passives.

    Try to persuade Brian to bring is croft pre /power.

    As a left field I can also bring a few t amps-mini t/temple audio bantum/mono blocks-they can really surprise just how good they sound.

    The scottish mafia is hear to help!!!
    I did think about the EWA Pre Q20 I think it is, but I would need it custom as it only has one input and has an MC and MM phono stage built in. So I would need at least 1 more input, ok I could look at the EWA M-50 Pre but that's about 1800, I'd rather spend that amount on a used product to get more for my money

    I'm also not sure what difference it would be from the TQ Claymore Amp as a pre.

  5. #35
    Join Date: Mar 2014

    Location: KY - Scotland

    Posts: 3,336
    I'm Mike.

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    Quote Originally Posted by Marco View Post
    Good shout, Tony. I think Mike should hear those in his system. For me, every Tannoy DC aficionado should hear his or her speakers with both tube and SS amps, before making a final decision on which way to go, as the difference in sonic presentation is marked

    Marco.
    Yip makes sense, I'll definitely have to get a listen to Tony's 'spares' on my Tannoys

  6. #36
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 80,970
    I'm AudioAl'sArbiterForPISHANTO.

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    Well, if Tony's Kel 84 power amp and mono blocks gels with them, then be prepared to fall in love with TOOBS!

    Marco [Tannoys love TOOBS].
    http://www.thestainedglasscompany.com

    "A man is a success if he gets up in the morning and gets to bed at night, and in between he does what he wants to do" -- Milan Kundera.

    BE HAPPY EVERYDAY!

  7. #37
    Join Date: Feb 2011

    Location: glasgow

    Posts: 2,273
    I'm tony.

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    I dont think the tubes in my amps are that special -sovtek/phillips/mullard but it gives a proper flavour of what tubes do. There is just something special going on, in combo with my 57s they really do play nice.

  8. #38
    Join Date: Aug 2010

    Location: Torquay, Devon.

    Posts: 5,696
    I'm Shane.

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    Good SS Integrated amp that can go to 11-12, and retain it's composure. The Roksan Kandy KA1- MKIII.

    S.

  9. #39
    Join Date: Feb 2010

    Location: Berkshire, UK

    Posts: 3,305
    I'm Tom.

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    Quote Originally Posted by petrat View Post
    Mike ... I think you were exactly correct when you were going to buy the EAR 8L6. Like many on this forum, I've tried (too) many amps with Tannoys, and most of us seem to have settled on KT88/120/150 or EL34 push-pull valve amps.
    +1. KT88 family / EL 34 family. With HPDs, 40-50w minimum (Golds need less). Job done and just listen to the music.

    Been there done that with solid state, SET, 300b, active crossovers, hybrids, Class D, blah blah di blah. With Tannoys, tubes rule, specifically PP valve amps of the pentode/beam tetrode persuasion. You know it makes sense.

    Quote Originally Posted by Marco View Post

    Marco [Tannoys love TOOBS].
    Sums it up neatly.
    Main: Speakers 'RFC' Tannoy Canterburys / custom crossovers with Tannoy ST25 supertweeters; Amp - Radford STA100; Pre EAR 912; Vinyl: Thorens TD124 MkII + Ikeda IT345-CR1 9 inch and Ikeda IT-407 12 inch tonearms; Cartridges Stereo - Miyajima Madake, Miyajima Takumi, Ikeda 9TT, SAEC/Excel C3; Mono - Miyajimas - Zero 0.7, Premium 1.0, Edison '78' 4.0 conical, and Shure M44 strapped for mono with several Expert Stylus conicals for different eras of 78s; Phono stage and SUT from EAR 912 + Miyajima ETR-Mono SUT; Esoteric Sound Re-Equalizer for equalisation of early mono and 78, switchable in from tape loop; Digital: Audio Note CDT2/II transport, heavily modded AN Kit DAC + Mutec MC3+USB.

    Study: Speakers - Tannoy DC6; Amp: Pass Aleph 'Mini'; tube preamp - Gate Audio tube; Vinyl: Garrard 401 with AT1503 Mk I tonearm and vintage Ortofon SL-15e with matching Ortofon 2-15k SUT; Phono Stage from Gate Audio preamp; Digital - Trichord Genesis III CDP + Arcam rBlink.

  10. #40
    Join Date: Feb 2010

    Location: Berkshire, UK

    Posts: 3,305
    I'm Tom.

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    Quote Originally Posted by jandl100 View Post
    The Quad 405ii has much more control than the original 405.
    I upped from the 405 to the ii and consider it to be the first real hifi amp that I owned.
    I've had an upgraded 405 ii in the house and its owner was highly expectant. He left disappointed - Radford was far more refined and liquid, while being just as robust in the lower registers. Made the Quad sound coarse. Same experience with a 303 and 909. Quads are good amps but they won't do what a good valve amp does. Though as Marco says elsewhere it is a more expensive path to take, decent valve amps aren't as cheap as they used to be.
    Main: Speakers 'RFC' Tannoy Canterburys / custom crossovers with Tannoy ST25 supertweeters; Amp - Radford STA100; Pre EAR 912; Vinyl: Thorens TD124 MkII + Ikeda IT345-CR1 9 inch and Ikeda IT-407 12 inch tonearms; Cartridges Stereo - Miyajima Madake, Miyajima Takumi, Ikeda 9TT, SAEC/Excel C3; Mono - Miyajimas - Zero 0.7, Premium 1.0, Edison '78' 4.0 conical, and Shure M44 strapped for mono with several Expert Stylus conicals for different eras of 78s; Phono stage and SUT from EAR 912 + Miyajima ETR-Mono SUT; Esoteric Sound Re-Equalizer for equalisation of early mono and 78, switchable in from tape loop; Digital: Audio Note CDT2/II transport, heavily modded AN Kit DAC + Mutec MC3+USB.

    Study: Speakers - Tannoy DC6; Amp: Pass Aleph 'Mini'; tube preamp - Gate Audio tube; Vinyl: Garrard 401 with AT1503 Mk I tonearm and vintage Ortofon SL-15e with matching Ortofon 2-15k SUT; Phono Stage from Gate Audio preamp; Digital - Trichord Genesis III CDP + Arcam rBlink.

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