+ Reply to Thread
Page 2 of 9 FirstFirst 1234 ... LastLast
Results 11 to 20 of 90

Thread: 2m Black vs Denon DL-103

  1. #11
    Join Date: Jan 2013

    Location: Birmingham

    Posts: 6,811
    I'm James.

    Default

    Quote Originally Posted by RobbieGong View Post
    Hi James, Just my tuppence worth but personally I’d look elsewhere in terms of an ‘improvement’. The Black in my experience is a stonking cart. Don’t get me wrong, I’ve had the itch too, that’s the nature of the beast that is. However, unless you are gonna spend a good amount more then I believe you’ll get different and not necessarily better. As you know the Black isn’t flavoured it just gets about playing what is on the record retrieving oodles on the info on there. When my system has been at it’s best in terms of set up I have been astonished at the ‘honesty’ in which the Black presents the music. What I mean is no two recordings sounded the same – exactly !! each recording had its sound not a flavour / obvious characteristic / signature sound. This was a revelation for me and addictive! Good recordings were just that, bad ones were revealed but the ‘music’ was always there. My system is currently going through a few big changes and I’ve been ampless for ages but the Black will most definitely remain. The one cart I hanker for is its bigger brother the Cadenza Black as I believe it does the same but with even better / more of the same but at a price. Obviously if you want something different then that’s fine. As I say, just my tuppence worth.
    Good council I think Rob. I have had a suspicion that in order to better the 2M in my system which had real synergy with the Croft, I would need to go to something like the Cadenza Black or Bronze?
    Main system : VPI Scout 1.1 / JMW 9T / 2M Black / Croft 25R+ / Croft 7 / Heco Celan GT 702

    Second System : Goldring Lenco GL75 / AT95EX / Pioneer SX590 / Spendor SP2

  2. #12
    Join Date: Mar 2008

    Location: Galashiels

    Posts: 13,695
    I'm inthescottishmafia.

    Default

    Not convinced they would better the DL S1 - don't let the relatively low price put you off.
    “Music has always been a matter of energy to me, a question of fuel. Sentimental people call it inspiration, but what they really mean is fuel. I have always needed fuel. I am a serious consumer. On some nights I still believe that a car with the gas needle on empty can run about fifty more miles if you have the right music very loud on the radio”

    Hunter S Thompson

  3. #13
    Join Date: Apr 2011

    Location: London

    Posts: 4,419
    I'm Robert.

    Default

    Quote Originally Posted by Ali Tait View Post
    Not convinced they would better the DL S1 - don't let the relatively low price put you off.
    Not really thinking subjective better but I think the word different would be more accurate and that's cool if that's what James is after. I'd have the Cadenza anyday over the DL S1 and that without having heard either

  4. #14
    Join Date: Jan 2015

    Location: England / Japan / New York

    Posts: 201
    I'm Adam.

    Default

    FWIW as a Quintet Black owner I can recommend that it'll give you more of what you already have just with a little more detail and a little more refinement.
    I was using an S1 until very recently. I certainly didn't find it lacking in bass but it's a very different animal altogether. In fairness it wasn't a great match for my tonearm but for me, although it could dig out amazing amounts of detail it lacked 'boogie' factor.
    I agree that cheaper MC carts will likely leave you wanting compared to what you're used to.

  5. #15
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Quote Originally Posted by RobbieGong View Post
    I'd have the Cadenza anyday over the DL S1 and that without having heard either
    <Cough> Come round to mine, young man, and I'll educate you differently on that matter!

    The DL-S1, properly partnered and set-up, is a stunning sounding cartridge. Not easy to get the best out of it, though...

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


  6. #16
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    2M Black or DL-103? It's a *very* different sound. For me, pretty much all Ortofon cartridges these days sound somewhat 'cold' and overtly 'hi-fi' in nature. A DL-103, however, heard at its absolute best (which, quite frankly, not many get to hear) is, to my ears, a fundamentally much more musical listen.

    Indeed, I'd take my Shure M55E (with brand new NOS stylus) over the 2M Black... It's essentially about trading (ultimate) detail retrieval for musicality. Get a 103 *right*, however, and you don't lose very much at all in terms of the former, but are rewarded in SPADES with the latter, especially when listening to vintage jazz recordings or rock and pop. It boogies like a bastard!

    Marco (not a big fan of how most modern cartridges are 'voiced').
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


  7. #17
    Join Date: Jan 2015

    Location: England / Japan / New York

    Posts: 201
    I'm Adam.

