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Thread: New Mark Grant G1000HD Precision cables

  1. #11
    Join Date: Nov 2008

    Location: Valley of the Hazels

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    I'm AMusicFanNotAnAudiophile.

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    Are the G1000HDs a pseudo balanced construction ?

    Chris

  2. #12
    Join Date: Nov 2008

    Location: Dartmouth in beautiful Devon UK

    Posts: 1,243

    Cool


    Are the G1000HDs a pseudo balanced construction ?


    No, but they are doubled screened, so all that inaudible stuff in the air gets shut out, this reduces the susceptibility of intermod and can often give a clearer sound. Coincidently I'm make a set for a customer, but using way more expensive connectors. Although potentially I'm a competitor, Mark Grant is one of the honest cable manufacturers out there!

    Regards

    Dave

  3. #13
    Join Date: Nov 2008

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    Quote Originally Posted by Dave Cawley View Post
    No, but they are doubled screened, so all that inaudible stuff in the air gets shut out, this reduces the susceptibility of intermod and can often give a clearer sound. Coincidently I'm make a set for a customer, but using way more expensive connectors. Although potentially I'm a competitor, Mark Grant is one of the honest cable manufacturers out there!

    Regards

    Dave
    Thanks Dave. I spotted the braided screen, so I thought that there would be superior RF rejection and what have you taking place.

    Chris

  4. #14
    Join Date: Dec 2008

    Location: Yorks

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    Marco: when you recommend Mark Grant interconnects, which cables do you recommend as i noticed Canare! now Canare are another companies product??

  5. #15
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

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    Hi Andre,

    Canare/Belden I believe supply the cable and connectors (as they do in many well-known 'high-end' cable manufacturer's products), but the G1000HDs are branded as Mark's own design, and he's paid for the privilege

    What's interesting is that I've bought the exact same interconnects (the £20 ones Mark sells, not the G1000HDs) from Blue Jeans in America, where I first discovered Belden cables (see here: http://www.bluejeanscable.com/store/audio/index.htm), and yet the ones Mark sells on his site for £20 sound much better!

    This for me proves that much of the performance of a good cable (read as: transparent as possible) is down to how carefully all the component parts are assembled. I think that Mark's got this down to a fine art, and sonically it shows.

    Coincidently I'm make a set for a customer, but using way more expensive connectors.
    Fair enough, Dave - but that doesn't necessarily mean they'll sound any better. For example, I don't think that WBTs are worth the money. They're good, but in many ways unnecessarily over-engineered. Sometimes 'flashy' connectors are just an excuse to justify expensive cable products, or pander to the sensibilities of badge-snob audiophiles

    This is why I (and AoS) love 'honest' products like those of Mark Grant, as they cut through the bullshit so that you only pay for what really matters.

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


  6. #16
    Join Date: Dec 2008

    Location: Yorks

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    Thanks for clearing that up..All my mains cables are actually sheilded Belden/wattgate/MK 'Toughplug' & i'm very happy with em..

  7. #17
    Join Date: Nov 2008

    Location: Dartmouth in beautiful Devon UK

    Posts: 1,243

    Smile

    Hi Marco

    They are not WBT, or flashy, you really should know me better that that! Engineering and quality costs money, and in this case the customer is more than happy to pay over 3 times the price for a marginal improvement. I'm not looking for approval or endorsement, just agreeing with Mark Grant that the use of double screened cable is often advantageous.

    Regards

    Dave

  8. #18
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

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    Dave, I wasn't referring specifically to anything you've made, but rather that expensive connectors are often not much more than 'audiophile jewellery'.

    A valid case in point, matey:

    and in this case the customer is more than happy to pay over 3 times the price for a marginal improvement.
    I certainly wouldn't be, but good luck to him or her. I completely agree that engineering and quality costs money, but I'll only pay for it when it directly translates into seriously improved performance, not merely a marginal improvement.

    Otherwise, what's the point?

    SPPV comes first and foremost - always!

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


  9. #19
    Join Date: Nov 2008

    Location: Dartmouth in beautiful Devon UK

    Posts: 1,243

    Smile

    SPPV comes first and foremost - always!

    In your view, but other have a right to feel differently. For a wealthy person it really doesn't matter! If you compare my cable at 3 times the price of Mark's with the £12K Nordost, then I win!

    But Marco, let other people enjoy the music!!

    Regards

    Dave

  10. #20
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Hi Dave,

    SPPV comes first and foremost - always!

    In your view, but other have a right to feel differently.
    Of course - I have no problem with that

    For a wealthy person it really doesn't matter!
    Well, most wealthy people I know stay that way from being as tight as a gnat's arse!

    So..... I'd feel confident that if it were demonstrated to them that 'Cable A' with shiny 'fancy-dancy' connectors (at three times the price) was only marginally better than 'Cable B', which featured 'more than adequate' high quality connectors, they'd go with the latter option because in general wealthy people don't give their money away very easily.

    It's the fact they mistakenly believe that the 'fancy-dancy' connectors make a huge difference (by being brainwashed through marketing hype or pseudo science) that generally justifies the cost for them. Remove that notion from the equation and watch how quickly they change their minds!

    I think you misunderstand why I'm into SPPV, Dave. It's not because I can't afford to buy pretty much what I want when it comes to hi-fi (trust me I can) - it's because I like to be a bit cleverer about how and where I spend my money. I just resent paying over the odds when it's not really necessary.

    I can assure you that my principles wouldn't change even if I were a multi-millionaire. I would still scrutinise everything to the nth degree and seek maximum sonic/musical return on any hi-fi investment I make. Gauche and rather vulgar footballer's wives, etc, may be different - and of course good luck to them.

    If you compare my cable at 3 times the price of Mark's with the £12K Nordost, then I win!
    LOL- indeed! But let's face it, only a total cock jockey would spend £12k on a cable

    Perhaps what we should do then is conduct a head-to-head comparison between your cable and Mark's? I'd be more than happy to perform such a test and report the outcome. I will simply tell it how I hear it. If some of your target customers are here on AoS, then I'm sure they would find the result most interesting.

    But Marco, let other people enjoy the music!!
    My expressing my opinion is not stopping anyone from enjoying their music.

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


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