    Default

    Quote Originally Posted by Marco View Post
    2M Black or DL-103? It's a *very* different sound. The latter however, heard at its absolute best (which, quite frankly, not many get to hear) is, to my ears, a fundamentally much more musical listen
    See my experience is pretty much the exact opposite of that. But then again I'd wager not a single person on this forum likes the same music as me :-)
    Proving yet again that one mans trash is another mans treasure.

  8. #18
    Join Date: Jan 2008

    Location: Wrexham, North Wales, UK

    Posts: 110,012
    I'm AudioAl'sArbiterForPISHANTO.

    Default

    Sure, Adam, it all boils down to your relevant experience, musical and sonic tastes. However, in terms of a DL-103, have you heard it on a high-mass 'S'-shaped 9 or 12" Japanese Tonearm, through a top-notch SUT and/or head amp, and into a top-notch valve MM phono stage?

    If not, then, you haven't really heard it. Only by inserting it into the above set-up, as outlined, does the magic happen....

    Marco.
    Main System

    Turntable: Heavily-modified Technics SL-1210MK5G [Mike New bearing/ETP platter/Paul Hynes SR7 PSU & reg mods]. Funk Firm APM Achromat/Nagaoka GL-601 Crystal Record Weight/Isonoe feet & boots/Ortofon RS-212D/Denon DL-103GL in Denon PCL-300 headshell with Funk Firm Houdini/Kondo SL-115 pure-silver cartridge leads.

    Paul Hynes MC head amp/SR5 PSU. Also modded Lentek head amp/Denon AU-310 SUT.

    Other Cartridges: Nippon Columbia (NOS 1987) Denon DL-103. USA-made Shure SC35C with NOS stylus. Goldring G820 with NOS stylus. Shure M55E with NOS stylus.

    CD Player: Audiocom-modified Sony X-777ES/DAS-R1 DAC.

    Tape Deck: Tandberg TCD 310, fully restored and recalibrated as new, by RDE, plus upgraded with heads from the TCD-420a. Also with matching TM4 Norway microphones.

    Preamps: Heavily-modified Croft Charisma-X. LDR Stereo Coffee. Power Amps: Tube Distinctions Copper Amp fitted with Tungsol KT-150s. Quad 306.

    Cables & Sundries: Mark Grant HDX1 interconnects and digital coaxial cable, plus Mark Grant 6mm UP-LCOFC Van Damme speaker cable. MCRU 'Ultimate' mains leads. Lehmann clone headphone amp with vintage Koss PRO-4AAA headphones.

    Tube Distinctions digital noise filter. VPI HW16.5 record cleaning machine.

    Speakers: Tannoy 15MGs in Lockwood cabinets with modified crossovers. 1967 Celestion Ditton 15.


    Protect your HUMAN RIGHTS and REFUSE ANY *MANDATORY* VACCINE FOR COVID-19!

    Also **SAY NO** to unjust 'vaccine passports' or certificates, which are totally incompatible with a FREE society!!!


  9. #19
    Join Date: Oct 2012

    Location: NE England

    Posts: 4,173
    I'm Jez.

    Default

    I'm a fan of the 2M black. Very nice indeed and personally I'd put it miles above a DL-103....
    I'd take MP3 above a Shure M55E!

  10. #20
    Join Date: May 2012

    Location: Toulouse, France

    Posts: 6,563
    I'm Kevin.

    Default

    The SAE1000LT is hardly new.
    For something different for the 2M Black I am tempted by the AT150ANV, then I don't need to bother with SUTs and Head amps, meaning more money for the cartridge. I have a standard AT150MLX which I am using as we type, and it sounds more musical/less HiFi than the 2M Black.

    It's a shame I don't live closer to you James, as you would be welcome to borrow the SAE1000LT for a listen in your system. Sure, it probably can't compete with a Cadenza Bronze or Black, but the outlay is substantially less.

    That is the one thing Imdon't like about vinyl systems - it's very difficult to try a cartridge before committing to it financially.
    Kevin

    Too busy enjoying the music....

    European loan coordinator for Graham Slee HiFi system components..

+ Reply to Thread
Page 2 of 9 FirstFirst 1234 ... LastLast

Posting Permissions

  • You may not post new threads
  • You may not post replies
  • You may not post attachments
  • You may not edit your posts
  •